A reader's guide to Haydn's early string quartets
A reader's guide to Haydn's early string quartets
 
  The six string quartets comprising Joseph Haydn's Opus 20 (composed in 1772) are the first works in the genre to have received consistent critical attention from writers on music. The twenty-two quartets Haydn wrote before this date, though rarely discussed by historians and theorists and seldom performed in public, are nevertheless fundamental to the development of the quartet and thus inseparable from Opus 20 itself. This thoughtful discussion provides a basis upon which to study the quartet by showing how the relationship among the four players can best be understood as a musical dialogue. A methodology is developed for analyzing these quartets by focusing on the characteristics of string instruments that inform not only the style of the music, but also the materials of the composition. The changing relationships among the instruments reveal the level of sophistication evident in Haydn's early works and attest to the affinity these works have with his later masterpieces. Music scholars and educators will appreciate the generous musical examples and clear prose that explains the more detailed analysis of the Opus 20 set
  0313301735
  
  
  
    
      Drabkin, William
      
        9dfeccaa-2c86-4922-9b57-6c0d7f545aa9
      
     
  
  
   
  
  
    
      30 October 1999
    
    
  
  
    
      Drabkin, William
      
        9dfeccaa-2c86-4922-9b57-6c0d7f545aa9
      
     
  
       
    
 
  
    
      
  
  
  
  
  
  
    Drabkin, William
  
  
  
  
   
    (1999)
  
  
    
    A reader's guide to Haydn's early string quartets
  
  ,
  
  
  
  
  
  
    
      
        
   
  
    Westport, USA.
   
        
      
    
  
  Greenwood Press
  
  
  
  
   
  
    
      
        
          Abstract
          The six string quartets comprising Joseph Haydn's Opus 20 (composed in 1772) are the first works in the genre to have received consistent critical attention from writers on music. The twenty-two quartets Haydn wrote before this date, though rarely discussed by historians and theorists and seldom performed in public, are nevertheless fundamental to the development of the quartet and thus inseparable from Opus 20 itself. This thoughtful discussion provides a basis upon which to study the quartet by showing how the relationship among the four players can best be understood as a musical dialogue. A methodology is developed for analyzing these quartets by focusing on the characteristics of string instruments that inform not only the style of the music, but also the materials of the composition. The changing relationships among the instruments reveal the level of sophistication evident in Haydn's early works and attest to the affinity these works have with his later masterpieces. Music scholars and educators will appreciate the generous musical examples and clear prose that explains the more detailed analysis of the Opus 20 set
        
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      Published date: 30 October 1999
 
    
  
  
    
  
    
  
    
  
    
  
    
  
    
  
    
  
    
  
  
  
    
  
  
        Identifiers
        Local EPrints ID: 69242
        URI: http://eprints.soton.ac.uk/id/eprint/69242
        
          
        
        
          ISBN: 0313301735
        
        
        
          PURE UUID: 42a6e01c-d4d3-493c-b04a-31c6ae601cbe
        
  
    
        
          
            
          
        
    
  
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  Date deposited: 03 Nov 2009
  Last modified: 13 Mar 2024 19:28
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