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Wright, M.C.M. (2003) Book review. Measured Tones: The Interplay of Physics and Music by Ian Johnston, Institute of Physics Publishing, Bristol and Philadelphia, 2002, xiv+406pp, price £24.99, ISBN 0-7503-0762-5 Journal of Sound and Vibration, 264, (5), pp. 1209-1210. (doi:10.1016/S0022-460X(03)00391-2).

Grasmeder, M.L. (2002) Identification of different music instruments by nucleus cochlear implant users In Abstracts of the 7th International Cochlear Implant Conference. 7th International Cochlear Implant Conference..

Hill, Sarah (2004) Ending it all: Genesis and revelation At SIMS 2004: Symposium of the International Musicological Society. 11 - 16 Jul 2004.

Hill, Sarah (2003) All directions were forward from there: The Grateful Dead, San Francisco, and the memory of the 60's At 39th RMA Annual Conference 2003: Music Historiography. 12 - 14 Sep 2003.

Hill, Sarah (2003) From the new Jerusalem to the secret world: Peter Gabriel and the shifting self At Practising Popular Music: 12th Biennial ASPM Conference. 01 Jan 2003.

Brooks, Jeanice (2003) O quelle armonye: dialogue singing in late renaissance France Early Music History, 22, pp. 1-65. (doi:10.1017/S0261127903003012).

Wood, A.C. (2004) Music In, Kessler, Edward and Wenborn, Neil (eds.) A Dictionary of Jewish-Christian Relations. Cambridge, UK, Cambridge University Press

Wood, Abigail (2002) Commemoration and creativity: remembering the Holocaust in today's Yiddish song European Judaism, 35, (2)

Everist, Mark (2005) Giacomo Meyerbeer and music drama in nineteenth-century Paris, vol. CS805, Aldershot, Ashgate, 460pp. (Variorum Collected Studies Series, CS805).

Everist, Mark (2004) Theatres of litigation: stage music at the Théâtre de la Renaissance, 1838–1840 Cambridge Opera Journal, 16, (2), pp. 133-161. (doi:10.1017/S095458670400182X).

Everist, Mark (ed.) (2001) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de l'office, vol. 2, Monaco, Éditions de l'Oiseau-Lyre, 332pp. (Magnus liber organi, 2).

Everist, Mark (2002) Music drama at the Paris Odéon, 1824-1828, Berkeley, US, Universiy of California Press, 348pp.

Aspden, Suzanne (2004) Desiring Handel: biography and the strategies of possession Music & Letters, 85, pp. 62-82. (doi:10.1093/ml/85.1.62).

Aspden, Suzanne (2001) Ariadne's Clew: politics, allegory, and opera in London (1734) The Musical Quarterly, 85, (4), pp. 735-770. (doi:10.1093/mq/85.4.735).

Aspden, Suzanne (2002) Fam'd Handel breathing, tho' transformed to stone: the composer as monument Journal of the American Musicological Society, 55, (1), pp. 39-90.

Brooks, Jeanice, (2001) The art of civil conversation: courtly neoplatonism and the dialogue air Brooks, Jeanice, Ford, P. and Jondorf, G. (eds.) In Poetry and Music in the French Renaissance: Proceedings of the Sixth Cambridge French Renaissance Colloquium. Cambridge French Colloquia., pp. 159-184.

Ridley, Aaron (2004) The Philosophy of Music: Theme and Variations, Edinburgh, UK, Edinburgh University Press, 192pp.

Ridley, A.M. (2003) Against musical ontology Journal of Philosophy, 100, (4), pp. 203-220.

Arostegui, Jose Luis, Stake, Robert and Simons, Helen (2004) Music education for the 21st century: epistemology and ontology as bases for student aesthetic education Education Policy Analysis Archives, 12, (54), pp. 1-14.

Schneider, Peter, Sluming, Vanessa, Roberts, Neil, Scherg, Michael, Goebel, Rainer, Specht, Hans J., Dosch, H. Günter, Bleeck, Stefan, Stippich, Christoph and Rupp, André (2005) Structural and functional asymmetry of lateral Heschl's gyrus reflects pitch perception preference Nature Neuroscience, 8, (9), pp. 1241-7. (doi:10.1038/nn1530).

Davies, P.O.A.L., Pinho, J. and English, E.J. (2006) Some acoustic characteristics of the tin whistle At Institute of Acoustics Spring Conference 2006: Futures in Acoustics: Today's Research - Tomorrow's Careers. 03 - 04 Apr 2006. , pp. 597-608.

McGavin, J.J. (2001) Secular music in the burgh of Haddington, 1530-1640 In, Kisby, Fiona (eds.) Music and Musicians in Renaissance Cities. Cambridge, UK, Cambridge University Press pp. 45-56.

Pugmire, David (2006) The secular reception of religious music Philosophy, 81, (1), pp. 65-79. (doi:10.1017/S0031819106000040).

Drabkin, William (2002) Heinrich Schenker In, Christensen, Thomas (eds.) The Cambridge History of Western Music Theory. Cambridge, GB, Cambridge University Press pp. 812-843. (doi:10.2277/0521623715).

Drabkin, William (2005) Schenker’s ‘Decline’: an introduction Music Analysis, 24, (1-2), pp. 3-31. (doi:10.1111/j.1468-2249.2005.00216.x).

Schenker, Heinrich, Drabkin, William(ed.) (2005) The decline of the art of composition: a technical-critical study Music Analysis, 24, (1-2), pp. 33-129. (doi:10.1111/j.1468-2249.2005.00217.x).

Schenker, Heinrich, Drabkin, William(ed.) (2005) Über den Niedergang der Kompositionskunst: eine Technisch-Kritische Untersuchung Music Analysis, 24, (1-2), pp. 131-232. (doi:10.1111/j.1468-2249.2005.00218.x).

Brooks, Jeanice (2006) L’art et la manière: ornementation et notation dans l’air de cour à la fin de la Renaissance In, Durosoir, Georgie (eds.) Poésie, Musique et Société: L'air de cour en France au XVIIe siècle. Liège, BE, Mardaga; Centre de Musique Baroque de Versailles pp. 169-179.

Cain, T. and Fletcher, M. (1970) Researching trainee teachers' learning: a musical experiment In, Peklaj, C. (eds.) Teorija in Praksa v Izobrazevanju Uciteljev [Theory and practice in teacher education]. Ljubljana, Slovenia, Univerza v Ljuljani pp. 91-94.

M.L., Grasmeder and M.E., Lutman (2006) The identification of musical instruments through Nucleus cochlear implants Cochlear Implants International, 7, (3), pp. 148-158. (doi:10.1002/cii.308).

Cain, Tim (2006) The National Curriculum for Music In, Philpott, Christopher and Spruce, Gary (eds.) Learning to Teach Music in the Secondary School: a Companion to School Experience, 2nd edition. Abingdon, UK, Routledge pp. 42-54. (Learning to Teach in the Secondary School).

Inácio, Octávio, Henrique, Luis and Antunes, José (2006) The dynamics of Tibetan singing bowls Acta Acustica united with Acustica, 92, (4), pp. 637-653.

Hadden, Nancy, (2005) In search of the sound of a fiffara Lasocki, David (ed.) In Musicque de Joye: Proceedings of the International Symposium on the Renaissance Flute and Recorder Consort, Utrecht 2003. STIMU., pp. 187-202.

Deeming, Helen (2006) Observations on the habits of twelfth- and thirteenth-century music scribes Scriptorium, 60, (1), pp. 38-59.

Deeming, Helen (2007) The sources and origin of the “Agincourt Carol” Early Music, 35, (1), pp. 23-38. (doi:10.1093/em/cal119).

Everist, Mark (ed.) (2001) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de la messe, I, vol. 3, Monaco, Editions de l'Oiseau-Lyre, 258pp. (Magnus liber organi, 3).

Everist, Mark (ed.) (2002) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de la messe, II, vol. 4, Monaco, Editions de l'Oiseau-Lyre, 251pp. (Magnus liber organi, 4).

Irvine, Thomas (2003) Mozarts KV 475: Fantasie als Utopie Acta Mozartiana, 50, pp. 37-49.

Izzo, Francesco (2003) Verdi's "Un giorno di regno": two newly discovered movements and some questions of genre Acta Musicologica, 73, (2), pp. 165-188.

Izzo, Francesco (2004) Comedy between two revolutions: Opera Buffa and the Risorgimento, 1831-1848 Journal of Musicology, 28, (1), pp. 127-174. (doi:10.1525/jm.2004.21.1.127).

Irvine, Thomas (2006) The foundations of Mozart Scholarship. (In special Mozart Issue edited by Karen Hiles) Current Musicology, 81, pp. 7-52.

Izzo, Francesco, (2003) I cantanti e la recezione de Verdi nell’Ottocento: trattati e corrispondenza della Seta, Fabrizio, Roberta Montemorra, Marvin and Marco, Marica (eds.) In Verdi 2001: Proceedings of the International Conference, Parma, New York, New Haven, 24 January - 1 February 2001. vol. 1, Olschki., pp. 173-187.

Mirka, Danuta (2002) The passion according to Penderecki In, Bruhn, Siglind (eds.) Voicing the Ineffable: Musical Representations of Religious Experience. Hillsdale, US, Pendragon pp. 189-230. (Interplay: Music in Interdisciplinary Dialogue, 3).

Mirka, Danuta (2001) To cut the Gordian Knot: the timbre system of Krzysztof Penderecki Journal of Music Theory, 45, (2), Autumn Issue, pp. 435-456. (doi:10.1215/00222909-45-2-435).

Izzo, Francesco (2004) Donizetti's Don Pasquale and the conventions of mid-nineteenth-century opera buffa Studi musicali, 33, (2), pp. 387-431.

