Browse by Divisions pre August 2011

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Number of items: 29.

(2002) Bantock songs, Savidge, Rigby CDLX7121 2002.

Nicholls, David (ed.) (2002) The Cambridge companion to John Cage, Cambridge, UK, Cambridge University Press, 304pp. (Cambridge companions to music).

Everist, Mark (ed.) (2002) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de la messe, II, Monaco, Editions de l'Oiseau-Lyre, 251pp. (Magnus liber organi, 4).

Lodato, Suzanne M., Aspden, Suzanne and Bernhart, Walter (eds.) (2002) Word and music studies. Essays in honor of Steven Paul Scher and on cultural Identity and the musical stage, Amsterdam, The Netherlands, Rodopi, 336pp. (Word and Music Studies, 4).

Aspden, Suzanne (2002) Fam'd Handel breathing, tho' transformed to stone: the composer as monument. Journal of the American Musicological Society, 55, (1), pp. 39-90.

Brooks, Jeanice (2002) 'New music' in renaissance France. In, Schwindt, Nicola (eds.) Gesang zur Laute. Kassel, DE, Bärenreiter pp. 161-175. (Troja: Trossinger Jahrbuch für Renaissancemusik, 2).

Drabkin, William, (2002) Die langsame einleitung zur kreutzersonate. Form und vorbilder. Kuethen, Hans-Werner (ed.) In Beethoven und die Rezeption der Alten Musik. Die hohe Schule der Überlieferung, Symposion Bonn 2000, Congressional Report. Beethoven-Haus., pp. 69-92.

Drabkin, William (2002) Heinrich Schenker. In, Christensen, Thomas (eds.) The Cambridge History of Western Music Theory. Cambridge, GB, Cambridge University Press pp. 812-843. (doi:10.2277/0521623715).

Everist, Mark (2002) Communication. Journal of the American Musicological Society, 55, (1), pp. 195-196.

Everist, Mark (2002) Music drama at the Paris Odéon, 1824-1828, Berkeley, US, Universiy of California Press, 348pp.

Everist, Mark (2002) Presentazione/presentation. In, Masani Ricci, Massimo (eds.) Codice Pluteo 29.1 della Biblioteca Laurenziana di Firenze: storia e catalogo comparato. Turin, Italy, Edizione ETS pp. 9-15. (Studi musicali Toscani, 8).

Everist, Mark (2002) Review: James Radomski, 'Manuel García (1775-1832): Chronicle of the life of a 'bel canto' tenor at the dawn of romanticism' (Oxford: Oxford University Press, 2000). Mozart-Jahrbuch, 83, (1), pp. 119-122. (doi:10.1093/ml/83.1.119).

Everist, Mark (2002) Review: Peter Bloom, ed., 'The Cambridge companion to Berlioz' (Cambridge: Cambridge University Press, 2000). Mozart-Jahrbuch, 83, (1), pp. 123-128. (doi:10.1093/ml/83.1.123).

Everist, Mark (2002) Review: Robert Ignatius Letellier, ed., 'The diaries of Giacomo Meyerbeer, ii: 1840-1849 (London: Fairleigh Dickinson University Press, 2001). Mozart-Jahrbuch, 83, (2), pp. 294-300. (doi:10.1093/ml/83.2.294).

Everist, Mark (2002) Speaking with the supernatural: E.T.A. Hoffman, George Bernard Shaw and die Oper allen Opern. Mozart-Jahrbuch 2002 des Zentralinstitutes für Mozartforschung der Internationalen Stiftung Mozarteum Salzburg, pp. 115-134.

Mirka, Danuta (2002) Komunikacja muzyczna w stylu póznym: reguly i strategie'. At ProStyl pózny w muzyce, literaturze i kulturze. 06 - 08 Dec 2000. , pp. 131-137.

Mirka, Danuta (2002) Review article. Naomi Cumming's sonic self. Semiotica, (142), pp. 433-446. (doi:10.1515/semi.2002.083).

Nicholls, David (2002) Cage and America. In, Nicholls, David (eds.) The Cambridge Companion to John Cage. Cambridge, GB, Cambridge University Press pp. 3-19.

Nicholls, David (2002) Crossing the border: interactions between art music and other musics. In, Interpretation, Analysis, Criticism: Studies in Music, 1750-2000. Maidenhead, UK, Open University Press pp. 106-145.

Nicholls, David (2002) EC=JC2: John Cage as exemplary creator. Frankfurt Journal of Musicology, 5, (S), pp. 76-85.

Nicholls, David (2002) Towards infinity: Cage in the 1950s and 1960s. In, Nicholls, David (eds.) The Cambridge Companion to John Cage. Cambridge, GB, Cambridge University Press pp. 100-108.

Norris, David Owen (2002) Chopin Nocturnes. BBC Radio 3 Building a Library

Polfreman, Richard (2002) MfOM: a library for building and controlling physical model instruments in OpenMusic. In Proceedings of the 2002 International Computer Music Conference. International Computer Music Association., pp. 436-439.

Polfreman, Richard, Landy, Leigh(ed.) (2002) Modalys-ER for OpenMusic (MfOM): virtual instruments and virtual musicians. Organised Sound, 7, (3), pp. 325-338. (doi:10.1017/S1355771802003126).

Stras, Laurie (2002) Le nonne della ninfa: feminine voices and modal rhetoric in the generations before Monteverdi. In, Borgerding, Todd (eds.) Gender, Sexuality and Early Music. London, UK, Routledge pp. 123-165. (Criticism and Analysis of Early Music).

Stras, Laurie (2002) Music review. The works of Orologio: Alessandro Orologio, Opera omnia (Udine: Pizzicato Edizioni Musicali). i: Canzonette a tre voci, ed. Franco Colussi (1999); ii: Canzonette a tre voci intavolate per sonar di liuto, ed. Franco Colussi (1993); iii: nprimo libro de' madrigali a cinque voci, ed. Alessandra Andreotti (1996); iv.Il secondo libro de' madrigali a cinque voci (1993); v: LI secondo libro de' madrigali a quatro, a cinque, & a sei voci, ed. Franco Colussi and Francesco Luisi (1999); vi: Cantica Sion in terra aliena a mysticis Israelites octo vocibus concinenda, ed. Franco Colussi (2001); vii: Intradae quinque etsex vocibus liber primus, ed. Gioachino Perisan (1995); viii: Composizioni sacre e profane dafonti diverse, ed. Franco Colussi (2001). Early Music, XXX, (3), pp. 475-476. (doi:10.1093/em/XXX.3.475).

Stras, Laurie (2002) Muted voices of girl power. Times Higher Educational Supplement

Stras, Laurie (2002) Review, Alfonso Fontanelli: complete madrigals (A-R Editions, 1999) ed. Anthony Newcomb; Madrigali segreti per le dame di Ferrara (SPES, 2000), ed. Elio Durante and Anna Martellotti. Mozart-Jahrbuch, 83, (4), pp. 665-667. (doi:10.1093/ml/83.4.665).

Wood, Abigail (2002) Commemoration and creativity: remembering the Holocaust in today's Yiddish song. European Judaism, 35, (2)

This list was generated on Wed Apr 5 16:31:24 2017 BST.