Browse by Divisions pre August 2011
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(2010) BBC General Election Theme
(2010) Billy Bow
(2010) Engineering the Universe
(2010) Imaginary Lands
(2010) Last days of the dinosaurs
Bretherton, David, Smith, Daniel Alexander, schraefel, m.c. and Lambert, Joe (2010) Findings and outcomes of the musicSpace project At Supporting the Digital Humanities, Austria. 19 - 20 Oct 2010.
Brooks, Jeanice (2010) Collecting past and present: music history and musical performance at Dumbarton Oaks In, Carder, James N. and Nelson, Robert (eds.) A Home of the Humanities: the Collecting and Patronage of Mildred and Robert Woods Bliss. Cambridge, US, Harvard University Press pp. 74-91.
Brooks, Jeanice (2010) Musical monuments for the country house: music, collection and display at Tatton Park [in special issue: Nigel Fortune] Music and Letters, 91, (4), pp. 513-535. (doi:10.1093/ml/gcq088).
Brooks, Jeanice (2010) New links between them: modernist historiographies and the concerts of Nadia Boulanger In, Oja, Carol, Schreffler, Anne, Meyer, Felix and Rathert, Wolfgang (eds.) Crosscurrents: American and European Music in Interaction, 1900-2000. Basel, CH, Pendragon Press and Paul Sacher Stiftung
Everist, Mark (2010) François-Auguste Gevaert: between théâtre lyrique and opéra comique Revue Belge de Musicologie, 64, pp. 5-37.
Everist, Mark (2010) Grand opéra–petit opéra: Parisian opera and ballet from the Restoration to the Second Empire 19th-Century Music, 33, (3), Spring Issue, pp. 195-231. (doi:10.1525/ncm.2010.33.3.195).
Everist, Mark (2010) Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press pp. 30-52.
Gilbert, Shirli (2010) La música en el holocausto. Una manera de confrontar la vida en los ghetos y en los campos nazis, Buenos Aires, AR, Eterna Cadencia Editora
Gilbert, Shirli (2010) "We Long for a Home": songs and survival among Jewish displaced persons In, Patt, Avinoam J. and Berkowitz, Michael (eds.) "We Are Here": New Approaches to Jewish Displaced Persons in Postwar Germany. Wayne State University Press pp. 289-307.
Irvine, Thomas (2010) Hindemith's disciple in London: Walter Leigh on modern music, 1932-40 In, Riley, Matthew (eds.) British Music and Modernism, 1895-1960. Farnham, GB, Ashgate pp. 197-220.
Izzo, Francesco (2010) Comic sights: stage directions in Luigi Ricci's autograph scores In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press pp. 176-195.
Mirka, Danuta (2010) Punctuation and sense in late-eighteenth-century music Journal of Music Theory, 54, (2), Autumn Issue, pp. 235-282. (doi:10.1215/00222909-1214930).
Nicholls, David (2010) Cage and the Ultra-Modernists American Music, 28, (4), pp. 492-500.
Norris, David Owen (2010) Character as form: Elgar's Falstaff In, Rushton, Julian (eds.) Let Beauty Awake. London, England, Elgar Editions pp. 32-42.
Norris, David Owen (2010) Debussy's Suite Bergamasque BBC Radio 3 Building a Library
Norris, David Owen (2010) Priez pour paix. War songs. Prelude
Piekut, Benjamin (2010) New thing? Gender and sexuality in the jazz composers guild American Quarterly, 62, (1), pp. 25-48. (doi:10.1353/aq.0.0123).
Piekut, Benjamin (2010) There must be some relatIon beTween mushrOoms and trains: Alvin Curran’s Boletus Edulis—Musica Pendolare In, Stanyek, Jason and Gopinath, Sumanth (eds.) The Oxford Handbook of Mobile Music and Sound Studies. Oxford, GB, Oxford University Press
Pinnock, Andrew (2010) Can too many know too much? The ethics of education in music entrepreneurship In, Beckman, Gary (eds.) Disciplining the Arts: Teaching Entrepreneurship in Context. Lanham, United States, Rowman & Littlefield Education pp. 43-49.
