Browse by Divisions pre August 2011

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Number of items: 35.

Everist, Mark (ed.) (2001) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de l'office, Monaco, Éditions de l'Oiseau-Lyre, 332pp. (Magnus liber organi, 2).

Everist, Mark (ed.) (2001) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de la messe, I, Monaco, Editions de l'Oiseau-Lyre, 258pp. (Magnus liber organi, 3).

Aspden, Suzanne (2001) Ariadne's Clew: politics, allegory, and opera in London (1734). The Musical Quarterly, 85, (4), pp. 735-770. (doi:10.1093/mq/85.4.735).

Brooks, Jeanice, (2001) The art of civil conversation: courtly neoplatonism and the dialogue air. Brooks, Jeanice, Ford, P. and Jondorf, G. (eds.) In Poetry and Music in the French Renaissance: Proceedings of the Sixth Cambridge French Renaissance Colloquium. Cambridge French Colloquia., pp. 159-184.

Brooks, Jeanice (2001) Courtly song in late sixteenth-century France, Chicago, USA, University of Chicago Press, 560pp.

Brooks, Jeanice (2001) From minstrel to courtier: the royal musique de chambre and courtly ideals in sixteenth-century France. In, Schwindt, Nicola (eds.) Musikalischer Alltag im 15. und 16. Jahrhundert. Kassel, DE, Bärenreiter pp. 39-49. (Troja: Trossinger Jahrbuch für Renaissancemusik, 1).

Brooks, Jeanice (2001) Renaissance repertories. Early Music, 29, (4), pp. 661-664. (doi:10.1093/earlyj/XXIX.4.661).

De Lucca, Valeria (2001) Una silloge strumentale per Francesco II d'Este: analisi iconologica e considerazioni sullo stile. Rivista di Italiana Musicologia, 36, pp. 3-23.

Drabkin, William (2001) Beethoven, Ludwig van. In, Wintle, Justin (eds.) Makers of Nineteenth Century Culture. London, UK, Routledge pp. 40-44.

Everist, Mark (2001) Enshrining Mozart: "Don Giovanni" and the Viardot circle. 19th-Century Music, 25, (2/3), pp. 165-189. (doi:10.1525/ncm.2001.25.2-3.165).

Everist, Mark (2001) Gluck, Berlioz, and Castil-Blaze. In, Parker, Roger and Smart, Mary Ann (eds.) Reading critics reading: opera and ballet criticism in France from the Revolution to 1848. Oxford, UK, Oxford University Press pp. 86-108.

Everist, Mark (2001) Review: Robert Letellier, ed., 'The diaries of Giacomo Meyerbeer, i: 1791-1839 (London: Fairleigh Dickinson University Press, 1999). Mozart-Jahrbuch, 82, (2), pp. 314-316. (doi:10.1093/ml/82.2.314).

Everist, Mark (2001) Translating Weber's Euryanthe: German Romanticism at the dawn of French Grand Opera. Revue de Musicologie, 87, (1), pp. 67-105.

Irvine, Thomas (2001) Millennial mega-meeting. Early Music, 29, (1), pp. 150-151. (doi:10.1093/earlyj/XXIX.1.150).

Mirka, Danuta (2001) Czy istnieje muzyczna Ekphrasis? [S. Bruhn Musical Ekphrasis. Composers responding to poetry and painting; Musical Ekphrasis in Rilkes Marien-Leben]. Ruch Muzyczny, 15, (35), pp. 21-22.

Mirka, Danuta (2001) To cut the Gordian Knot: the timbre system of Krzysztof Penderecki. Journal of Music Theory, 45, (2), Autumn Issue, pp. 435-456. (doi:10.1215/00222909-45-2-435).

Nicholls, David (2001) The American quartet. In, Jarman, Douglas (eds.) The Twentieth-Century String Quartet. Todmorden, UK, Arc pp. 109-121.

Nicholls, David (2001) Getting rid of the glue: the music of the New York school. In, Johnson, Steven (eds.) The New York Schools of Music and the Visual Arts. New York, UK, Routledge pp. 17-56.