Mirka, Danuta (2004) Górecki’s Musica geometrica The Musical Quarterly, 87, (2), pp. 305-332. (doi:10.1093/musqtl/gdh013).

Mirka, Danuta (2005) The cadence of Mozart's cadenzas Journal of Musicology, 22, (2), pp. 292-325. (doi:10.1525/jm.2005.22.2.292).

Polfreman, Richard, Sheppard, David and Dearden, Ian (2006) Time to re-wire? Problems and strategies for the maintenance of live electronics Organised Sound, 11, (3), pp. 229-242. (doi:10.1017/S1355771806001543).

van Besouw, Rachel M. and Howard, David M. (2009) Effects of carrier and phase on the pitch of long-duration vibrato tones Musicae Scientiae, 13, (1), Spring Issue, pp. 139-161.

van Besouw, Rachel M., Howard, David M. and Ternström, Sten (2005) Towards an understanding of speech and song perception Logopedics Phoniatics Vocology, 30, (3 & 4), pp. 129-135. (doi:10.1080/14015430500262160).

van Besouw, R.M., Brereton, J. and Howard, D.M. (2007) Defining the limits of tuning for tones with and without vibrato At 19th International Congress on Acoustics (ICA 2007). 02 - 07 Sep 2007.

van Besouw, Rachel M. and Howard, David M., (2006) Effect of carrier on the pitch of long duration vibrato tones Baroni, Mario, Addessi, Anna Rita, Caterina, Roberto and Costa, Marco (eds.) At 9th International Conference on Music Perception and Cognition. 22 - 26 Aug 2006. , pp. 851-859.

Donnelly, Kevin (ed.) (2001) Film music: critical approaches, Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 224pp.

Donnelly, K.J. (2007) British film music and film musicals, Basingstoke, UK, Palgrave, 232pp.

Donnelly, Kevin (2001) The Hidden Heritage of Film Music: History and Scholarship In, Donnelly, Kevin (eds.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum pp. 1-15.

Donnelly, Kevin (2001) Performance and the Composite Film Score In, Donnelly, Kevin (eds.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum pp. 152-166.

Gilbert, Shirli (2004) Songs confront the past: music in KZ Sachsenhausen, 1936-1945 Contemporary European History, 13, (3), pp. 281-304. (doi:10.1017/S0960777304001730).

Gilbert, Shirli (2005) Music in the Holocaust: confronting life in the Nazi ghettos and camps, Oxford, UK; New York, USA, Oxford University Press, 256pp. (Oxford Historical Monographs).

Coles, A.M., Harris, Lisa and Davis, R. (2004) Is the party over? Innovation and music on the web Journal of Information, Communication and Ethics in Society, 2, (1), pp. 21-29.

Nicholls, David (2007) Narrative Theory as an Analytical Tool in the Study of Popular Music Texts Music and Letters, 88, (2), pp. 297-315. (doi:10.1093/ml/gcm006).

Cain, T. (2007) Mentoring trainee music teachers: beyond apprenticeship or reflection British Journal of Music Education, 24, (3), pp. 281-294. (doi:10.1017/S0265051707007589).

Newell, Philip and Holland, Keith (2006) Loudspeakers: for music recording and reproduction, Oxford, UK, Focal Press, 416pp.

Hadden, Nancy (2005) From Swiss flutes to consorts: the flute in Germany CA. 1480-1530 Basler Jahrbuch für Historische Musikpraxis: Band XXVIX 2005: Musikinstrumente und instrumentale Praxis um 1500, 29, pp. 125-143.

Almeida, Patrícia Manuela Fernandes Sucena (2003) Commentary and portfolio [Solitudo, Argumentum, Recordatio, Illuminatio, Transfiguratio, Ludus Aeternus, Mens Sana in Corpore Sano, Monstrum Horrendum] University of Southampton, School of Humanities, Doctoral Thesis , 505pp.

Almeida, Patrícia Manuela Fernandes Sucena (2003) Commentary and portfolio University of Southampton, School of Humanities, Doctoral Thesis , 505pp.

Fisher, Andrew M.S. (2003) Composition folio: musicals vols. I-IV University of Southampton, School of Humanities, Doctoral Thesis , 1788pp.

Hughes, Edward Dudley (2003) Portfolio of compositions University of Southampton, School of Humanities, Doctoral Thesis , 259pp.

Everist, Mark (1994) A new source for the polyphonic conductus: MS 117* in Sidney Sussex College, Cambridge Plainsong and Medieval Music, 3, (2), pp. 149-168.

Bayley, Sally and May, William (eds.) (2007) From self to shelf: the artist under construction, Newcastle, UK, Cambridge Scholars Press, 250pp.

Brockmeier, Steffi Johanna, Grasmeder, Mary, Passow, SSusanna, Mawmann, Deborah, Vischer, Mattheus, Jappel, Alexandra., Baumgartner, Wolfgang, Stark, Thomas, Muller, Joachim, Brill, S., Steffens, Thomas, Strutz, Jurgan, Keifer, Jan, Baumann, Uwe and Arnold, Wolfgang (2007) Comparison of musical activiti es of cochlear implant users with different speech-coding strategies Ear and Hearing, 28, (2 supplement), 49S-51S.

Cain, Tim (2008) The characteristics of action research in music education British Journal of Music Education, 25, (3), pp. 283-313. (doi:10.1017/S0265051708008115).

Cain, T. (2008) How do Secondary school music teachers undertake action research? At International Society for Music Education World Conference.. 21 - 25 Jul 2008.

Felstead, Alan, Bishop, Dan, Fuller, Alison, Jewson, Nick, Lee, Tracey and Unwin, Lorna (2006) Moving to the music: learning processes, training and productive systems - the case of exercise to music instruction , Cardiff, Wales Cardiff School of Social Sciences 43pp. (Learning as Work Research Paper, 6).

Inácio, O., Antunes, J. and Wright, M.C.M. (2007) Computational modelling of string-body interaction for the violin family and simulation wolf notes Journal of Sound and Vibration, 310, (1-2), pp. 260-286. (doi:10.1016/j.jsv.2007.07.079).

van Besouw, Rachel M., Brereton, Jude S. and Howard, David M. (2008) Range of tuning for tones with and without vibrato Music Perception, 26, (2), pp. 145-155. (doi:10.1525/mp.2008.26.2.145).

Inacio, Octávio José Patrício Fernandes Inácio (2008) A modal method for the simulation of nonlinear dynamical systems with application to bowed musical intruments University of Southampton, Institute of Sound and Vibration Research, Doctoral Thesis , 256pp.

Baker, Catherine (2008) When Seve met Bregovi?: folklore, turbofolk and the boundaries of Croatian musical identity Nationalities Papers, 36, (4), pp. 741-764. (doi:10.1080/00905990802230514).

Baker, Catherine (2008) Wild dances and dying wolves: simulation, essentialization, and national identity at the Eurovision Song Contest Popular Communication, 6, (3), pp. 173-189. (doi:10.1080/15405700802198113).

Baker, Catherine (2007) The concept of turbofolk in Croatia: inclusion/exclusion in the construction of national musical identity In, Baker, Catherine, Gerry, Christopher J., Madaj, Barbara, Mellish, Liz and Nahodilová, Jana (eds.) Nation in Formation: Inclusion and Exclusion in Central & Eastern Europe. London, UK, UCL School of Slavonic and East European Studies Publications pp. 139-158. (Studies in Russia and Eastern Europe, 1).

Reiter, Andrea, (1990) Thomas Bernhard’s ‘Musical Prose’ Williams, Arthur, Parkes, Stuart and Smith, Roland (eds.) In Literature on the Threshold: the German Novel in the 1980's. Berg. 352 pp, pp. 187-207.

Reiter, Andrea, Lüdke, Martin and Schmidt, Delf(eds.) (1989) Thomas Bernhards ‘musikalisches Kompositionsprinzip’ Rowohlt Literaturmagazin, 23, pp. 149-168.

Pinnock, Andrew (1989) A wider role for the flat trumpet The Galpin Society Journal, 42, pp. 105-111.

Pinnock, Andrew (1990) Play into opera: Purcell's The Indian Queen Early Music, XVIII, (1), pp. 3-21. (doi:10.1093/earlyj/XVIII.1.3).

Pinnock, Andrew (1995) The Purcell phenomenon In, Burden, Michael (eds.) The Purcell Companion. London, UK, Faber and Faber

Pinnock, Andrew (1995) King Arthur expos'd: a lesson in anatomy In, Price, Curtis (eds.) Purcell Studies. Cambridge, GB, Cambridge University Press

Pinnock, Andrew (1995) Fairest Isle™: land of the scholar-kings Early Music, XXIII, (4), pp. 651-666. (doi:10.1093/earlyj/XXIII.4.651).

Pinnock, Andrew (1998) Book IV in plain brown wrappers In, Burden, Michael (eds.) A Woman Scorn'd: Responses to the Dido Myth. London, UK, Faber and Faber

Pinnock, Andrew (2000) `From Roy Bowers': coming to Purcell the bibliographical way In, Burden, Michael (eds.) Henry Purcell's Operas: the Complete Texts. Oxford, UK, Clarendon Press

Pinnock, Andrew (2001) Flat trumpet In, Sadie, Stanley and Tyrrell, John (eds.) New Grove Dictionary of Music and Musicians (2nd revised edition). UK, Macmillan p.928.

Pinnock, Andrew (2001) Dryden In, Die Musik in Geschichte und Gegenwart. Germany, Barenreiter & Metzler pp. 1456-1458.

Pinnock, Andrew and Wood, Bruce (1992) "Unscarr'd by turning times"?: the dating of Purcell's Dido and Aeneas Early Music, 20, (3), pp. 373-390. (doi:10.1093/earlyj/XX.3.373).

