The University of Southampton
University of Southampton Institutional Repository

Visualizing the executions of British queens in early modern Europe

Visualizing the executions of British queens in early modern Europe
Visualizing the executions of British queens in early modern Europe
The executions of British queens between 1536 and 1587 were sensational news events, both in the British Isles and on the Continent, and were visually represented in woodcuts, engravings and paintings well into the following century. While several of the sources that are examined in this article have been extensively studied by scholars, others remain understudied or ignored, which is surprising in view of the rich interdisciplinary potential of the subject: such visual representations appeared in a broad corpus of literary and historical sources that crossed national boundaries. Visual representations are a critical source for scholars not only on account of their insights into the ways in which artists creatively imagined the executions but because of the role they are likely to have played in disseminating knowledge of these shocking events to audiences both at home and abroad.
0950-3471
46–76
Byrne, Conor
27b7ead6-6222-450f-a83c-7592a542b17c
Byrne, Conor
27b7ead6-6222-450f-a83c-7592a542b17c

Byrne, Conor (2025) Visualizing the executions of British queens in early modern Europe. Historical Research, 99 (283), 46–76. (doi:10.1093/hisres/htaf024).

Record type: Article

Abstract

The executions of British queens between 1536 and 1587 were sensational news events, both in the British Isles and on the Continent, and were visually represented in woodcuts, engravings and paintings well into the following century. While several of the sources that are examined in this article have been extensively studied by scholars, others remain understudied or ignored, which is surprising in view of the rich interdisciplinary potential of the subject: such visual representations appeared in a broad corpus of literary and historical sources that crossed national boundaries. Visual representations are a critical source for scholars not only on account of their insights into the ways in which artists creatively imagined the executions but because of the role they are likely to have played in disseminating knowledge of these shocking events to audiences both at home and abroad.

Text
htaf024 - Version of Record
Available under License Creative Commons Attribution.
Download (58MB)

More information

e-pub ahead of print date: 12 December 2025

Identifiers

Local EPrints ID: 511563
URI: http://eprints.soton.ac.uk/id/eprint/511563
ISSN: 0950-3471
PURE UUID: b8ac3679-e9d2-4c52-8b2f-fd6682b45d06
ORCID for Conor Byrne: ORCID iD orcid.org/0009-0001-9168-4529

Catalogue record

Date deposited: 20 May 2026 16:59
Last modified: 21 May 2026 02:01

Export record

Altmetrics

Contributors

Author: Conor Byrne ORCID iD

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×