Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons
Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons
The city of Lyons enjoyed its heyday in the sixteenth century. Favourably situated along the great trade routes connecting Italy and the north, Lyons was a busy commercial centre that saw a constant flow of goods and people through its marketplaces and fairs. Its large population was polyglot and cosmopolitan: many of its most prominent citizens were recent immigrants or members of one of the foreign ‘nations’ that wielded so much financial power through their connections with banks in Italy. The city boasted a flourishing book trade and an active cultural life, and its culture was in many ways as international as its citizenry. Trade links with other great economic centres of the time were often mirrored in art and music. Although artistic ties with Italian cities were perhaps the strongest, connections with Antwerp and other northern cities existed as well. A newly identified set of manuscript partbooks in the Bibliothèque Nationale is an example of one such economic and cultural link. Commissioned by a young merchant of Lyons from a composer in Antwerp, they testify to the vitality of cultural exchange along the major trade routes of the Renaissance. Furthermore, they shed new light on the careers of the copyist Jean Pollet, who worked at the Bavarian court with Lassus, and the Netherlands composer Jean de Castro, and provide a unique and fascinating view into the life of Justinien Pense, the patron who commissioned them
91-149
Brooks, Jeanice
4b254837-1e36-4869-9695-17000b6c5ff9
1992
Brooks, Jeanice
4b254837-1e36-4869-9695-17000b6c5ff9
Brooks, Jeanice
(1992)
Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons.
Early Music History, 11 (1), .
(doi:10.1017/S0261127900001200).
Abstract
The city of Lyons enjoyed its heyday in the sixteenth century. Favourably situated along the great trade routes connecting Italy and the north, Lyons was a busy commercial centre that saw a constant flow of goods and people through its marketplaces and fairs. Its large population was polyglot and cosmopolitan: many of its most prominent citizens were recent immigrants or members of one of the foreign ‘nations’ that wielded so much financial power through their connections with banks in Italy. The city boasted a flourishing book trade and an active cultural life, and its culture was in many ways as international as its citizenry. Trade links with other great economic centres of the time were often mirrored in art and music. Although artistic ties with Italian cities were perhaps the strongest, connections with Antwerp and other northern cities existed as well. A newly identified set of manuscript partbooks in the Bibliothèque Nationale is an example of one such economic and cultural link. Commissioned by a young merchant of Lyons from a composer in Antwerp, they testify to the vitality of cultural exchange along the major trade routes of the Renaissance. Furthermore, they shed new light on the careers of the copyist Jean Pollet, who worked at the Bavarian court with Lassus, and the Netherlands composer Jean de Castro, and provide a unique and fascinating view into the life of Justinien Pense, the patron who commissioned them
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Published date: 1992
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Local EPrints ID: 69213
URI: http://eprints.soton.ac.uk/id/eprint/69213
ISSN: 1474-0559
PURE UUID: 7739f6d3-fa62-4cbe-80a0-937442bc69d2
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Date deposited: 23 Oct 2009
Last modified: 13 Mar 2024 19:28
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