Mirka, Danuta (2009) Metric manipulations in Haydn and Mozart: chamber music for strings, 1787-1791, New York, US, Oxford University Press, 348pp. (Oxford Studies in Music Theory).

Mirka, Danuta and Agawu, Kofi (eds.) (2008) Communication in eighteenth-century music, Cambridge, UK, Cambridge University Press, 360pp.

Mirka, Danuta (2008) Metre, phrase structure and manipulations of musical beginnings In, Mirka, Danuta and Agawu, Kofi (eds.) Communication in Eighteenth-Century Music. Cambridge, GB, Cambridge University Press pp. 83-111.

Mirka, Danuta, (2000) Species, theories, styles Tarasti, Eero (ed.) In Summer 2000 Nordic-Baltic Summer Institute. Part III: Hommage à Thomas A. Sebeok, 80 years - from Fennougrian Studies to Biosemiotics. International Semiotics Institute., pp. 92-104.

Mirka, Danuta (2000) Dodekatonikos grozis In, Gaidamaviciute, Ruta (eds.) Osvaldas Balakauskas: Muzika ir Mintys. Vilnius, Lithuania, Baltos Lankos pp. 202-206.

Mirka, Danuta (1997) Idea korespondencii w poemacie symfonicznym Morze Mikalojusa Konstantinasa Ciurlionisa In, Droba, Krzysztof (eds.) W Kr?gu Muzyki Litewskiej [Within the Circle of Lithuanian Music]. Kraków, PL, Akademia Muzyczna pp. 13-27.

Mirka, Danuta (1997) Postscriptum: Piekno Dodekatoniki In, Droba, Krzystof (eds.) W Kr?gu Muzyki Litewskiej [Within the Circle of Lithuanian Music]. Cracow, Poland, Akademia Muzyczna pp. 161-165.

Mirka, Danuta (1996) Some semiotic problems of Penderecki's sonoristic style In, Tarasti, Eero (eds.) Musical Semiotics in Growth. Bloomington, USA, Indiana University Press pp. 73-82.

Mirka, Danuta, (1996) Sonorystyczny strukturalizm Krzysztofa Pendereckiego Droba, Krzysztof, Malecka, Teresa and Szwajgier, Krzysztof (eds.) In Muzyka Polska 1945-1995: Materia?y Sesji Naukowej 6-10 Grudnia 1995 w 20-Lecie Zak?adu Analizy i Interpretacji Muzyki. Akademia Muzyczna w Krakowie., pp. 235-247.

Mirka, Danuta (2000) Co kazdy kompozytor wiedziec powinien: fizjologia i ekologia sluchacza w zarysie Ruch Muzyczny, 44, (14-15), pp. 10-18.

Mirka, Danuta (1998) Przeciac wezel gordyjski: system kolorystyczny Krzysztofa Pendereckiego Dysonanse, 3, pp. 2-11.

Mirka, Danuta (1995) Atitikimo ciurlionio simfonineje poemoje jura [Die Idee der Correspondances in der symphonischen Dichtung Das Meer von M. K. Ciurlionis] Kulturos Barai, 8-9, pp. 63-66.

Mirka, Danuta (1993) Teozofia, muzyka i swiatlo: o funkcji swiatla w poemacie symfonicznym Prometeusz Aleksandra Skriabina Zeszyt Naukowy, 4, pp. 71-90.

Mirka, Danuta (2004) Review. Justin London. Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press, 2004: x+195 pp. ($39.95 cloth) Journal of Music Theory, 48, (2), pp. 325-336. (doi:10.1215/00222909-48-2-325).

Mirka, Danuta (2001) Czy istnieje muzyczna Ekphrasis? [S. Bruhn Musical Ekphrasis. Composers responding to poetry and painting; Musical Ekphrasis in Rilkes Marien-Leben] Ruch Muzyczny, 15, (35), pp. 21-22.

Rice, Stephen (2009) Aspects of counterpoint theory in the Tractado de Canto Mensurable (1535) of Matheo de Aranda In, Filocamo, G. and Bloxam, M.J. (eds.) Uno Gentile et Subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Turnhout, BE, Brepols (Epitome musical).

Rice, Stephen (2009) Reverse accentuation In, Schmidt-Beste, T. (eds.) The Motet around 1500: On the Relationship of Imitation and Text Treatment. Turnhout, BE, Brepols pp. 117-134.

Izzo, Francesco and Streicher, Johannes (eds.) (1993) Ottocentro e oltre: scritti in onore di Raoul Meloncelli, Rome, Italy, Pantheon, 608pp.

Izzo, Francesco (ed.) (2003) Sei romanze per voce E pianoforte [6 romances for voice and piano] Luigi Luzzi (1828-1876): Ave Maria; Lia!; La tradita; La derelitta; L’orfana; Carmelita, Bologna, Italy, Ut Orpheus Edizioni, 30pp.

Carafa, Michele, Streffi, Aristide and Izzo, Francesco (eds.) (1997) Calipso: scena lirica per soprano e pianoforte, Bologna, Italy, Ut Orpheus Edizioni, 26pp.

Izzo, Francesco (1993) Michele Carafa e le nozze di Lammermoor: un oscuro precedente della Lucia [Michele Carafa and the weddings of Lammermoor: an obscure precedent of Lucia] In, Izzo, Francesco, Streicher, Johannes and Meloncelli, Raoul (eds.) Ottocento e Oltre: Scritti in Onore di Raoul Meloncelli (Itinerari Musicali) [Nineteenth Century and Beyond: Writings in Honor of Raoul Meloncelli]. Rome, Italy, Editoriale Pantheon pp. 161-193.

Izzo, Francesco, (1998) Singing fidelio: some questions of vocal writing and performance practice [Singing fidelio: einige fragen schriftlich von vokal-und aufführungspraxis] Csobádi, Peter and Gruber, Gernot (eds.) In Fidelio/Leonore: Annäherungen an ein Zentrales Werk des Musiktheaters: Vorträge und Materialien des Salzburger Symposions 1996 (Wort und Musik). Verlag Ursula Müller-Speiser..

Izzo, Francesco (1995) Rachmaninoff in Italy: criticism, influence, performance Studies in Music from the University of Western Ontario, 15, pp. 75-86.

Izzo, Francesco, (1996) Feste, congiure e delitti in alcune opere serie di Gaetano Donizetti [Festivals, conspiracies and crimes in some serious operas of Gaetano Donizetti] Csobádi, Peter and Gruber, Gernot (eds.) In "Und Jedermann Erwartet sich ein Fest": Fest, Theater, Festspiele: Gesammelte Vorträge des Salzburger Symposions 1995 (Wort und Musik). Verlag Ursula Müller-Speiser., pp. 343-348.

Izzo, Francesco, (1995) Exoticism, colonialism and oppression in Italian early Romantic opera [Esotismo, il colonialismo e l'oppressione in italiano all'inizio opera romantica] Kühnel, Jürgen and Müller, Ulrich (eds.) In Weine, Weine du Armes Volk: Das verführte und betrogene Volk auf der Bühne: Gesammelte Vorträge des Salzburger Symposions 1994 (Wort und Musik). Verlag Ursula Müller-Speiser., pp. 317-326.

Irvine, Thomas (2004) Reviews: recordings: Divas of Mozart's day: operatic arias by Domenico Cimarosa (1749–1801), Vicente Martin y Soler (1754–1806), Wolfgang Amadeus Mozart (1756–1791), Vincenzo Righini (1756–1812), Antonio Salieri (1750–1825), Stephen Storace (1762–1796): Patrice Michaels (soprano), Peter van de Graaff (bass-baritone) / Classical Arts Orchestra / Stephen Alltop (conductor and fortepiano) Cedrille CDR 90000 064, 2002; one disc, 1'16" Eighteenth-Century Music, 1, (1), pp. 116-118. (doi:10.1017/S1478570604330071).

Polfreman, Richard and Loomes, Martin (2001) A TKS framework for understanding music composition processes and its application in interactive system design In Proceedings of the AISB'01 Symposium on Creativity in Arts and Sciences. The Society for the Study of Artificial Intelligence and Simulation of Behaviour., pp. 75-83.

Polfreman, Richard (2001) FrameWorks - a structural composition tool In Music without walls? Music without instruments? Proceedings of the International Conference. De Montfort University..

Spevak, Christian, Polfreman, Richard and Loomes, Martin (2001) Towards detection of perceptually similar sounds: investigating self-organizing maps In Proceedings of the AISB'01 Symposium on Creativity in Arts and Sciences. The Society for the Study of Artificial Intelligence and Simulation of Behaviour., pp. 45-50.

Polfreman, Richard (2002) MfOM: a library for building and controlling physical model instruments in OpenMusic In Proceedings of the 2002 International Computer Music Conference. International Computer Music Association., pp. 436-439.

Polfreman, Richard, Loomes, Martin and Wright, Robert (2003) Physically inspired interactive music machines: making contemporary composition accessible? In Third IEEE International Conference on Advanced Learning Technologies (ICALT'03). IEEE Computer Society., pp. 224-228. (doi:10.1109/ICALT.2003.1215061).

Polfreman, Richard (1999) A task analysis of music composition and its application to the development of Modalyser Organised Sound, 4, (1), pp. 31-43.

Stras, Laurie (2009) Sing a song of difference: Connie Boswell and a discourse of disability in jazz Popular Music, 28, (3), pp. 297-322. (doi:10.1017/S0261143009990080).

Stras, Laurie (2000) "Onde havrà ‘l mond’esempio et vera historia”: musical echoes of Henri III’s progress through Italy Acta Musicologica, 72, (2), pp. 7-41.

Paget, Laurie (1992) The madrigals of Marc'Antonio Ingegneri Musiek & Wetenschap, 2, (2), pp. 1-28.

