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When Seve met Bregovi?: folklore, turbofolk and the boundaries of Croatian musical identity

Record type: Article

Popular music in Croatia has consistently been a field where the boundaries of national cultural identity are set, contested and transgressed. The most contentious boundaries involve Serbian culture and the abstract “east”, to which essentialized nationalist concepts of Croatian culture denied any similarity. The Croatian singer Severina’s attempt to represent Croatia at the 2006 Eurovision Song Contest with her song Moja štikla (My stiletto) called these aspects into question with connotations which could be claimed as both Croatian and Serbian. Although the song was justified with reference to the (disputed) authenticity of Croatian folklore, it ultimately suggested that Croatian cultural space could not be separated from that of the other ex-Yugoslav states.

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Citation

Baker, Catherine (2008) When Seve met Bregovi?: folklore, turbofolk and the boundaries of Croatian musical identity Nationalities Papers, 36, (4), pp. 741-764. (doi:10.1080/00905990802230514).

More information

Published date: September 2008
Keywords: croatia, popular music, national identity, eurovision song contest, folklore

Identifiers

Local EPrints ID: 66291
URI: http://eprints.soton.ac.uk/id/eprint/66291
ISSN: 0090-5992
PURE UUID: ac1367ad-c3e5-453a-8900-a4dab4fe56c1

Catalogue record

Date deposited: 29 May 2009
Last modified: 19 Jul 2017 00:26

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Contributors

Author: Catherine Baker

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