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Henry Cowell: living in the whole world of music

Henry Cowell: living in the whole world of music
Henry Cowell: living in the whole world of music
It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the "open sesame for new music in America." Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's "adventurous promotion of automobile junkyards for the finding of new sounds." In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927
9789057550041
1-12
Routledge
Nicholls, David
03b203c2-f929-441a-88b7-8af9d5211270
Nicholls, David
Nicholls, David
03b203c2-f929-441a-88b7-8af9d5211270
Nicholls, David

Nicholls, David (1998) Henry Cowell: living in the whole world of music. In, Nicholls, David (ed.) Whole World of Music: A Henry Cowell Symposium. (Contemporary Music Studies) New York, USA. Routledge, pp. 1-12.

Record type: Book Section

Abstract

It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the "open sesame for new music in America." Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's "adventurous promotion of automobile junkyards for the finding of new sounds." In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927

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Published date: 7 January 1998

Identifiers

Local EPrints ID: 67441
URI: https://eprints.soton.ac.uk/id/eprint/67441
ISBN: 9789057550041
PURE UUID: 6a1b4d60-114a-4765-ad63-c7c1ae461a65

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Date deposited: 20 Aug 2009
Last modified: 19 Jul 2017 00:19

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