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Watery subjectivities: exploring female Somali diasporic experiences of the sea in Cristina Ali Farah's Little Mother (2011) and “A Dhow Is Crossing the Sea” (2011)

Watery subjectivities: exploring female Somali diasporic experiences of the sea in Cristina Ali Farah's Little Mother (2011) and “A Dhow Is Crossing the Sea” (2011)
Watery subjectivities: exploring female Somali diasporic experiences of the sea in Cristina Ali Farah's Little Mother (2011) and “A Dhow Is Crossing the Sea” (2011)
Contemporary global narratives of the Somali coast have been dominated by piracy stories which have tended to favour stories about men, nationalism and the nation state. This chapter complicates this dominant male narrative by exploring the way that Cristina Ali Farah uses the Indian Ocean and other bodies of water as a means to explore Somali coastal women’s diasporic experiences. Using wet ontologies and tidalectics, I explore the ways that a diaspora consciousness emerges from the materialities of the sea and other bodies of water for the female protagonists in both Little Mother and A Dhow is Crossing the Sea.
171-187
Routledge
Salaad, Ayan
c9f84d9b-fde7-4896-9be4-56a0c806b181
Staniland, Emma
Salaad, Ayan
c9f84d9b-fde7-4896-9be4-56a0c806b181
Staniland, Emma

Salaad, Ayan (2023) Watery subjectivities: exploring female Somali diasporic experiences of the sea in Cristina Ali Farah's Little Mother (2011) and “A Dhow Is Crossing the Sea” (2011). In, Staniland, Emma (ed.) Women and Water in Global Fiction. (Routledge studies in world literatures and the environment) 1 ed. New York; London. Routledge, pp. 171-187. (doi:10.4324/9780429298837).

Record type: Book Section

Abstract

Contemporary global narratives of the Somali coast have been dominated by piracy stories which have tended to favour stories about men, nationalism and the nation state. This chapter complicates this dominant male narrative by exploring the way that Cristina Ali Farah uses the Indian Ocean and other bodies of water as a means to explore Somali coastal women’s diasporic experiences. Using wet ontologies and tidalectics, I explore the ways that a diaspora consciousness emerges from the materialities of the sea and other bodies of water for the female protagonists in both Little Mother and A Dhow is Crossing the Sea.

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Published date: 27 January 2023

Identifiers

Local EPrints ID: 510376
URI: http://eprints.soton.ac.uk/id/eprint/510376
PURE UUID: 07e3ec58-ba06-4aa1-bf44-1049d2dba1c9
ORCID for Ayan Salaad: ORCID iD orcid.org/0009-0009-6496-3520

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Date deposited: 27 Mar 2026 18:08
Last modified: 28 Mar 2026 03:17

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Contributors

Author: Ayan Salaad ORCID iD
Editor: Emma Staniland

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