Browse by Divisions pre August 2011

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Number of items: 18.

Ayrey, Craig and Everist, Mark (eds.) (1996) Analytical strategies and musical interpretation: essays on nineteenth- and twentieth-century music, Cambridge, GB, Cambridge University Press, 336pp.

Brooks, Jeanice (1996) Bertrand, Boni, Ronsard and the process of revision. In, Bonniffet, Pierre and Bouquet-Boyer, Marie-Thérese (eds.) Claude le Jeune et son temps en France et dans les Etats de Savoie (1530-1600). Colloque International de Chambéry Bern, CH, Peter Lang pp. 137-152.

Brooks, Jeanice (1996) Italy, the ancient world, and the French musical inheritance in the sixteenth century: Arcadelt and Clereau in the service of the Guises. Journal of the Royal Musical Association, 121, (1), pp. 147-190. (doi:10.1093/jrma/121.2.147).

Brooks, Jeanice (1996) Music by Jean Castro in the Parisian Library of Justinien Pense. Revue Belge de Musicologie, 50, pp. 25-34.

Brooks, Jeanice (1996) Noble et grande servante de la musique: telling the story of Nadia Boulanger's conducting career. Journal of Musicology, 14, (1), pp. 92-116. (doi:10.1525/jm.1996.14.1.03a00050).

Cowell, Henry, Nicholls, David (ed.) (1996) New Musical Resources (with contributions by David Nicholls), Cambridge, UK, Cambridge University Press, 195pp.

Drabkin, William (1996) An interpretation of musical dreams: towards a theory of the Mozart piano concerto cadenza. In, Sadie, Stanley (eds.) Wolgang Amadeus Mozart: Essays on His Life and His Music. Oxford, UK, Clarendon Press pp. 161-177.

Drabkin, William (1996) Relationships between Corelli and the classical chamber music tradition. In, la Via, Stefano (eds.) Studi corelliani V: Atti del Quinto Congresso Internazionale. Studi Corelliani V: Congresso Internazionale Florence, Italy, Olschki pp. 119-141. (Quaderni della Rivista italiana di musicologia, 33).

Drabkin, William (1996) Schenker, the consonant passing note, and the first-movement theme of Beethoven's sonata op.26. Music Analysis, 15, (2/3), pp. 149-189.

Everist, Mark (1996) Meyerbeer’s Il crociato in Egitto: mélodrame, opera, orientalism. Cambridge Opera Journal, 8, (3), pp. 215-250. (doi:10.1017/S0954586700004730).

Everist, Mark (1996) The polyphonic rondeau c1300: repertory and context. Early Music History, 15, pp. 59-96. (doi:10.1017/S0261127900001522).

Everist, Mark (1996) Review: James H. Johnson, 'Listening in Paris: a cultural history', Studies in the history of society in culture 21 (Berkeley, Los Angeles and London: University of California Press, 1995). Journal of the Royal Musical Association, 121, (2), pp. 258-267. (doi:10.1093/jrma/121.2.258).

Izzo, Francesco, (1996) Feste, congiure e delitti in alcune opere serie di Gaetano Donizetti [Festivals, conspiracies and crimes in some serious operas of Gaetano Donizetti]. Csobádi, Peter and Gruber, Gernot (eds.) In "Und Jedermann Erwartet sich ein Fest": Fest, Theater, Festspiele: Gesammelte Vorträge des Salzburger Symposions 1995 (Wort und Musik). Verlag Ursula Müller-Speiser., pp. 343-348.

Mirka, Danuta (1996) Colors of a mystic fire: light and sound in Scriabin's Prometheus. American Journal of Semiotics, 13, (1-4), pp. 227-248.

Mirka, Danuta (1996) Some semiotic problems of Penderecki's sonoristic style. In, Tarasti, Eero (eds.) Musical Semiotics in Growth. Bloomington, USA, Indiana University Press pp. 73-82.

Mirka, Danuta, (1996) Sonorystyczny strukturalizm Krzysztofa Pendereckiego. Droba, Krzysztof, Malecka, Teresa and Szwajgier, Krzysztof (eds.) In Muzyka Polska 1945-1995: Materia?y Sesji Naukowej 6-10 Grudnia 1995 w 20-Lecie Zak?adu Analizy i Interpretacji Muzyki. Akademia Muzyczna w Krakowie., pp. 235-247.

Nicholls, David (1996) Henry Cowell's New musical resources. In, Cowell, Henry (eds.) New Musical Resources. Cambridge, GB, Cambridge University Press pp. 153-174.

Nicholls, David (1996) Transethnicism and the American experimental tradition. The Musical Quarterly, 80, (4), pp. 569-594. (doi:10.1093/mq/80.4.569).

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