Items where Division is "Faculties (pre 2018 reorg) > Faculty of Humanities (pre 2018 reorg) > Film (pre 2018 reorg)
Current Faculties > Faculty of Arts and Humanities > School of Humanities > Film Studies > Film (pre 2018 reorg)
Film Studies > Film (pre 2018 reorg)" and Year is 2017
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Number of items: 17.
Film music as a film device. A neoformalist approach to the analysis of music in films - Emilio Audissino
Type: Thesis
| 2017
| University of Southampton
Type: Article
| 2017
| Item availability restricted.
Conference report: 'The Strange Vice of Mrs. Wardh and the Giallo: An International Film Conference, Rome, 7-9 June' - Louis Bayman
Type: Review
| 2017
| Item not available on this server.
Isles of fright: Gothic tropics and island horror - Louis Bayman
Type: Book Section
| 2017
| Wayne State University Press
| Item availability restricted.
Italian comedy and popularity - Louis Bayman
Type: Book Section
| 2017
| Wiley-Blackwell
| Item not available on this server.
L'esspressivita melodrammatica del corpo neorealista - Louis Bayman
Type: Book Section
| 2017
| Scalpendi editore
| Item not available on this server.
Type: Article
| 2017
The Anti-musical or generic affinity: Is there anything left to say? - Elizabeth Carroll
Type: Book Section
| 2017
| Edinburgh University Press
| Item availability restricted.
"I Hate to be the Feminist Here"...Reading the Post-Epitaph Chick Flick - Shelley Cobb and Diane Negra
Type: Article
| 2017
Data and responsibility: Towards a feminist methodology for producing historical data on women in the contemporary UK film industry - Shelley Cobb and Natalie Wreyford
Type: Article
| 2017
Type: Book Section
| 2017
| Oxford University Press
| Item availability restricted.
Type: Book Section
| 2017
| Manchester University Press
| Item not available on this server.
Dangerously modern: Shakespeare, voice, and the “New Psychology” in John Barrymore’s “Unstable” characters - Michael Hammond
Type: Book Section
| 2017
| Edinburgh University Press
| Item availability restricted.
The box office performance of European films in the UK market - Huw David Jones
Type: Article
| 2017
Euro-visions: Europe in contemporary cinema - Huw David Jones
Type: Review
| 2017
Disrupting the remake: The Girl with the Dragon Tattoo - Lucy Mazdon
Type: Book Section
| 2017
| Edinburgh University Press
| Item availability restricted.
Online distribution and the relocation of specialised film - Elliott Nikdel
Type: Thesis
| 2017
| University of Southampton