Stras, Laurie (2002) Review, Alfonso Fontanelli: complete madrigals (A-R Editions, 1999) ed. Anthony Newcomb; Madrigali segreti per le dame di Ferrara (SPES, 2000), ed. Elio Durante and Anna Martellotti Mozart-Jahrbuch, 83, (4), pp. 665-667. (doi:10.1093/ml/83.4.665).

Stras, Laurie (2002) Music review. The works of Orologio: Alessandro Orologio, Opera omnia (Udine: Pizzicato Edizioni Musicali). i: Canzonette a tre voci, ed. Franco Colussi (1999); ii: Canzonette a tre voci intavolate per sonar di liuto, ed. Franco Colussi (1993); iii: nprimo libro de' madrigali a cinque voci, ed. Alessandra Andreotti (1996); iv.Il secondo libro de' madrigali a cinque voci (1993); v: LI secondo libro de' madrigali a quatro, a cinque, & a sei voci, ed. Franco Colussi and Francesco Luisi (1999); vi: Cantica Sion in terra aliena a mysticis Israelites octo vocibus concinenda, ed. Franco Colussi (2001); vii: Intradae quinque etsex vocibus liber primus, ed. Gioachino Perisan (1995); viii: Composizioni sacre e profane dafonti diverse, ed. Franco Colussi (2001) Early Music, XXX, (3), pp. 475-476. (doi:10.1093/em/XXX.3.475).

Stras, Laurie (2001) Review. Monteverdi and Ingegneri. Intorno a Monteverdi, ed Maria Caraci Vela and Rodobaldo Tibaldi (Lucca Librena Musicale Itahana, 1999), Lit 80,000/€4i 32. Marc'Antonio Ingegneri e la musica a Cremona nel secondo Cinquecento, ed Antonio Delfino and Maria Teresa Rosa-Barezzani (Lucca Librena Musicale Itahana, 1995), Lit 120,000/€6i 97. Marc'Antonio Ingegneri, Opera omnia, II/il: il secondo libra de' madngali a quattro voci, ed Maria Teresa Rosa-Barezzani and Mila De Santis (Lucca Librena Musicale Itahana, 1999), Lit 50,000/€25.82 Early Music, XXIX, (4), pp. 647-648. (doi:10.1093/earlyj/XXIX.4.647).

Paget, Laurie (1995) Canzonettas and madrgials Early Music, 23, (4), pp. 709-711. (doi:10.1093/earlyj/XXIII.4.709).

Paget, Laurie (1995) Reviews of music. Ingegneri, Marc'Antonio, Opera omnia, I/v: Sacrae cantiones senis vocibus decantandae, ed. Daniele Sabaino. (Libreria Musicale Italiana, Lucca, 1994, L.50,000. ISBN 88-7096-123-0.) Ingegneri, Marc'Antonio, Opera omnia, II/iii: il terzo libra dei madrigali a cinque voci, ed. Marco Mangani. (Libreria Musicale Italiana, Lucca, 1994, L.50,000. ISBN 88-7096-056-0.) Music and Letters, 76, (4), pp. 648-651. (doi:10.1093/ml/76.4.648).

Paget, Laurie (1994) Review of music. Domenico Maria Ferrabosco (1513-1574): Opera omnia, ed. Richard Charteris. 'Corpus mensurabilis musicae', cii. ([American Institute of Musicology], Hanssler-Verlag, Neuhausen, 1992.) Music and Letters, 75, (2), pp. 316-317. (doi:10.1093/ml/75.2.316).

Stras, Laurie (2004) Review: Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700. By Colleen Reardon. pp. x + 289. (Oxford University Press, New York, 2001, £50. ISBN 0-19-513295-5.) Music and Letters, 85, (2), pp. 269-270. (doi:10.1093/ml/85.2.269).

Stras, Laurie and Wood, Abigail (2003) Bridging Musicology and Ethnomusicology: a review of Music and Gender. [Music and Gender. Pirkko Moisala and Beverley Diamond, eds. University of Illinois Press. 376 pgs. Hardback ISBN 0-252-02544-X; Softbound ISBN 0-252-06865-3] G.E.M.S. (Gender, Education, Music, and Society), 2

Stras, Laurie (2004) Review. Iain Fenlon, Music and Civic Culture in Late Renaissance Italy. Oxford and New York: Oxford University Press, 2002. ix + 265 pp. index. illus. bibl. n.p. ISBN: 0-19-816444-0 Renaissance Quarterly, 57, (2), pp. 704-705.

Stras, Laurie (2001) Marc'Antonio Ingegneri In, Sadie, Stanley and Tyrrell, John (eds.) The New Grove Dictionary of Music and Musicians (2nd revised edition). UK, Macmillan

Nicholls, David (1990) American Experimental Music, 1890-1940, Cambridge, UK, Cambridge University Press, 252pp.

Nicholls, David (2007) John Cage, Champaign, USA, University of Illinois Press, 160pp.

Cowell, Henry, Nicholls, David (ed.) (1996) New Musical Resources (with contributions by David Nicholls), Cambridge, UK, Cambridge University Press, 195pp.

Nicholls, David (ed.) (1997) The whole world of music: a Henry Cowell symposium, New York, USA, Routledge, 260pp. (Contemporary Music Studies).

Nicholls, David (ed.) (1998) The Cambridge history of American music, Cambridge, UK, Cambridge University Press, 653pp. (The Cambridge History of Music).

Nicholls, David (ed.) (2002) The Cambridge companion to John Cage, Cambridge, UK, Cambridge University Press, 304pp. (Cambridge companions to music).

Nicholls, David (1993) Getting rid of the glue: the music of the New York school Journal of American Studies, 27, (3), pp. 335-353. (doi:10.1017/S0021875800032060).

Nicholls, David (1994) Henry Cowell: a call for restitution Newsletter: Institute for Studies in American Music, XXIV, (1), pp. 1-2.

Nicholls, David (1996) Transethnicism and the American experimental tradition The Musical Quarterly, 80, (4), pp. 569-594. (doi:10.1093/mq/80.4.569).

Nicholls, David (1996) Henry Cowell's New musical resources In, Cowell, Henry (eds.) New Musical Resources. Cambridge, GB, Cambridge University Press pp. 153-174.

Nicholls, David (1999) Defining American music ISAM Newsletter [Newsletter: Institute for Studies in American Music], XXVIII, (2), pp. 12-14.

Nicholls, David (2002) Towards infinity: Cage in the 1950s and 1960s In, Nicholls, David (eds.) The Cambridge Companion to John Cage. Cambridge, GB, Cambridge University Press pp. 100-108.

Nicholls, David (2002) EC=JC2: John Cage as exemplary creator Frankfurt Journal of Musicology, 5, (S), pp. 76-85.

Nicholls, David (2008) H.W.H., Cowell, and new music Newsletter: Institute for Studies in American Music, XXXVII, (2), pp. 11-14.

Everist, Mark (1994) French motets in the thirteenth century: music, poetry and genre, Cambridge, GB, Cambridge University Press, 216pp. (Cambridge Studies in Medieval and Renaissance Music).

Everist, Mark (ed.) (1985) Five Anglo-Norman motets, Newton Abbott, UK, Antico Edition, 11pp.

Everist, Mark (ed.) (1992) Music before 1600, Oxford, GB, Blackwell, 256pp. (Models of Musical Analysis).

Ayrey, Craig and Everist, Mark (eds.) (1996) Analytical strategies and musical interpretation: essays on nineteenth- and twentieth-century music, Cambridge, GB, Cambridge University Press, 336pp.

Cook, Nicholas and Everist, Mark (eds.) (1999) Rethinking music, Oxford, GB, Oxford University Press, 588pp.

Fauser, Annegret and Everist, Mark (eds.) (2009) Music, theater and cultural transfer: Paris 1830-1914, Chicago, US, Chicago University Press, 456pp.

Lefferts, Peter M., Bent, Margaret, Bowers, Roger, Everist, Mark and Wahey, Andrew (1982) New sources of English thirteenth- and fourteenth-century polyphony Early Music History, 2, pp. 306-321. (doi:10.1017/S0261127900002138).

Everist, Mark (1984) A reconstructed source for the thirteenth-century conductus In, Dittmer, Luther (eds.) Gordon Athol Anderson (1921-1981): in Memoriam von Seinen Studenten, Freunden und Kollegen. Teil 1, Bent - Gillingham. Henryville, USA; Ottawa, Canada; Binningen, Switzerland, Institute of Medieval Music pp. 97-118.

Ruwet, Nicolas and Everist, Mark (1987) Methods of analysis in musicology Music Analysis, 6, (1/2), pp. 3-36.

Everist, Mark (1993) 'Madame Dorothea Wendling is arcicontentissima': singers and voices in Mozart's Idomeneo In, Rushton, Julian (eds.) W.A. Mozart: Idomeneo. Cambridge, GB, Cambridge University Press pp. 48-61. (Cambridge Opera Handbooks).

Everist, Mark (2004) Pauline Viardot-Garcia In, Briscoe, James R. (eds.) New Historical Anthology of Music by Women. Bloomington, USA, Indiana University Press pp. 188-197.

Everist, Mark (2004) Le fonti della musica polifonica ca. 1170-1330 [The sources of polyphonic music ca. 1170-1330] In, Fiore, Carlo and Aversano, Luca (eds.) Il Libro di Musica: per una Storia Materiale delle Fonti Musicali in Europa. Palermo, Italy, L'Epos pp. 43-64. (De charta, 7).

Everist, Mark (2005) "Tutti i francesi erano diventati matti". Bellini and the Duet for Two Basses In, Everist, Mark (eds.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate pp. 281-307. (Variorum Collected Studies Series, CS805).

Everist, Mark (2005) Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance In, Everist, Mark (eds.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate pp. 309-341. (Variorum Collected Studies Series, CS805).