Pinnock, Andrew (2010) A double vision of Albion: allegorical re-alignments in the Dryden-Purcell semi-opera 'King Arthur' [in special issue: Interrogating King Arthur] Restoration: Studies in English Literary Culture, 34, (1-2), Spring Issue, pp. 55-81.
Polfreman, Richard (2010) FrameWorks 3D: adding fluidity to computer-based notation At Off the Staves. Writing Music Before and After Conventional Notation, United Kingdom. 26 - 27 Mar 2010.
Scheding, Florian (2010) Book review. Albrecht Dümling: Hanns Eisler Eisler Mitteilungen, 50, (2), pp. 37-38.
Scheding, Florian (2010) Ideological battles in exile and beyond: avant-garde music and anti-semitism in the Free German League of culture At Annual Conference of the American Musicological Society, United States.
Scheding, Florian (2010) Musical displacement and musicology’s construction of the post-war avant-garde At 20th Century Music and Politics, United Kingdom.
Scheding, Florian (2010) "The splinter in your eye": uncomfortable legacies and German exile studies In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. Lanham, USA, Scarecrow Press pp. 119-134. (Europea: Ethnomusicologies and Modernities, 10).
Scheding, Florian and Levi, Erik (2010) Introduction In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. Scarecrow Press pp. 1-11. (Europea: Ethnomusicologies and Modernities, 10).
Scheding, Florian. and Bohlman, Andrea F. (2010) Eisler on the move: situating mobility in the reisesonate At International Conference: Hanns Eisler, United Kingdom. 19 - 20 Apr 2010.
Smith, Daniel Alexander, Bretherton, David, Lambert, Joe and schraefel, m.c. (2010) The MusicNet composer URI project At UK e-Science All Hands Meeting 2010, United Kingdom. 13 - 16 Sep 2010.
Smith, Daniel Alexander, Lambert, Joe, schraefel, mc and Bretherton, David (2010) QWIC: performance heuristics for large scale exploratory user interfaces In Proceedings of the 23nd Annual ACM Symposium on User Interface Software and Technology. Association for Computing Machinery. 2 pp. (doi:10.1145/1866218.1866266).
Sofianos, S., Ariyaeeinia, A. and Polfreman, R. (2010) Towards effective singing voice extraction from stereophonic recordings In 2010 IEEE International Conference on Acoustics Speech and Signal Processing (ICASSP). IEEE., pp. 233-236. (doi:10.1109/ICASSP.2010.5496004).
Sofianos, Stratis, Ariyaeeinia, Aladdin and Polfreman, Richard (2010) Singing Voice Separation Based On Non-vocal Independent Component Subtraction and Amplitude Discrimination In Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10). Institute of Electronic Music and Acoustics. 4 pp, DAFX-1.
Stras, Laurie (2010) Considering the performance of Alessandro Grandi's Motetti a cinque voci (1614) In, Bonsante, Annamaria and Pasquandrea, Roberto Matteo (eds.) Celesti Sirene: Musica e monachesimo dal Medioevo all’Ottocento. Foggia, IT, Claudio Grenzi Editore pp. 73-94.
Stras, Laurie (2010) She's so fine, or why girl singers (still) matter In, Stras, Laurie (eds.) She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Aldershot, GB, Ashgate pp. 1-29. (Ashgate Popular and Folk Music).
Stras, Laurie (2010) Voice of the beehive: vocal technique at the turn of the 1960s In, Stras, Laurie (eds.) She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Aldershot, GB, Ashgate Publishing pp. 33-55. (Ashgate Popular and Folk Music).
schraefel, mc, Bretherton, David, Smith, Daniel Alexander and Lambert, Joe (2010) MusicSpace: improving access to musicological data At 2010 Microsoft Research eScience Workshop, United States. 11 - 13 Oct 2010. 4 pp.