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Transnational utopias: Baz Luhrmann and Australian cinema

Record type: Article

Drawing on original research conducted in Australia, I explore the industrial context, collaborative working practices, transnational ethos and aesthetic of Australian film-maker Baz Luhrmann’s Sydney-based independent production company Bazmark Inq. I trace the potential and limitations inherent in Bazmark’s relationship with major Hollywood studio Twentieth Century Fox, covering issues of copyright, branding and artistic autonomy. I look at the way structural developments, new technologies and the re-emergence of popular art cinema have allowed directors such as Luhrmann to cross over into mainstream territory while operating from a small-scale artisanal base. My argument is that Luhrmann and his team actively engage with digital technologies and the complexities of global media production and consumption to give value and visibility to Australia as a local centre for creative endeavour. This is achieved by projecting utopian visions of their set-up, working methods and output as arenas of cultural innovation. While these practices may not cohere into an ideal, they make a significant contribution to debates about national identity and visibility in contemporary global film culture

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Citation

Cook, Pam (2010) Transnational utopias: Baz Luhrmann and Australian cinema Transnational Cinemas, 1, (1), pp. 23-36. (doi:10.1386/trac.1.1.23/1).

More information

Published date: January 2010
Keywords: baz luhrmann, australian cinema, transnational utopias, art cinema, new technologies, local and global production

Identifiers

Local EPrints ID: 72688
URI: http://eprints.soton.ac.uk/id/eprint/72688
ISSN: 2040-3526
PURE UUID: 7154b59a-4e2b-446f-8187-c95c091726eb

Catalogue record

Date deposited: 19 Feb 2010
Last modified: 18 Jul 2017 23:53

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Contributors

Author: Pam Cook

University divisions


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