Wang, Yueyue (2009) Fair use and file sharing in research and education University of Southampton, School of Law, Doctoral Thesis , 302pp.

Bretherton, David, Smith, D.A., schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, L. Jeanice and Lambert, Joe (2009) Integrating musicology's heterogeneous data sources for better exploration In Proceedings of the 10th International Society for Music Information Retrieval Conference. International Society for Music Information Retrieval. 6 pp, pp. 27-32.

Bretherton, David, schraefel, monica m.c., Smith, Daniel Alexander, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) musicSpace: improving access to musicology's data sources At eScience for Musicology. 01 - 02 Jul 2009.

Bretherton, David, schraefel, monica m.c., Smith, Daniel Alexander, Polfreman, Richard, Everist, Mark and Brooks, Jeanice (1970) The 'musicSpace' project At IAML (UK & Ireland) Academic Music Librarians' Seminar. 21 May 2009.

Bretherton, David, Smith, Daniel Alexander, schraefel, monica m.c., Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (1970) musicSpace: integrating musicology's heterogeneous data sources At InterFace 2009: 1st International Symposium for Humanities and Technology. 09 - 10 Jul 2009.

Bretherton, David, schraefel, monica m.c., Everist, Mark, Brooks, Jeanice, Polfreman, Richard, Smith, Daniel Alexander and Lambert, Joe (2008) An introduction to musicSpace At Introduction to e-Research in Arts and Humanities. 10 Dec 2008.

Bretherton, David, Smith, Daniel Alexander, schraefel, monica m.c., Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (2009) Discovery and exploration using musicSpace At Unlocking Audio 2: Connecting with Listeners. 16 - 17 Mar 2009.

Everist, Mark (2005) The horse, the clerk and the lyric: the musicography of the thirteenth and fourteenth centuries Journal of the Royal Musical Association, 130, (1), pp. 136-153. (doi:10.1093/jrma/fki007b).

Everist, Mark (2000) Review. Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance. Ed. by Dolores Pesce. pp. xi + 380. (Oxford University Press, New York & Oxford, 1997, £60. ISBN 0-19-509709-2.) Mozart-Jahrbuch, 81, (2), pp. 283-284. (doi:10.1093/ml/81.2.283).

Polfreman, Richard (2009) Role-reversal: Max/MSP as an audio engine for Java In Proceedings of the 2009 International Computer Music Conference. International Computer Music Association., pp. 435-438.

Polfreman, Richard, (2009) FrameWorks 3D: composition in the third dimension Dannenberg, Roger B. and Ries, Kristi D. (eds.) In NIME 2009: Proceedings of the 9th International Conference on New Interfaces for Musical Expression. Carnegie Mellon University. 356 pp, pp. 226-229.

Polfreman, Richard (2009) FrameWorks 3D At eScience for Musicology. 01 - 02 Jul 2009.

Drabkin, William (1991) Beethoven: Missa Solemnis, Cambridge, UK, Cambridge University Press, 132pp. (Cambridge Music Handbooks).

Polfreman, Richard (2001) Supporting creative composition: the FrameWorks approach In Les Actes des 8e Journées d Informatique Musicale. Institut international de Musique Electroacoustique Bourges., pp. 99-111.

Spain, Martin and Polfreman, Richard, (2001) Interpolator: a two-dimensional graphical interpolation system for the simultaneous control of digital signal processing parameters Landy, Leigh (ed.) In Music without Walls? Music without Instruments? Proceedings of the International Conference. De Montfort University..

Spevak, Christian and Polfreman, Richard, (2001) Sound spotting: an approach to content-based sound retrieval Landy, Leigh (ed.) In Music without Walls? Music without Instruments? Proceedings of the International Conference. De Montfort University..

Spevak, Christian and Polfreman, Richard (2001) Distance measures for sound similarity based on auditory representations and dynamic time warping At VII International Symposium on Systematic and Comparative Musicology III International Conference on Cognitive Musicology. 01 Jan 2001.

Bretherton, David, Smith, Daniel Alexander, schraefel (PI), mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) Orchestrating musical (meta)data to better address the real-world search queries of musicologists At 5th IEEE International Conference on e-Science. 09 - 11 Dec 2009.

Leighton, Timothy G. and Petculescu, Andi (2009) The sound of music and voices in space part 2: modelling and simulation Acoustics Today, 5, (3), pp. 27-29. (doi:10.1121/1.3238123).

Leighton, Timothy G. and Petculescu, Andi (2009) The sound of music and voices in space part 1: theory Acoustics Today, 5, (3), pp. 17-26. (doi:10.1121/1.3238122).

Barrett, Frederick S., Grimm, Kevin J. and Robins, Richard W. (2010) Music-evoked nostalgia: affect, memory, and personality Emotion, 10, (3), pp. 390-403. (doi:10.1037/a0019006).

Baker, Catherine (2010) 'It's all the same, only he's not here'?: popular music and political change in post-Tu?man Croatia Europe-Asia Studies, 62, (10), pp. 1741-1759. (doi:10.1080/09668136.2010.522428).

Baker, Catherine (2010) 'Death to fascism isn't in the catechism': legacies of socialism in Croatian popular music after the fall of Yugoslavia Narodna Umjetnost, 47, (1), pp. 163-183.

Lavery, Jane Elizabeth (2009) Angie Martínez: a chameleon artist Journal of Iberian and Latin American Studies, 15, (2 & 3), pp. 153-166. (doi:10.1080/14701840903471557).

Blumensath, Thomas (2006) Bayesian modelling of music: algorithmic advances and experimental studies of shift-invariant sparse coding University of London, Department of Electronic Engineering, Doctoral Thesis , 211pp.

Donnelly, K.J. (2008) I know where I’m going!: hearing Germanic music in the Scottish Isles In, Bergfelder, Tim and Cargnelli, Christian (eds.) Destination London: German-Speaking Émigrés and British Cinema, 1925-1950. Oxford, GB, Berghahn Books pp. 220-229. (Film Europa, 6).

Gilbert, Shirli (2005) Music as historical source: social history and musical texts International Review of the Aesthetics and Sociology of Music, 36, (1), pp. 117-134.

Gilbert, Shirli (2011) Music in the Nazi Ghettos and Camps In, Friedman, Jonathan C. (eds.) The Routledge History of the Holocaust. London, GB, Routledge pp. 436-451.

Donnelly, K.J. (2001) Pop music in British cinema, London, GB, British Film Institute, 274pp.

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. New York City, US, Routledge pp. 142-155.

(2009) Den ekfrastiske allianseringen

Gibert, Marie-Pierre and Meinhof, Ulrike Hanna (2009) Inspiration triangulaire: musique, tourisme et développement à Madagascar Cahiers D'études Africaines, 1-2, (193-194), pp. 227-256.

Polfreman, Richard, Dearden, Ian and Sheppard, David (2005) Re-wired: reworking 20th century live electronics for today In Proceedings of the 2005 International Computer Music Conference (ICMC0. International Computer Music Association..

Wood, Bruce and Pinnock, Andrew (eds.) (2009) The Fairy Queen, London, GB, Stainer & Bell, 368pp. (Purcell Society Edition, 12).

Piekut, Benjamin (2009) Race, community, and conflict in the jazz composers guild Jazz Perspectives, 3, (3), pp. 191-231. (doi:10.1080/17494060903454529).

Piekut, Benjamin (2010) New thing? Gender and sexuality in the jazz composers guild American Quarterly, 62, (1), pp. 25-48. (doi:10.1353/aq.0.0123).

Piekut, Benjamin and Stanyek, Jason (2010) Deadness: technologies of the intermundane TDR: The Drama Review, 54, (1), pp. 14-38. (doi:10.1162/dram.2010.54.1.14).

Piekut, Benjamin (2009) ‘Demolish Serious Culture!’: Henry Flynt and Workers World Party In, Adlington, Robert (eds.) Sound Commitments: Avant-garde Music and The Sixties. United States, US, Oxford University Press pp. 37-55.

Stras, Laurie (ed.) (2011) She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music, Aldershot, GB, Ashgate, 284pp. (Ashgate Popular and Folk Music Series).

(2009) Sacred hearts + secret music

Norris, David Owen (2010) Character as form: Elgar's Falstaff In, Rushton, Julian (eds.) Let Beauty Awake. London, England, Elgar Editions pp. 32-42.

Kiwan, Nadia and Meinhof, Ulrike Hanna (2011) Cultural Globalisation and Music: African Artists in Transnational Networks, Basingstoke, GB, Palgrave Macmillan, 272pp.

Scheding, Florian (2010) "The splinter in your eye": uncomfortable legacies and German exile studies In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. Lanham, USA, Scarecrow Press pp. 119-134. (Europea: Ethnomusicologies and Modernities, 10).

Donnelly, K.J. (2011) Europe cannibalizes the Western: ravenous In, Kalinak, Kathryn (eds.) Music in the Western: Notes from the frontier. London, UK, Routledge pp. 148-164. (Routledge Music and Screen Media Series).

Scheding, Florian and Levi, Erik (2010) Introduction In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. Scarecrow Press pp. 1-11. (Europea: Ethnomusicologies and Modernities, 10).

Scheding, Florian (2008) An animated quest for freedom: Mátyás Seiber’s score for The Magic Canvas In, Bergfelder, Tim and Cargnelli, Christian (eds.) Destination London: German-Speaking Émigrés and British Cinema, 1925–1950. Oxford, GB, Berghahn (Film Europa, 6).

Pinnock, Andrew (2010) A double vision of Albion: allegorical re-alignments in the Dryden-Purcell semi-opera 'King Arthur' [in special issue: Interrogating King Arthur] Restoration: Studies in English Literary Culture, 34, (1-2), Spring Issue, pp. 55-81.

