Browse by Divisions pre August 2011

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Number of items: 27.

Drabkin, William (ed.) (2005) Der Tonwille: pamphlets in witness of the immutable laws of music: vol 2. The late Heinrich Schenker, New York, US, Oxford University Press, 192pp.

(2005) Elgar and the lost piano concerto. TV programme BBC1.

(2005) Preludes and suites.

(2005) Quilter: folk-song arrangements/part-songs for women's voices(complete)Pitt, Thomas, Langridge, Wilson-Johnson Naxos 8.557495 2005.

(2005) Sir Edward Elgar Piano Concerto Lloyd-Jones, BBCCO DuttonCDLX 7148 2005.

Brooks, Jeanice (2005) Chivalric romance, courtly love and courtly song: female vocality and feminine desire in the world of Amadis de Gaule’. In, LaMay, Thomasin (eds.) Musical Voices of Early Modern Women: Many-Headed Melodies. Aldershot, GB, Ashgate pp. 63-96.

Deeming, Helen (2005) The songs of St Godric: a neglected context. Music and Letters, 86, (2), pp. 169-185. (doi:10.1093/ml/gci031).

Drabkin, William (2005) Schenker’s ‘Decline’: an introduction. Music Analysis, 24, (1-2), pp. 3-31. (doi:10.1111/j.1468-2249.2005.00216.x).

Everist, Mark (2005) Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance. In, Everist, Mark (eds.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate pp. 309-341. (Variorum Collected Studies Series, CS805).

Everist, Mark (2005) Giacomo Meyerbeer and music drama in nineteenth-century Paris, Aldershot, Ashgate, 460pp. (Variorum Collected Studies Series, CS805).

Everist, Mark (2005) The horse, the clerk and the lyric: the musicography of the thirteenth and fourteenth centuries. Journal of the Royal Musical Association, 130, (1), pp. 136-153. (doi:10.1093/jrma/fki007b).

Everist, Mark (2005) "Tutti i francesi erano diventati matti". Bellini and the Duet for Two Basses. In, Everist, Mark (eds.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate pp. 281-307. (Variorum Collected Studies Series, CS805).

Gilbert, Shirli (2005) Music as historical source: social history and musical texts. International Review of the Aesthetics and Sociology of Music, 36, (1), pp. 117-134.

Griffiths, Dai and Hill, Sarah (2005) Postcolonial music in contemporary Wales: hybrids and weird geographies. In, Aaron, Jane and Williams, Chris (eds.) Postcolonial Wales. Cardiff, UK, University of Wales Press pp. 215-233.

Hadden, Nancy (2005) From Swiss flutes to consorts: the flute in Germany CA. 1480-1530. Basler Jahrbuch für Historische Musikpraxis: Band XXVIX 2005: Musikinstrumente und instrumentale Praxis um 1500, 29, pp. 125-143.

Hadden, Nancy, (2005) In search of the sound of a fiffara. Lasocki, David (ed.) In Musicque de Joye: Proceedings of the International Symposium on the Renaissance Flute and Recorder Consort, Utrecht 2003. STIMU., pp. 187-202.

Hadden, Nancy, (2005) The Renaissance flute in the 17th century. Wainwright, Jonathan and Holman, Peter (eds.) In From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century. Ashgate., pp. 113-143.

Irvine, Thomas (2005) 'Das launigste Thema'. On the politics of editing and performing the finale of K. 593. In, Mozart-Jahrbuch 2003-4 Der Akademie Für Mozart-Forschung Internationalen Stiftung Mozarteum Salzburg. Kassel, Germany, Bärenreiter pp. 3-23.

Mirka, Danuta (2005) The cadence of Mozart's cadenzas. Journal of Musicology, 22, (2), pp. 292-325. (doi:10.1525/jm.2005.22.2.292).

Mirka, Danuta (2005) Das spiel mit der kadenz. Die Musikforschung, 57, (1), pp. 18-35.

Norris, David Owen (2005) Schoenberg Pierrot lunaire. BBC Radio 3 Building a Library

Pinnock, Andrew (2005) Review. John Holden's Capturing cultural value: how culture has become a tool of government policy. Cultural Trends, 18, (1), pp. 124-125. (doi:10.1080/09548960500164533).

Polfreman, Richard, Dearden, Ian and Sheppard, David (2005) Re-wired: reworking 20th century live electronics for today. In Proceedings of the 2005 International Computer Music Conference (ICMC0. International Computer Music Association..

Rice, Stephen (2005) Reconstructing Tallis's Latin magnificat and Nunc dimittis. Early Music, 33, (4), pp. 647-658. (doi:10.1093/em/cah155).

Schenker, Heinrich, Drabkin, William(ed.) (2005) Über den Niedergang der Kompositionskunst: eine Technisch-Kritische Untersuchung. Music Analysis, 24, (1-2), pp. 131-232. (doi:10.1111/j.1468-2249.2005.00218.x).

Schenker, Heinrich, Drabkin, William(ed.) (2005) The decline of the art of composition: a technical-critical study. Music Analysis, 24, (1-2), pp. 33-129. (doi:10.1111/j.1468-2249.2005.00217.x).

Stras, Laurie, Fenlon, Iain(ed.) (2005) 'Al gioco si conosce il galantuomo': artifice, humour and play in the enigmi musicali of Don Lodovico Agostini. Early Music History, 24, pp. 213-286. (doi:10.1017/S0261127905000094).

This list was generated on Wed Apr 5 16:30:56 2017 BST.