Items where Subject is "B Philosophy. Psychology. Religion > BH Aesthetics"

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Number of items at this level: 60.

Neill, Alex and Ridley, Aaron (eds.) (1995) The philosophy of art: readings ancient and modern, New York, USA, McGraw-Hill, 592pp.

Arnold, Dana and Bending, Stephen (eds.) (2003) Tracing architecture: the aesthetics of antiquarianism, Malden, US, Wiley-Blackwell, 160pp. (Art History Special Issues).

Keay, Simon and Moser, S. (eds.) (2004) Greek art in view. Papers in honour of Brian A. Sparkes, Oxford, GB, Oxbow books

Bayley, Sally and May, William (eds.) (2007) From self to shelf: the artist under construction, Newcastle, UK, Cambridge Scholars Press, 250pp.

Neill, Alex and Ridley, Aaron (eds.) (2007) Arguing about art: contemporary philosophical debates, Abingdon, UK, Routledge, 504pp. (Arguing About Philosophy).

Neill, Alex and Janaway, Christopher(eds.) (2008) Editorial. Schopenhauer's philosophy of value European Journal of Philosophy, 16, (2), p. 163. (doi:10.1111/j.1468-0378.2008.00305.x).

Neill, Alex and Janaway, Christopher (eds.) (2009) Better consciousness: Schopenhauer’s philosophy of value, Oxford, UK, Blackwell

Arnold, Dana (2002) Facts or fragments? Visual histories in the age of mechanical reproduction Art History, 25, (4), pp. 450-460. (doi:10.1111/1467-8365.00338).

Arnold, Dana (2003) Facts or fragments? Visual histories in the age of mechanical reproduction In, Arnold, Dana and Bending, Stephen (eds.) Tracing Architecture: the Aesthetics of Antiquarianism. Oxford, GB, Wiley-Blackwell pp. 30-48. (Art History Special Issues).

Baum, Devorah (2009) Nothing and the Jews In, Armleder, John (eds.) Voids: a Retrospective. Vides/Voids Exhibition at Centre Pompidou and Kunsthalle, Bern Zurich, Switzerland, JPR/Ringier pp. 16-22.

Cooke, S, Lucassen, A, Crawford, G, Parker, M and Hallowell, N (2007) Lay understanding of cancer genetics activities in the UK Psycho-Oncology, 16, (3), p. 265. (doi:10.1002/pon.1165).

Dronsfield, J.L. (2002) Abstraction given time In, Helen Robertson (catalogue). Helen Robertson (solo exhibition) Dudelange, Luxembourg, Galerie Nei Liicht pp. 2-5.

Dronsfield, J.L. (2003) Almost the artist: Nietzsche and the claims of the impossible At Nietzsche's Aesthetics. 13 Sep 2003. (Submitted).

Gemes, Ken (2006) We remain of necessity strangers to ourselves: the key message of Nietzsche's Genealogy In, Acampora, Christa Davis (eds.) Nietzsche's On the Genealogy of Morals: Critical Essays. Lanham, USA, Rowman & Littlefield pp. 191-208. (Critical Essays on the Classics Series).

Grenfell, Michael and Hardy, Cheryl (2007) Art Rules: Pierre Bourdieu and the Visual Arts, London, UK, Berg, 256pp.

Hon, Gordon (2007) Return and the spectres of occupation In, Gillett, John (eds.) Bashir Makhoul: Return in Conflict. New York, IssueArt Publishing pp. 63-74.

Janaway, Christopher (2003) Nietzsche’s artistic revaluation In, Bermúdez, José Luis and Gardner, Sebastian (eds.) Art and Morality. London, UK, New York, USA, Routledge pp. 260-276. (International Library of Philosophy).

Janaway, Christopher (2003) Tragedy: a case of pleasure in pain In, Haapala, Arto and Kuisma, Oiva (eds.) Aesthetic Experience and the Ethical Dimension: Essays on Moral Problems in Aesthetics. Helsinki, Philosophical Society of Finland pp. 19-32. (Acta Philosophica Fennica, 72, 72).

Janaway, Christopher (2005) Reading Aesthetics and Philosophy of Art, Blackwell Publishing, 288pp. (Reading Philosophy).

