The "final finding of the ear": Wallace Stevens' modernist soundscapes
The "final finding of the ear": Wallace Stevens' modernist soundscapes
Explores the question of why Stevens invested so much belief in a cosmology of sound, and discusses how the poet uses sound patterns to create reflexive, metapoetic effects, especially in 'Notes Toward a Supreme Fiction'
sound, music, reflexive, poem, wallace stevens, susan howe
61-82
Middleton, Peter
9f64f346-a05f-4e54-bbf4-600c87a2b237
May 2009
Middleton, Peter
9f64f346-a05f-4e54-bbf4-600c87a2b237
Middleton, Peter
(2009)
The "final finding of the ear": Wallace Stevens' modernist soundscapes.
Wallace Stevens Journal, 33 (1), .
Abstract
Explores the question of why Stevens invested so much belief in a cosmology of sound, and discusses how the poet uses sound patterns to create reflexive, metapoetic effects, especially in 'Notes Toward a Supreme Fiction'
Text
79381MIDDLETON29.pdf
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Published date: May 2009
Keywords:
sound, music, reflexive, poem, wallace stevens, susan howe
Organisations:
English
Identifiers
Local EPrints ID: 79381
URI: http://eprints.soton.ac.uk/id/eprint/79381
ISSN: 0148-7132
PURE UUID: 96603d50-aecd-4a8c-905b-2b595d486fc2
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Date deposited: 15 Mar 2010
Last modified: 14 Mar 2024 00:29
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