Norris, David Owen (2001) Ibert Divertissement. BBC Radio 3 Building a Library

Norris, David Owen (2001) Poulenc Concert champêtre. BBC Radio 3 Building a Library

Pinnock, Andrew (2001) Dryden. In, Die Musik in Geschichte und Gegenwart. Germany, Barenreiter & Metzler pp. 1456-1458.

Pinnock, Andrew (2001) Flat trumpet. In, Sadie, Stanley and Tyrrell, John (eds.) New Grove Dictionary of Music and Musicians (2nd revised edition). UK, Macmillan p.928.

Polfreman, Richard (2001) FrameWorks - a structural composition tool. In Music without walls? Music without instruments? Proceedings of the International Conference. De Montfort University..

Polfreman, Richard (2001) Supporting creative composition: the FrameWorks approach. In Les Actes des 8e Journées d Informatique Musicale. Institut international de Musique Electroacoustique Bourges., pp. 99-111.

Polfreman, Richard and Loomes, Martin (2001) A TKS framework for understanding music composition processes and its application in interactive system design. In Proceedings of the AISB'01 Symposium on Creativity in Arts and Sciences. The Society for the Study of Artificial Intelligence and Simulation of Behaviour., pp. 75-83.

Polfreman, Richard and Spevak, C. (2001) Distance measures for sound similarity based on auditory representations and dynamic time warping. In Proceedings of the VII International Symposium on Systematic and Comparative Musicology III International Conference on Cognitive Musicology. University of Jyväskylä., pp. 165-170.

Polfreman, Richard and Spevak, C. (2001) Sound spotting - an approach to content-based sound retrieval. In Music without walls? Music without instruments? Proceedings of the International Conference. De Montfort University..

Spain, Martin and Polfreman, Richard, Landy, Leigh(ed.) (2001) Interpolator: a two-dimensional graphical interpolation system for the simultaneous control of digital signal processing parameters. Organised Sound, 6, (2), pp. 147-151. (doi:10.1017/S1355771801002114).

Spain, Martin and Polfreman, Richard, (2001) Interpolator: a two-dimensional graphical interpolation system for the simultaneous control of digital signal processing parameters. Landy, Leigh (ed.) In Music without Walls? Music without Instruments? Proceedings of the International Conference. De Montfort University..

Spevak, Christian and Polfreman, Richard (2001) Distance measures for sound similarity based on auditory representations and dynamic time warping. At VII International Symposium on Systematic and Comparative Musicology III International Conference on Cognitive Musicology. 01 Jan 2001.

Spevak, Christian and Polfreman, Richard (2001) Sound spotting: a frame-based approach. At 2nd Annual International Symposium on Music Information Retrieval 2001. 15 - 17 Oct 2001. , pp. 35-36.

Spevak, Christian and Polfreman, Richard, (2001) Sound spotting: an approach to content-based sound retrieval. Landy, Leigh (ed.) In Music without Walls? Music without Instruments? Proceedings of the International Conference. De Montfort University..

Spevak, Christian, Polfreman, Richard and Loomes, Martin (2001) Towards detection of perceptually similar sounds: investigating self-organizing maps. In Proceedings of the AISB'01 Symposium on Creativity in Arts and Sciences. The Society for the Study of Artificial Intelligence and Simulation of Behaviour., pp. 45-50.

Stras, Laurie (2001) Marc'Antonio Ingegneri. In, Sadie, Stanley and Tyrrell, John (eds.) The New Grove Dictionary of Music and Musicians (2nd revised edition). UK, Macmillan

Stras, Laurie (2001) Review. Monteverdi and Ingegneri. Intorno a Monteverdi, ed Maria Caraci Vela and Rodobaldo Tibaldi (Lucca Librena Musicale Itahana, 1999), Lit 80,000/€4i 32. Marc'Antonio Ingegneri e la musica a Cremona nel secondo Cinquecento, ed Antonio Delfino and Maria Teresa Rosa-Barezzani (Lucca Librena Musicale Itahana, 1995), Lit 120,000/€6i 97. Marc'Antonio Ingegneri, Opera omnia, II/il: il secondo libra de' madngali a quattro voci, ed Maria Teresa Rosa-Barezzani and Mila De Santis (Lucca Librena Musicale Itahana, 1999), Lit 50,000/€25.82. Early Music, XXIX, (4), pp. 647-648. (doi:10.1093/earlyj/XXIX.4.647).

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