Browse by Divisions pre August 2011

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Number of items: 8.

Everist, Mark (ed.) (1988) French thirteenth-century polyphony in the British Library: a facsimile edition of the manuscripts Additional 30091 and Egerton 2615 (ff.79-94v), London, UK, Plainsong and Mediaeval Music Society, 71pp.

Brooks, Jeanice (1988) Influence italienne dans le chanson francaise des années 1570: structure mélodique et pratique contrapuntique chez Anthoine de Bertrand. Analyse Musicale, 13, pp. 45-50.

Brooks, Jeanice (1988) Ses amours et les miennes tout ensemble: la structure cyclique du premier livre des amours d'Anthoine de Bertrand. Revue de Musicologie, 74, (2), pp. 201-220.

Drabkin, William (1988) Fingering in Haydn's string quartets. Early Music, 16, (1), pp. 50-57. (doi:10.1093/earlyj/XVI.1.50).

Drabkin, William (1988) Review. David Neumeyer (trans.), Felix-Eberhard von Cube, The book of musical artwork. Indiana Theory Review, 9, pp. 135-143.

Everist, Mark (1988) Review: Christopher Page, 'Voices and instruments of the middle ages: instrumental practice and songs in France 1100-1300' (London: Dent, 1987). Music and Letters, 69, (2), pp. 246-248. (doi:10.1093/ml/69.2.246).

Everist, Mark (1988) Review: Hans Heinrich Eggebrecht et al., 'Die mittelalterliche lehre von der mehrstimmigkeit', Geschichte der Musiktheorie 5 (Darmstadt: Wissenschaftliche Buchgesellschaft, 1984). Mozart-Jahrbuch, 69, (1), pp. 57-60. (doi:10.1093/ml/69.1.57).

Everist, Mark (1988) The rondeau-motet: Paris and Artois in the thirteenth century. Music and Letters, 69, (1), pp. 1-22. (doi:10.1093/ml/69.1.1).

This list was generated on Wed Apr 5 15:08:19 2017 BST.