Scheding, Florian (2006) Mátyás Seiber In, Heister, Hanns-Werner and Sparrer, Walter Wolfgang (eds.) Komponisten der Gegenwart. Munich, Edition Text + Kritik

Scheding, Florian (2009) István Anhalt In, Petersen, Peter and Maurer Zenck, Claudia (eds.) Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit. Hamburg, DE, Universität Hamburg

Piekut, Benjamin (2011) Experimentalism Otherwise: the New York Avant-Garde and its Limits, United States, US, University of California Press, 280pp.

Piekut, Benjamin (2010) There must be some relatIon beTween mushrOoms and trains: Alvin Curran’s Boletus Edulis—Musica Pendolare In, Stanyek, Jason and Gopinath, Sumanth (eds.) The Oxford Handbook of Mobile Music and Sound Studies. Oxford, GB, Oxford University Press

(2010) Pierre Moulu: Missa Missus est Gabriel Angelus; Missa Alma Redemptoris Mater

Nicholls, David (2011) 'All made of classical tunes': towards a taxonomy of rock's art music borrowings In, Oja, Carol, Schreffler, Anne, Meyer, Felix and Rathert, Wolfgang (eds.) Crosscurrents: American and European Music in Interaction, 1900-2000. Basel, CH, Pendragon Press and Paul Sacher Stiftung

(2009) David Owen Norris plays Elgar, volume 2: Transcriptions, Falstaff, Pomp & Circumstmce nos. 1-6

Nicholls, David (2011) 'The Unanswered Question of her Son's Biography': new thoughts on Mollie Ives Journal of the Society for American Music, 5, (1), pp. 95-111.

Nicholls, David (2010) Cage and the Ultra-Modernists American Music, 28, (4), pp. 492-500.

Nicholls, David (2012) Each...is at the center': Thoughts on a Cagean view of [music] history Contemporary Music Review, 31, (1), pp. 91-109.

Irvine, Thomas (2010) Hindemith's disciple in London: Walter Leigh on modern music, 1932-40 In, Riley, Matthew (eds.) British Music and Modernism, 1895-1960. Farnham, GB, Ashgate pp. 197-220.

Brooks, Jeanice. (2009) Les collections féminines d'albums de partitions dans l'Angleterre du début du XIXe siècle In, Ballman, C. and Dufour, V. (eds.) ‘La la la Maistre Henri’: Mélanges de musicologie offerts à Henri Vanhulst. Turnhout, BE, Brepols pp. 351-365.

Brooks, Jeanice (2011) Singing the courtly body: the Chanson lascive and the performance of obscenity In, Peurex, Guillaume, Roberts, Hugh and Wajeman, Lise (eds.) Obscénités Renaissantes. Genève, CH, Librairie Droz (Travaux d'Humanisme et Renaissance, 473).

(2008) Roseland for cello and piano

(2008) The forest of desires for voices and instruments

(2010) Allele

Pinnock, Andrew (2009) Book review. The scope and purpose of cultural economics: a view and some suggestions from the policy fringe Cultural Trends, 18, (4), pp. 353-366. (doi:10.1080/09548960903268204).

De Lucca, Valeria (2011) Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles Renaissance Studies, 25, (3), pp. 374-392. (doi:10.1111/j.1477-4658.2010.00676.x).

Izzo, Francesco (2013) Laughter between Two Revolutions: Opera Buffa in Italy, 1831-1848, Rochester, US, University of Rochester Press, 300pp. (Eastman Studies in Music).

Izzo, Francesco (2012) Divas and sonnets: poetry for female singers in Teatri arti e letteratura In, Cowgill, Rachel and Poriss, Hilary (eds.) The Arts of the Prima Donna in the Long Nineteenth Century. New York, US, Oxford University Press

Izzo, Francesco (2009) Beaumarchais (and Da Ponte) Romanticized: Luigi Ricci’s Le nozze di Figaro In, Colas, Damien and Di Profio, Alessandro (eds.) D’une scène à l’autre: L’opéra italien en Europe, v. 2: La musique à l'épreuve du théâtre. Wavre, BE, Éditions Mardaga pp. 203-218.

De Lucca, Valeria (2012) Patronage In, Greenwald, Helen (eds.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press

De Lucca, Valeria (2011) The power of the prima donna: Giulia Masotti’s repertory of choice Journal of Seventeenth-Century Music, 17, (1)

De Lucca, Valeria (2013) Dressed to impress: the costumes for Antonio Cesti’s Orontea in Rome (1661) Early Music, 41, (3), pp. 461-475. (doi:10.1093/em/cat077).

Izzo, Francesco (2014) Censorship In, The Oxford Handbook of Opera. New York, US, Oxford University Press

(2009) Henry Purcell: Dido and Aeneas

(2009) Flying Horse - Music from the ML Lutebook

Scheding, Florian (2013) Problematic tendencies: émigré composers in London, 1933–1945 In, Levi, Erik (eds.) The Influence of Nazism on Twentieth-Century Music. Wien, AT, Böhlau pp. 245-269.

Scheding, Florian (2011) Which Displacement? Tracing Exile in the Postwar Compositions of István Anhalt and Mátyás Seiber In, Sallis, Friedemann, Elliott, Robin and DeLong, Kenneth (eds.) Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág, and Sándor Veress. Waterloo, CA, Wilfrid Laurier University Press pp. 111-128.

(2006) Jazzed Tales

(2005) Preludes and suites

(2008) Journal of a contract killer

(2009) Apples and Oranges

(2009) Nine Miles Down

(2009) BBC lifeline documentary (Somalia)

(2010) BBC Lifeline Documentary (Haiti)

(2009) Rocket Men

(2010) Engineering the Universe

(2010) Last days of the dinosaurs

(2007) Superstorm

(2007) Mr Bean's holiday

(2007) UAE National Anthem

(2007) A Mighty Heart

(2008) Spice Girls' world tour

(2008) Wild Child

(2009) Moonshot

(2009) Into the storm

(2009) Glorious 39

(2010) BBC General Election Theme

(2010) Billy Bow

Scheding, Florian (2010) Musical displacement and musicology’s construction of the post-war avant-garde At 20th Century Music and Politics, United Kingdom.

De Lucca, Valeria (2011) L’Alcasta and the emergence of collective patronage in mid-seventeenth-century Rome The Journal of Musicology, 28, (2), Spring Issue, pp. 195-230. (doi:10.1525/jm.2011.28.2.195).

Everist, Mark (2009) Rossini at the Paris opéra, 1843-1847: Translation, arrangement, pasticcio In, Librettoübersetzung: Interkulturalität im Europäischen Musiktheater. Hildesheim, DE, Olms pp. 131-163. (Musikwisenschaftliche Publikationen, 32).

Everist, Mark (2010) Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press pp. 30-52.

Everist, Mark (2010) Grand opéra–petit opéra: Parisian opera and ballet from the Restoration to the Second Empire 19th-Century Music, 33, (3), Spring Issue, pp. 195-231. (doi:10.1525/ncm.2010.33.3.195).

Everist, Mark (2010) François-Auguste Gevaert: between théâtre lyrique and opéra comique Revue Belge de Musicologie, 64, pp. 5-37.

Scheding, Florian. and Bohlman, Andrea F. (2010) Eisler on the move: situating mobility in the reisesonate At International Conference: Hanns Eisler, United Kingdom. 19 - 20 Apr 2010.

Rice, Stephen (2006) Crecquillon: Missa mort m'a prive, chansons & motets (CD recording)

Rice, Stephen (2007) Pierre de Manchicourt: Missa Cuidez vous que Dieu & motets

(2007) Nicolas Gombert: "Tribulatio et angustia" - four- and five- part motets

(2008) Cristobal de morales: magnificat, motets, & lamentations

(2008) Music from the Chirk Castle partbooks

(2008) Phinot: Missa si bona suscepimus, lamentations, magnificat, motets

(2009) Songs of Muriel Herbert. Gilchrist, Tynan LinnCKD335 2009

(2008) Three Song Cycles by Trevor Hold: Pitt, Wilson-Johnson Dutton CDLX 7213 2008

(2008) The Young Idea: rhapsody for piano & orchestra

(2007) Songs from the Pleasure Gardens Langridge SIGCD 101 2007

(2007) Richard Arnell Piano Concerto Yates, RSNO Dutton CDLX 7184 2007

(2007) Jazz Concerto (Dutton CDLX 7188) Horovitz Royal Ballet Sinfonia 2007

(2007) Elgar Songs & Piano Music Pitt, Wilde, Savidge, AvieAV2129 2007

(2005) Sir Edward Elgar Piano Concerto Lloyd-Jones, BBCCO DuttonCDLX 7148 2005

(2005) Quilter: folk-song arrangements/part-songs for women's voices(complete)Pitt, Thomas, Langridge, Wilson-Johnson Naxos 8.557495 2005

(2003) Elgar complete piano music Elgar Editions EE002 2003

(2003) The World’s First Piano Concertos , Sonnerie. Avie AV0014 2003

(2002) Bantock songs, Savidge, Rigby CDLX7121 2002

(2000) Schubert Songs by Kosegarten and Goethe (Dogstar DS001) Ian Partridge, Jennifer Bates, Ruth Peel 2000

Carboni, Fabio, de Lucca, Valeria and Agostino, Ziino (eds.) (2003) Tullio Cima, Domenico Massenzio e la musica del loro tempo. atti del convegno internazionale, L'Istituto di Bibliografia Musicale, 463pp. (Colloquia / Istituto di bibliografia musicale, 2).

De Lucca, Valeria and Santucci, Valentina, (2003) Le tre messe di Tullio Cima: prime considerazioni Carboni, Fabio, De Lucca, Valeria and Agostino, Ziino (eds.) In Tullio Cima, Domenico Massenzio e la Musica del Loro Tempo. L'Istituto di Bibliografia Musicale..

