The polyphonic rondeau c1300: repertory and context

Everist, Mark (1996) The polyphonic rondeau c1300: repertory and context Early Music History, 15, pp. 59-96. (doi:10.1017/S0261127900001522).


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Any explanation of the emerging polyphonic chanson in the years before 1330 must negotiate varied repertories and compositions. One of the central genres in such a study would be the polyphonic rondeau. It is characterised by a musico-poetic structure more or less analogous to the rondeau of the later fourteenth century, but also by three-part music – mostly syllabic, note-against-note – that is copied in score. Our view of these sorts of compositions is dominated by the works of Adam de la Halle, whose sixteen score-notated polyphonic settings of vernacular lyrics are preserved in a manuscript now in the Bibliothèque Nationale (F-Pn), MS fr. 25566

Item Type: Article
Digital Object Identifier (DOI): doi:10.1017/S0261127900001522
ISSNs: 1474-0559 (print)
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Keywords: polyphonic, rondeau, 1300, fourteenth, thirteenth, century, everist, repertory, context
ePrint ID: 67506
Date :
Date Event
Date Deposited: 27 Aug 2009
Last Modified: 18 Apr 2017 21:25
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