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Discovery and exploration using musicSpace

Discovery and exploration using musicSpace
Discovery and exploration using musicSpace
Musicologists have to rely upon an extraordinarily heterogeneous body of primary and secondary research sources, even when conducting the most basic exploratory research. Although increasingly available online, data is nevertheless routinely catalogued or stored in numerous discrete databases according to media type (text, image, video, audio) and historical period (contemporary literature/sources, historical literature/sources), yet most musicological research cuts across these artificial divisions; researching Monteverdi’s madrigals, for example, could involve performing essentially the same search several times, because there are several relevant data sources (RISM, Grove, Naxos, RILM, BL Integrated Catalogue and BL Sound Archive). The musicSpace project seeks to integrate access to musicological data sources by providing a single search interface, thereby removing the need for search repetition and reducing inefficiency. The vast increase in on-hand data that comes with database integration both demands and allows for the development of far more sophisticated, intelligent and interactive user interfaces. Accordingly, musicSpace facilitates searching and encourages browsing by displaying search results and parameters using multiple panes, allowing instantaneous paradigmatic shifts in search focus, and employing a detailed subject ontology to enable the semi-automatic construction of complex searches. In this paper we present the musicSpace explorer interface and demonstrate its efficacy. We describe key technologies behind musicSpace to reflect on performance and scalability. In particular, however, we describe how we will be evaluating the system in use for research, and describe our longitudinal study to assess the impact of this integrated approach on artefact discovery and research query support.
musicology, metadata, data fusion, semantic web, e-research
Bretherton, David
5d675429-1285-4ab3-9e59-3907afc60390
Smith, Daniel Alexander
8d05522d-e91e-4aa7-8972-e362e73f005c
schraefel, monica m.c.
ac304659-1692-47f6-b892-15113b8c929f
Everist, Mark
54ab6966-73b4-4c0e-b218-80b2927eaeb0
Brooks, Jeanice
4b254837-1e36-4869-9695-17000b6c5ff9
Polfreman, Richard
26424c3d-b750-4868-bf6e-2bbb3990df84
Lambert, Joe
b992c5c4-8291-47f6-83f5-e76f61b695b4
Bretherton, David
5d675429-1285-4ab3-9e59-3907afc60390
Smith, Daniel Alexander
8d05522d-e91e-4aa7-8972-e362e73f005c
schraefel, monica m.c.
ac304659-1692-47f6-b892-15113b8c929f
Everist, Mark
54ab6966-73b4-4c0e-b218-80b2927eaeb0
Brooks, Jeanice
4b254837-1e36-4869-9695-17000b6c5ff9
Polfreman, Richard
26424c3d-b750-4868-bf6e-2bbb3990df84
Lambert, Joe
b992c5c4-8291-47f6-83f5-e76f61b695b4

Bretherton, David, Smith, Daniel Alexander, schraefel, monica m.c., Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (2009) Discovery and exploration using musicSpace. Unlocking Audio 2: Connecting with Listeners, London, UK. 16 - 17 Mar 2009.

Record type: Conference or Workshop Item (Poster)

Abstract

Musicologists have to rely upon an extraordinarily heterogeneous body of primary and secondary research sources, even when conducting the most basic exploratory research. Although increasingly available online, data is nevertheless routinely catalogued or stored in numerous discrete databases according to media type (text, image, video, audio) and historical period (contemporary literature/sources, historical literature/sources), yet most musicological research cuts across these artificial divisions; researching Monteverdi’s madrigals, for example, could involve performing essentially the same search several times, because there are several relevant data sources (RISM, Grove, Naxos, RILM, BL Integrated Catalogue and BL Sound Archive). The musicSpace project seeks to integrate access to musicological data sources by providing a single search interface, thereby removing the need for search repetition and reducing inefficiency. The vast increase in on-hand data that comes with database integration both demands and allows for the development of far more sophisticated, intelligent and interactive user interfaces. Accordingly, musicSpace facilitates searching and encourages browsing by displaying search results and parameters using multiple panes, allowing instantaneous paradigmatic shifts in search focus, and employing a detailed subject ontology to enable the semi-automatic construction of complex searches. In this paper we present the musicSpace explorer interface and demonstrate its efficacy. We describe key technologies behind musicSpace to reflect on performance and scalability. In particular, however, we describe how we will be evaluating the system in use for research, and describe our longitudinal study to assess the impact of this integrated approach on artefact discovery and research query support.

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More information

Published date: March 2009
Additional Information: Event Dates: 16-17 Mar 2009
Venue - Dates: Unlocking Audio 2: Connecting with Listeners, London, UK, 2009-03-16 - 2009-03-17
Keywords: musicology, metadata, data fusion, semantic web, e-research

Identifiers

Local EPrints ID: 68810
URI: http://eprints.soton.ac.uk/id/eprint/68810
PURE UUID: ddeb93d0-1e4a-4f62-a40e-881cdaa76cab
ORCID for monica m.c. schraefel: ORCID iD orcid.org/0000-0002-9061-7957

Catalogue record

Date deposited: 05 Oct 2009
Last modified: 14 Mar 2024 02:48

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Contributors

Author: Daniel Alexander Smith
Author: monica m.c. schraefel ORCID iD
Author: Mark Everist
Author: Jeanice Brooks
Author: Joe Lambert

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