Kent, Alexander J. (2005) Aesthetics: a lost cause in cartographic theory? The Cartographic Journal, 42, (2), pp. 182-188. (doi:10.1179/000870405X61487).

MacLean, James (2011) Rethinking law as process: creativity, novelty, change, Abingdon, GB, Taylor & Francis, 224pp. (a Glasshouse Book).

McAleer, John (2004) The sublime aesthetic and nineteenth-century representations of the Victoria Falls [in special issue: Re-Discovering Aesthetics] Postgraduate Journal of Aesthetics, 1, (3), Winter Issue, pp. 124-135.

Morton, Stephen (2008) Torture, terrorism and colonial sovereignty In, Morton, Stephen and Bygrave, Stephen (eds.) Foucault in an Age of Terror: Essays on Biopolitics and the Defence of Society. Basingstoke, GB, Palgrave Macmillan pp. 183-195.

Neill, Alex (1987) Kinship and separation in Cavell’s Pursuits of Happiness Philosophy and Literature, 11, pp. 136-147.

Neill, Alex (1991) Fear, Fiction and Make-Believe Journal of Aesthetics and Art Criticism, 49, (1), pp. 47-56.

Neill, Alex (1992) Yanal and others on Hume on tragedy Journal of Aesthetics and Art Criticism, 50, (2), pp. 151-154.

Neill, Alex (1992) On a paradox of the heart Philosophical Studies, 65, (1-2), pp. 53-74. (doi:10.1007/BF00571316).

Neill, Alex (1992) Who’s afraid of Virginia Woolf? Ratio (new series), 5, (1), pp. 94-97. (doi:10.1111/j.1467-9329.1992.tb00138.x).

Neill, Alex (1993) Fiction and the emotions American Philosophical Quarterly, 30, (1), pp. 1-13.

Neill, Alex (1995) Emotional responses to fiction: reply to Radford Journal of Aesthetics and Art Criticism, 53, (1), pp. 75-78.

Neill, Alex (1995) Fear and belief Philosophy and Literature, 19, (1), pp. 94-101. (doi:10.1353/phl.1995.0046).

Neill, Alex (1996) Empathy and (film) fiction In, Bordwell, David and Carroll, Noël (eds.) Post-Theory: Reconstructing Film Studies. Madison, USA, University of Wisconsin Press pp. 175-194.

Neill, Alex (1998) Hume on tragedy In, Kelly, Michael (eds.) Encyclopedia of Aesthetics. New York, USA, Oxford University Press pp. 399-401.

Neill, Alex (1998) 'An Unaccountable Pleasure’: Hume on tragedy and the passions Hume Studies, 24, (2), pp. 335-354.

Neill, Alex (1999) Appreciation and feeling Journal of Aesthetics and Art Criticism, 57, (1), pp. 67-71.

Neill, Alex (1999) Inauthenticity, insincerity and poetry In, Kemal, Salim and Gaskell, Ivan (eds.) Performance and Authenticity in the Arts. Cambridge, UK, Cambridge University Press pp. 197-214. (Cambridge Studies in Philosophy and the Arts).

Neill, Alex (1999) Hume's 'singular phenomenon' The British Journal of Aesthetics, 39, (2), pp. 112-125. (doi:10.1093/bjaesthetics/39.2.112).

Neill, Alex (2003) Poetry In, Levinson, Jerrold (eds.) The Oxford Handbook of Aesthetics. New York, USA, Oxford University Press pp. 605-613.

Neill, Alex (2005) Tragedy In, Gaut, Berys and Lopes, Dominic (eds.) The Routledge Companion to Aesthetics. London, UK, Routledge pp. 457-468.

Neill, Alex (2005) Fiction et émotions In, Cometti, Jean-Pierre, Morizot, Jacques and Pouivet, Roger (eds.) Esthétique Contemporaine: Art, Representation et Fiction. Paris, France, Librairie Philosophique Vrin pp. 347-375. (Textes Clés d'Esthétique Contemporaine).