De Lucca, Valeria (2001) Una silloge strumentale per Francesco II d'Este: analisi iconologica e considerazioni sullo stile Rivista di Italiana Musicologia, 36, pp. 3-23.

Scheding, Florian (2006) Seiber In, Finscher, Ludwig (eds.) Die Musik in Geschichte und Gegenwart. Kassel, DE, Bärenreiter pp. 528-531. (Personenteil 15).

Bretherton, David, Smith, Daniel Alexander, schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (1970) The "musicSpace" Project: orchestrating musicological metadata At International Association of Music Libraries Congress IAML, Russian Federation. 27 Jun - 02 Jul 2010.

Drabkin, William (ed.) (2011) Ludwig van Beethoven: A sketchbook from the year 1821 (Artaria 197)., vol. 1&2, Bonn, Beethoven-Haus

Drabkin, William (ed.) (2014) Ludwig van Beethoven: a sketchbook from the year 1822(Artaria 201): sketches for the Piano Sonata Op. 111, the Agnus Dei and other movements of the Missa Solemnis, the Ninth Symphony, and other works, Bonn, DE, Beethoven-Haus

Drabkin, William (2008) Schubert, Schenker and the art of setting German poetry Eighteenth Century Music, 5, (2), pp. 209-236. (doi:10.1017/S1478570608001498).

Drabkin, William (2010) Hans Weisse in correspondence with Schenker and his circle Journal of Schenkerian Studies, 4, pp. 69-87.

Dravins, Christina, van Besouw, R.M., Hansen, K.F. and Kuske, S. (2010) Exploring and enjoying non-speech sounds through a cochlear implant: the therapy of music At 11th International Conference on Cochlear Implants and Other Implantable Auditory Technologies, Sweden. 30 Jun - 03 Jul 2010.

Barrett, Frederick S., Grimm, Kevin J., Robins, Richard W., Wildschut, Tim, Sedikides, Constantine and Janata, Petr (2010) Music-evoked nostalgia: Affect, memory, and personality Emotion, 10, (3), pp. 390-403. (doi:10.1037/a0019006). (PMID:20515227).

Cain, T. (2010) Music teachers' action research In, Alle registers open: nieuwe ontiwikkelingen in onderzoek naar musiekeducatie. Holland, Cultuurnetwerk pp. 54-75. (Cultuur + Educatie, 28).

May, William (2010) The siren Alps: text-setting and gender Contemporary Music Review, 29, (2), pp. 201-213. (doi:10.1080/07494467.2010.534930).

Llewellyn, Elizabeth (2010) Crossover: boundaries, hybridity, and the problem of opposing cultures University of Southampton, School of Humanities, Doctoral Thesis , 206pp.

Harris, N. and Fahy, F.J. (2009) A comparative study of the hammered bridge response and the bowed string response of a violin Journal of the Violin Society of America, 22, (1), pp. 211-223.

van Besouw, Rachel M., Grasmeder, Mary L., Hamilton, Mary E. and Baumann, Sarah E. (2011) Music activities and responses of young cochlear implant recipients International Journal of Audiology, 50, pp. 340-348. (doi:10.3109/14992027.2010.550066).

Gregor, Neil (2011) Beethoven, Bayreuth and the origins of the Federal Republic of Germany English Historical Review, 126, (521), pp. 835-877. (doi:10.1093/ehr/cer200).

Brooks, Jeanice (2011) Tessier's travels in England and Scotland Early Music, 39, pp. 185-194. (doi:10.1093/em/caq108).

Drabkin, William (2011) The analysis of operatic music In, Greenwald, Helen (eds.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press

Drabkin, William (2011) Heinrich Schenker and Moriz violin In, Beer, Axel, Gruber, Gernot and Schneider, Hans (eds.) Festschrift Hellmut Federhofer zum 100. Geburtstag. Tutzing, DE, Hans Schneider (Mainzer Studien zur Musikwissenschaft, 45).

Drabkin, William (2011) Beethoven's unborn children In, May, Jürgen (eds.) Beiträge zu Biographie und Schaffensprozess bei Beethoven. Bonn, Germany, Beethoven-Haus Bonn / Carus pp. 35-50. (Schriften des Beethoven-Hauses Bonn, 21).

Drabkin, William and Bent, Ian (2013) The empire strikes back: some unpublished replies to Schenker’s critics Music Analysis, 32 (Submitted).

Fisher, Andrew (2011) Attack the Block

Sofianos, S., Ariyaeeinia, A. and Polfreman, R. (2010) Towards effective singing voice extraction from stereophonic recordings In 2010 IEEE International Conference on Acoustics Speech and Signal Processing (ICASSP). IEEE., pp. 233-236. (doi:10.1109/ICASSP.2010.5496004).

Sofianos, Stratis, Ariyaeeinia, Aladdin and Polfreman, Richard (2010) Singing Voice Separation Based On Non-vocal Independent Component Subtraction and Amplitude Discrimination In Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10). Institute of Electronic Music and Acoustics. 4 pp, DAFX-1.

Bretherton, David T. (2011) The shadow of midnight in Schubert's 'Gondelfahrer' settings Music & Letters, 92, (1), pp. 1-42. (doi:10.1093/ml/gcq087).

Smith, Daniel Alexander, Bretherton, David, Lambert, Joe and schraefel, m.c. (2010) The MusicNet composer URI project At UK e-Science All Hands Meeting 2010, United Kingdom. 13 - 16 Sep 2010.

Smith, Daniel Alexander, Bretherton, David, schraefel, m.c., Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) Using pivots to explore heterogeneous collections: A case study in musicology At UK e-Science All Hands Meeting 2009, United Kingdom. 07 - 09 Dec 2009.

Bretherton, David (2006) Brahms as the analysts see him The Musical Times, 147, (1987), pp. 92-98.

Mirka, Danuta (2010) Punctuation and sense in late-eighteenth-century music Journal of Music Theory, 54, (2), Autumn Issue, pp. 235-282. (doi:10.1215/00222909-1214930).

(2011) Britten in Scotland

(2011) Entertaining Miss Austen: newly discovered music from Jane Austen's family collection

(2010) Beethoven by arrangement. Toccata

(2011) Roger Quilter: Complete piano works

(2010) A history of private life. Amanda Vickery. BBC Radio 4 Series

De Lucca, Valeria (2012) Opera e mecenatismo tra Roma e Venezia nella seconda metà del Seicento In, Goulet, Anne-Madeleine and Giron-Panel, Caroline (eds.) La Musica a Roma nel Seicento. Rome, IT, École française de Rome

(2004) Britten’s children

(2005) Elgar and the lost piano concerto. TV programme BBC1

(2008) The Passions of Vaughan Williams. TV programme BBC4

(2010) Elgar: the man behind the mask. TV programme BBC4

(2011) The Prince and the Composer. TV programme BBC4

Norris, David Owen (2007) Elgar's pianistic iconoclasm

Norris, David Owen (2008) Sawn in half: Mendelssohn and the divided pedal

Norris, David Owen (2000) Schumann first piano Sonata BBC Radio 3 Building a Library

Norris, David Owen (2001) Ibert Divertissement BBC Radio 3 Building a Library

Norris, David Owen (2000) De Falla Nights in the Gardens of Spain BBC Radio 3 Building a Library

Norris, David Owen (2001) Poulenc Concert champêtre BBC Radio 3 Building a Library

Norris, David Owen (2002) Chopin Nocturnes BBC Radio 3 Building a Library

Norris, David Owen (2003) Rachmaninoff Rhapsody on a theme of Paganini BBC Radio 3 Building a Library

Norris, David Owen (2003) Franck Variations Symphoniques BBC Radio 3 Building a Library

Norris, David Owen (2003) Chopin B minor Sonata BBC Radio 3 Building a Library

Norris, David Owen (2004) Debussy Etudes BBC Radio 3 Building a Library

Norris, David Owen (2005) Schoenberg Pierrot lunaire BBC Radio 3 Building a Library

Norris, David Owen (2006) Elgar in the South BBC Radio 3 Building a Library

Norris, David Owen (2007) Elgar first symphony BBC Radio 3 Building a Library

Norris, David Owen (2008) Haydn C major Sonata BBC Radio 3 Building a Library

Norris, David Owen (2009) Brahms: Six pieces for piano, Op 118 BBC Radio 3 Building a Library

Norris, David Owen (2010) Debussy's Suite Bergamasque BBC Radio 3 Building a Library

Norris, David Owen (2011) Liszt Années de pélerinage: Italie BBC Radio 3 Building a Library

Scheding, Florian (2010) Ideological battles in exile and beyond: avant-garde music and anti-semitism in the Free German League of culture At Annual Conference of the American Musicological Society, United States.

(2011) John Blow: Venus and Adonis

Pinnock, Andrew (2010) Can too many know too much? The ethics of education in music entrepreneurship In, Beckman, Gary (eds.) Disciplining the Arts: Teaching Entrepreneurship in Context. Lanham, United States, Rowman & Littlefield Education pp. 43-49.

Bretherton, David, Smith, Daniel Alexander, Lambert, Joe and schraefel, mc (2011) MusicNet: aligning musicology's metadata At Music Linked Data Workshop, United Kingdom.

van Besouw, R.M. and Grasmeder, M.L. (2011) From TEMPO+ to OPUS 2: what can music tests tell us about processor upgrades? Cochlear Implants International, 12, (S2), S40-S43. (doi:10.1179/146701011X13074645127513).

Cain, Timothy (2006) Mentoring trainee music teachers University of Southampton, School of Education, Doctoral Thesis , 370pp.

Humphries, Carl (2006) Musical expression and performance University of Southampton, School of Humanities, Doctoral Thesis , 213pp.

