‘Marvels and monstrosities from all quarters of the globe’: the Museum of the Hartley Institution, Southampton, and its Global Collections, c. 1862–c. 1902
‘Marvels and monstrosities from all quarters of the globe’: the Museum of the Hartley Institution, Southampton, and its Global Collections, c. 1862–c. 1902
Although the museum of the Hartley Institution was ostensibly intended to display local material, it attracted donations from much further afield. Southampton’s connections in the second half of the nineteenth century were global, as the Indian butterflies, Australian boomerangs and numerous other items from around the world that entered the collection attest. The expanding reach of the British Empire, both formal and informal, as well as the port’s international commercial maritime links were reflected in the objects that ended up in the Hartley Institution. The geographical and historical origins of the institution’s collections underscore the ways in which the local and the global – in terms of both connections and collections – were equally important in establishing the museum’s remit. Centrifugal forces always exerted a considerable pull, drawing the focus of the collections and the museum to the wider horizons of Britain’s nineteenth-century maritime world.
Mcaleer, John
dd99ce15-2c73-4ed3-a49d-89ee5c13832a
Mcaleer, John
dd99ce15-2c73-4ed3-a49d-89ee5c13832a
Mcaleer, John
(2026)
‘Marvels and monstrosities from all quarters of the globe’: the Museum of the Hartley Institution, Southampton, and its Global Collections, c. 1862–c. 1902.
Journal of the History of Collections.
(In Press)
Abstract
Although the museum of the Hartley Institution was ostensibly intended to display local material, it attracted donations from much further afield. Southampton’s connections in the second half of the nineteenth century were global, as the Indian butterflies, Australian boomerangs and numerous other items from around the world that entered the collection attest. The expanding reach of the British Empire, both formal and informal, as well as the port’s international commercial maritime links were reflected in the objects that ended up in the Hartley Institution. The geographical and historical origins of the institution’s collections underscore the ways in which the local and the global – in terms of both connections and collections – were equally important in establishing the museum’s remit. Centrifugal forces always exerted a considerable pull, drawing the focus of the collections and the museum to the wider horizons of Britain’s nineteenth-century maritime world.
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Accepted/In Press date: 12 February 2026
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Local EPrints ID: 510776
URI: http://eprints.soton.ac.uk/id/eprint/510776
ISSN: 0954-6650
PURE UUID: 66051d66-6fb9-430e-a048-fa99196bf242
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Date deposited: 21 Apr 2026 16:56
Last modified: 22 Apr 2026 01:45
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