The University of Southampton
University of Southampton Institutional Repository

The Santhal family and the invention of a subaltern counterpublic

The Santhal family and the invention of a subaltern counterpublic
The Santhal family and the invention of a subaltern counterpublic
With reference to the work of the South Asian Subaltern Studies historians, and to Mahasweta Devi's short fiction, this essay traces the place of the subaltern as a subject of representation in Ramkinkar’s Baij's 1937 public sculpture, Santhal Family. By visualising the plight of a subaltern group who have been excluded from the social and political life of the emergent postcolonial nation state in a style that articulates the aesthetic conventions of tribal art and European primitivism, the essay argues that Santhal Family supplements the emancipatory claims of elite nationalism from the historical perspective of the Santal, and gestures towards a subaltern counterpublic that remains to be invented.
ramkinkar baij, santal family, subaltern, subaltern studies, mahasweta devi, counterpublic
9072828321
56-61
Museum Van Hedendaagse Kunst Antwerp
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1
Dasgupta, Anshuman
Szewczyk, Monika
Watson, Grant
Morton, Stephen
3200c49e-fcfa-4088-9168-1d6998266ec1
Dasgupta, Anshuman
Szewczyk, Monika
Watson, Grant

Morton, Stephen (2008) The Santhal family and the invention of a subaltern counterpublic. In, Dasgupta, Anshuman, Szewczyk, Monika and Watson, Grant (eds.) Santhal Family: Positions Around an Indian Sculpture. Antwerp, Belgium. Museum Van Hedendaagse Kunst Antwerp, pp. 56-61.

Record type: Book Section

Abstract

With reference to the work of the South Asian Subaltern Studies historians, and to Mahasweta Devi's short fiction, this essay traces the place of the subaltern as a subject of representation in Ramkinkar’s Baij's 1937 public sculpture, Santhal Family. By visualising the plight of a subaltern group who have been excluded from the social and political life of the emergent postcolonial nation state in a style that articulates the aesthetic conventions of tribal art and European primitivism, the essay argues that Santhal Family supplements the emancipatory claims of elite nationalism from the historical perspective of the Santal, and gestures towards a subaltern counterpublic that remains to be invented.

This record has no associated files available for download.

More information

Published date: 31 January 2008
Keywords: ramkinkar baij, santal family, subaltern, subaltern studies, mahasweta devi, counterpublic

Identifiers

Local EPrints ID: 66095
URI: http://eprints.soton.ac.uk/id/eprint/66095
ISBN: 9072828321
PURE UUID: 795e6b05-ceda-472a-9abd-adaf35c75f82
ORCID for Stephen Morton: ORCID iD orcid.org/0009-0009-5294-5640

Catalogue record

Date deposited: 28 Apr 2009
Last modified: 27 Jul 2024 01:39

Export record

Contributors

Author: Stephen Morton ORCID iD
Editor: Anshuman Dasgupta
Editor: Monika Szewczyk
Editor: Grant Watson

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×