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'There were collisions and explosions. The world was no longer calm.' Terror and precarious life in Salman Rushdie's Shalimar the Clown

'There were collisions and explosions. The world was no longer calm.' Terror and precarious life in Salman Rushdie's Shalimar the Clown
'There were collisions and explosions. The world was no longer calm.' Terror and precarious life in Salman Rushdie's Shalimar the Clown
Rushdie’s recent call for the reformation of Islam may appear – however unwittingly – to correspond with contemporary discourses of counter-terrorism, which have clearly articulated the war against terrorism and the struggle for global security to the control of immigration, as well as the criminalisation of Islam. As A. Sivanandan has argued in ‘Race, terror and civil society’, ‘the war on asylum and the war on terror […] have converged to produce a racism which cannot tell a settler from an immigrant, an immigrant from an asylum speaker, an asylum speaker from a Muslim, a Muslim from a terrorist’. In the context of this conflation of counter-terrorism and the state regulation of migrant populations, what is at stake in Salman Rushdie’s call for a reformation of Islam in response to the July 7th bombings? As a middle-class migrant writer, who is often associated with a western liberal ideology, and a secular Muslim, who was also the victim of the death sentence issued by Ayatollah Khomeini in 1989, Rushdie occupies an ambivalent position in relation to the convergence of the war on asylum and the war on terror described by Sivanandan. But how is this ambivalence registered in Rushdie’s Shalimar the Clown, a novel that was published at the same time as Rushdie’s call for a reformation of Islam? This article seeks to address this question by examining how Rushdie explodes the conventions of national allegory that he established in Midnight’s Children and Shame to represent the conflict in Kashmir, and its place in contemporary geopolitics.
salman rushdie, shalimar the clown, kashmir, war on terrorism
0950-236X
337-355
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1

Morton, Stephen (2008) 'There were collisions and explosions. The world was no longer calm.' Terror and precarious life in Salman Rushdie's Shalimar the Clown. Textual Practice, 22 (2), 337-355. (doi:10.1080/09502360802045148).

Record type: Article

Abstract

Rushdie’s recent call for the reformation of Islam may appear – however unwittingly – to correspond with contemporary discourses of counter-terrorism, which have clearly articulated the war against terrorism and the struggle for global security to the control of immigration, as well as the criminalisation of Islam. As A. Sivanandan has argued in ‘Race, terror and civil society’, ‘the war on asylum and the war on terror […] have converged to produce a racism which cannot tell a settler from an immigrant, an immigrant from an asylum speaker, an asylum speaker from a Muslim, a Muslim from a terrorist’. In the context of this conflation of counter-terrorism and the state regulation of migrant populations, what is at stake in Salman Rushdie’s call for a reformation of Islam in response to the July 7th bombings? As a middle-class migrant writer, who is often associated with a western liberal ideology, and a secular Muslim, who was also the victim of the death sentence issued by Ayatollah Khomeini in 1989, Rushdie occupies an ambivalent position in relation to the convergence of the war on asylum and the war on terror described by Sivanandan. But how is this ambivalence registered in Rushdie’s Shalimar the Clown, a novel that was published at the same time as Rushdie’s call for a reformation of Islam? This article seeks to address this question by examining how Rushdie explodes the conventions of national allegory that he established in Midnight’s Children and Shame to represent the conflict in Kashmir, and its place in contemporary geopolitics.

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More information

Published date: June 2008
Keywords: salman rushdie, shalimar the clown, kashmir, war on terrorism

Identifiers

Local EPrints ID: 66088
URI: http://eprints.soton.ac.uk/id/eprint/66088
ISSN: 0950-236X
PURE UUID: 6a2b191d-345c-4a65-a0fc-0900cf6a9a5d
ORCID for Stephen Morton: ORCID iD orcid.org/0009-0009-5294-5640

Catalogue record

Date deposited: 28 Apr 2009
Last modified: 27 Jul 2024 01:39

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