Music, theater and cultural transfer: Paris 1830-1914
Music, theater and cultural transfer: Paris 1830-1914
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.
The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
history, european, culture, cultural, transfer, stage, music, everist, fauser
9780226239262
University of Chicago Press
Fauser, Annegret
93c9b6aa-0410-494b-9a8f-011ec9e8a846
Everist, Mark
54ab6966-73b4-4c0e-b218-80b2927eaeb0
December 2009
Fauser, Annegret
93c9b6aa-0410-494b-9a8f-011ec9e8a846
Everist, Mark
54ab6966-73b4-4c0e-b218-80b2927eaeb0
Fauser, Annegret and Everist, Mark
(eds.)
(2009)
Music, theater and cultural transfer: Paris 1830-1914
,
Chicago, US.
University of Chicago Press, 456pp.
Abstract
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.
The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
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Published date: December 2009
Keywords:
history, european, culture, cultural, transfer, stage, music, everist, fauser
Organisations:
Music
Identifiers
Local EPrints ID: 67477
URI: http://eprints.soton.ac.uk/id/eprint/67477
ISBN: 9780226239262
PURE UUID: 6c8d1578-bd1c-4770-8be8-7be4152626d1
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Date deposited: 14 Sep 2009
Last modified: 31 Jan 2024 17:34
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Contributors
Editor:
Annegret Fauser
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