The modern city and citizen efficacy in a Zambian novel
The modern city and citizen efficacy in a Zambian novel
Arguing against the grain of established critical opinion, this article analyses the textual
complexity and cosmopolitanism of a contemporary Zambian novel, Dead Ends (Crime, Cops
and a Renaissance) by Sekelani S. Banda, focusing on its representation of the modern city
and citizen efficacy. Through Banda’s deft handling of narrative time and genre Dead Ends
contributes to Southern Africa’s emergent social imaginaries by constructing hope as a social
category predicated on the time-streams of both detection and emergence
citizen efficacy, bildungsroman, hope, urban modernity, thriller, zambia
49-60
Primorac, Ranka
8e175d18-8ea8-4228-8637-671427202b10
March 2008
Primorac, Ranka
8e175d18-8ea8-4228-8637-671427202b10
Primorac, Ranka
(2008)
The modern city and citizen efficacy in a Zambian novel.
Journal of Postcolonial Writing, 44 (1), .
(doi:10.1080/17449850701820665).
Abstract
Arguing against the grain of established critical opinion, this article analyses the textual
complexity and cosmopolitanism of a contemporary Zambian novel, Dead Ends (Crime, Cops
and a Renaissance) by Sekelani S. Banda, focusing on its representation of the modern city
and citizen efficacy. Through Banda’s deft handling of narrative time and genre Dead Ends
contributes to Southern Africa’s emergent social imaginaries by constructing hope as a social
category predicated on the time-streams of both detection and emergence
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Published date: March 2008
Keywords:
citizen efficacy, bildungsroman, hope, urban modernity, thriller, zambia
Identifiers
Local EPrints ID: 79486
URI: http://eprints.soton.ac.uk/id/eprint/79486
ISSN: 1744-9855
PURE UUID: b9cd5115-8c27-452d-9204-3cd36e1aee48
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Date deposited: 17 Mar 2010
Last modified: 14 Mar 2024 02:54
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