Meyerbeer’s Il crociato in Egitto: mélodrame, opera, orientalism

Everist, Mark (1996) Meyerbeer’s Il crociato in Egitto: mélodrame, opera, orientalism Cambridge Opera Journal, 8, (3), pp. 215-250. (doi:10.1017/S0954586700004730).


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Il crociato in Egitto was the last in a series of Italian operas written by Giacomo Meyerbeer between 1817 and 1824. Although his Emma di Resburgo and Margherita d'Anjou had been successful in Venice and Milan, it was Il crociato that put Meyerbeer in the first rank of internationally renowned composers of Italian opera. The work's contemporary popularity makes it an important element in the history of early nineteenth-century Italian opera, and the abundant source material that survives for the opera permits a reconstruction of its early history. Furthermore, the publication in facsimile of a copyist's score from the première at La Fenice and the recording of the work by Opera Rara have encouraged a modern revaluation.

Item Type: Article
Digital Object Identifier (DOI): doi:10.1017/S0954586700004730
ISSNs: 0954-5867 (print)
Related URLs:
Keywords: meyerbeer, crociato, everist, melodrame, opera, orientalism
ePrint ID: 67508
Date :
Date Event
November 1996Published
Date Deposited: 27 Aug 2009
Last Modified: 18 Apr 2017 21:25
Further Information:Google Scholar

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