Neill, Alex (2005) Tragedy In, Borchert, Donald (eds.) Encyclopedia of Philosophy. 2nd edition. Detroit, USA, Macmillan Reference USA

Neill, Alex (2007) Empatie a (filmová) fikce Iluminace, 19, (2), pp. 5-24.

Neill, Alex (2007) Fiktion und emotionen In, Reicher, Maria E. (eds.) Fiktion, Wahrheit, Wirklichkeit: Philosophische Grundlagen der Literaturtheorie. Paderborn, Germany, Mentis pp. 120-142. (Kunst Philosophie, 8).

Neill, Alex (2007) Schopenhauer and the foundations of aesthetic experience In, Shusterman, Richard and Tomlin, Adele (eds.) Aesthetic Experience. London, UK, Routledge pp. 178-193. (Routledge Studies in Contemporary Philosophy).

Neill, Alex (2009) The paradox of responding to fiction In, Davies, Stephen, Higgins, Kathleen Marie, Hopkins, Robert, Stecker, Robert and Cooper, David E. (eds.) A Companion to Aesthetics. 2nd Edition. Oxford, UK, Wiley-Blackwell

Neill, Alex (2009) “Aesthetic experience in Schopenhauer’s metaphysics of will” European Journal of Philosophy, 16, (2), pp. 179-193. (doi:10.1111/j.1468-0378.2007.00286.x).

Neill, Alex (2010) The paradox of tragedy In, Edmonds, David and Warburton, Nigel (eds.) Philosophy Bites. Oxford, UK, Oxford University Press

Neill, Alex (2011) Schopenhauer on tragedy and the sublime In, Vandenabeele, Bart (eds.) Companion to Schopenhauer. Oxford, UK, Blackwell (Blackwell Companions to Philosophy).

Neill, Alex D. (2003) Art and emotion In, Levinson, Jerrold (eds.) The Oxford Handbook of Aesthetics. Oxford, UK, Oxford University Press pp. 421-435. (Oxford Handbooks of Philosophy).

Orr, Mary (2005) Postscript In, Orr, Mary and Sharpe, Lesley (eds.) From Goethe to Gide: Feminism, Aesthetics and the French and German Literary Canon, 1770-1936. Exeter, University of Exeter Press pp. 199-204.

Reicher, Nina (2015) Aesthetics and ascetics University of Southampton, Faculty of Humanities, Masters Thesis , 130pp.

Richardson, A.E. (2003) From the moral mound to the material maze: Hogarth's Analysis of Beauty In, Berg, M. and Eger, E. (eds.) Luxury in the Eighteenth Century. Basingstoke, UK and New York, USA, Palgrave Macmillan Ltd. pp. 119-134.

Ridley, Aaron (2002) Congratulations, it’s a tragedy: Collingwood’s remarks on genre The British Journal of Aesthetics, 42, (1), pp. 52-63. (doi:10.1093/bjaesthetics/42.1.52).

Ridley, Aaron (2007) Persona sometimes grata:on the appreciation of expressive music In, Stock, Kathleen (eds.) Philosophers on Music: Experience, Meaning and Work. Oxford, UK, Oxford University Press pp. 130-146. (Mind Association Occasional Series).

Ridley, Aaron (2014) On the musically possible The British Journal of Aesthetics, 54, (1), pp. 1-14. (doi:10.1093/aesthj/ayt025).

Schönbaumsfeld, Genia (2013) Art and the 'Morality System': the case of Don Giovanni European Journal of Philosophy, n/a, pp. 1-19. (doi:10.1111/ejop.12024).

Taylor, B. (2004) George Dannatt: lyrical constructivist In, George Dannatt (exhibition catalogue). Exhibition: 'George Dannatt' Winchester, UK, The Winchester Gallery pp. 17-30.

Taylor, B. (2004) Contemporary art, New York, USA, Prentice Hall Inc., 256pp.

Walters, Lee (2013) Repeatable artworks as created types The British Journal of Aesthetics, 53, (4), pp. 461-477. (doi:10.1093/aesthj/ayt026).

Whiting, Daniel (2014) The glass is half empty: a new argument for pessimism about aesthetic testimony The British Journal of Aesthetics, 55, pp. 91-107.

This list was generated on Sat Jun 24 01:53:51 2017 BST.