(2011) Jacobus Clemens non Papa (c1510/15-1555/6) Requiem & Penitential Motets

(2011) Orlande de Lassus (1530/32-1594): Prophetiae Sibyllarum & Missa Amor ecco colei

(2012) Jean Mouton: Missa tu es Petrus & other works: including the complete eight-part motets

Tickle, Louise and Bengry-Howell, Andrew (2011) The sound of escapism: why do people love festivals - is it the music? The beer? Or a place to forget your rubbish job? The Guardian, p.9.

Kiwan, Nadia and Meinhof, Ulrike H. (2011) Music and migration: a transnational approach [in special issue: Music and Migration] Music and Arts in Action, 3, (3), pp. 3-20.

Glick Schiller, Nina and Meinhof, Ulrike H. (2011) Singing a new Song? Transnational migration, methodological nationalism and cosmopolitan perspectives [in special issue: Music and Migration] Music and Arts in Action, 3, (3), pp. 21-39.

Meinhof, Ulrike H. and Kiwan, Nadia(eds.) (2011) Special issue: Music and Migration Music and Arts in Action, 3, (3), pp. 1-166.

Gilbert, Shirli (2011) Songs of the Holocaust In, Rosen, Alan (eds.) Holocaust Literature: a Critical Introduction. Cambridge, GB, Cambridge University Press

Saint-Cricq, Gaël (2009) Formes types dans le motet du XIIIe siècle: étude d’un processus répétitif. Tome 1 & 2 University of Southampton, School of Humanities, Doctoral Thesis , 502pp.

(2009) The Night Dances

Costanza, Enrico, Giaccone, Matteo, Küng, Olivier, Shelley, Simon and Huang, Jeffrey (2010) Ubicomp to the masses: a large-scale study of two tangible interfaces for download At Ubicomp '10. Proceedings of the 12th ACM International Conference on Ubiquitous Computing, Denmark. 26 - 29 Sep 2010. , pp. 173-182. (doi:10.1145/1864349.1864388).

Scheding, Florian (2013) ‘I only need the good, old Budapest’: Hungarian cabaret in wartime London In, Fairclough, Pauline (eds.) Twentieth-century Music and Politics: Essays in Memory of Neil Edmunds. Aldershot, GB, Ashgate pp. 211-230.

Karatsovis, Christos (2011) Acoustic features of piano sounds University of Southampton, Institute of Sound and Vibration Research, Doctoral Thesis , 191pp.

Schneider, P., Sluming, V., Roberts, N., Bleeck, S. and Rupp, A. (2006) Structural, functional, and perceptual differences in Heschl's gyrus and musical instrument preference Annals of the New York Academy of Sciences, 1060, pp. 387-94. (PMID:16597790).

Nicholls, David (ed.) (2012) The Charles Ives reader, Oxford, GB, Oxford University Press, 500pp.

Schönbaumsfeld, Genia (2013) Art and the 'Morality System': the case of Don Giovanni European Journal of Philosophy, n/a, pp. 1-19. (doi:10.1111/ejop.12024).

May, William (2011) Music in contemporary British fiction Footpath, 5

Ridley, Aaron (2012) Musical ontology, musical reasons The Monist, 95, (4), pp. 663-683. (doi:10.5840/monist201295433).

Irvine, Thomas (2013) Normality and emplotment: Walter Leigh’s 'Midsummer Night’s Dream' in the Third Reich and Britain Music & Letters, 94, (2), pp. 295-323. (doi:10.1093/ml/gct048).

Bishop, Ryan (2011) The force of noise, or touching music: the tele-haptics of Stockhausen's "Helicopter String Quartet" [in special issue: Plus d’un toucher: Touching Worlds] Substance, 40, (3), pp. 25-40. (doi:10.1353/sub.2011.0034).

Moore, Roksana and Jones, Richard (2009) Digital technology, the cultural appropriation of music and the creative commons In, Barrio, Fernando (eds.) Intellectual Capitalism and ICT Law Administration: Developing the Knowledge Industry. Hershey, US, Information Science Publishing

(2008) Dowland: Lute Songs; Britten: Nocturnal

Oliver, Benjamin R., van Besouw, Rachel M. and Nicholls, David R. (2012) The ‘Interactive Music Awareness Program’ (IMAP) for cochlear implant users At New Interfaces for Musical Expression (NIME), United States. 21 - 23 May 2012.

Oliver, Benjamin (2011) Momentum

(2012) How the Universe Works 2

(2012) Dido

Rice, Stephen (2009) Reverse accentuation In The Motet around 1500: On the Relationship of Imitation and Text Treatment. Brepols. 18 pp, pp. 117-134.

(2008) Marie Galante

(2009) The Habit of Art

(2011) Rattigan's Nijinsky

(2009) Purcell, The Food of Love

Kenny, Elizabeth (2008) Beyond the Golden Age Early Music, 36, (2), pp. 179-180. (doi:10.1093/em/can050).

(2008) Organ Symphony no.4

(2009) Third String Quartet

(2010) Gedächtnis-Hymne

(2009) Transgressive Gospel

(2011) Mozart Requiem K626 - a New Completion

(2010) Thomas Arne. Artaxerxes

(2012) Mozart: Apollo et Hyacinthus

(2012) Mozart. Lucio Scilla

(2011) Mozart: La finta giardiniera

Bektas, T. (2005) Relationships between prosodic and musical meters in the beste form of classical Turkish music Asian Music, 36, (1), pp. 1-26. (doi:10.1353/amu.2005.0003).

Malcomson, Hettie (2011) The ‘routes’ and ‘roots’ of danzón: a critique of the history of a genre [in special issue: Crossing Borders: Music of Latin America] Popular Music, 30, (2), pp. 263-278. (doi:10.1017/S0261143011000067).

Malcomson, Hettie (2012) New generations, older bodies: danzón, age and ‘cultural rescue’ in the Port of Veracruz, Mexico [in special issue: As Time Goes By: Music, Dance and Ageing] Popular Music, 31, (2), pp. 217-230. (doi:10.1017/S0261143012000062).

Malcomson, Hettie (2013) Composing individuals: ethnographic reflections on success and prestige in the British New Music Network Twentieth-Century Music, 10, (1), pp. 115-136. (doi:10.1017/S1478572212000436).

Horn, David, Feldman, Heidi, Courteau, Mona-Lynn, Malcomson, Hettie and Narbona Jerez, Pamela (eds.) (2013) The Bloomsbury encyclopedia of popular music of the world vol 9. Genres: Caribbean and Latin America, vol. 9, London, Bloomsbury (Encyclopedia of Popular Music of the World, 9).

Malcomson, Hettie (2013) Contradanza Cubana In, Horn, David, Feldman, Heidi, Courteau, Mona-Lynn, Malcomson, Hettie and Narbona Jerez, Pamela (eds.) The Bloomsbury Encyclopedia of Popular Music of the World Vol 9, Genres: Caribbean and Latin America. London, Bloomsbury (Encyclopedia of Popular Music of the World, 9).

Malcomson, Hettie (2010) La configuración racial del danzón: Los imaginarios raciales del puerto de Veracruz In, Cunin, Elisabeth (eds.) Mestizaje y Diferencia: Lo 'negro' en America Central y el Caribe. Mexico City, MX, INAH, UNAM, CEMCA, IRD pp. 267-298. (Colección Africanía, 5).

Ridley, Aaron (2014) On the musically possible The British Journal of Aesthetics, 54, (1), pp. 1-14. (doi:10.1093/aesthj/ayt025).

(2011) Fourth Movement, string quartet

(2011) Awesome X

(2011) Opera Sketches. (Thomas Seltz, guitar)

(2010) Fourth Movement, string quartet

(2010) Third Movement, string quartet

(2009) First Movement, string quartet

(2009) Mandarin. Erhu (Chinese violin) concerto

(2009) Violin Concerto

(2008) G: concerto for guzheng (Chinese harp)

(2008) Second Movement, string quartet

(2008) Concerto for Drum Kit and Chamber Orchestra

(2008) Solidarity. For solo violin

(2011) An opera for all – Awesome X

(2011) Over the Hills, aria from Awesome X

(2011) First Movement, string quartet

(2009) String Quartet on "Encounters"

(2009) Mad in Scotland

(2009) Second Movement

Shlomowitz, Matthew (2008) Fast Medium Swing

(2008) Northern Cities

Shlomowitz, Matthew (2009) Theme Street Parade

Shlomowitz, Matthew (2010) Hi Hat and Me

Shlomowitz, Matthew (2010) Popular Contexts

Shlomowitz, Matthew (2011) A to Zzz

Shlomowitz, Matthew (2011) Popular Contexts, Volume 3: the Music of Theatre Making

Shlomowitz, Matthew (2010) Avant Muzak

(2011) Smash and Grab; Momentum

(2008) The Rise of the North Italian Violin Concerto: 1690-1740, Vol. 3 - The Golden Age

(2009) Vivaldi – The French Connection

(2010) Vivaldi — Gods, Emperors and Angels

(2011) Vivaldi — The French Connection 2

(2011) Venice by Night

Fuhr, Jenny (2010) Experiencing rhythm: contemporary Malagasy music and identity University of Southampton, Faculty of Humanities, Doctoral Thesis , 261pp.

May, William (2013) Modernism's handmaid: dexterity and the female pianist Modernist Cultures, 8, (1), pp. 42-60. (doi:10.3366/mod.2013.0050).

Donnelly, K.J. and Hayward, Philip (eds.) (2013) Music in science fiction television: tuned to the future, New York City, US, Routledge, 231pp. (Routledge Music and Screen Media Series).

Donnelly, K.J. (2012) Television's Musical Imagination: Space 1999 In, Donnelly, K.J. and Hayward, Philip (eds.) Music in Science Fiction Television. New York City, US, Routledge (Routledge Music and Screen Media Series).

Donnelly, K.J. and Hayward, Philip (2012) Preface In, Donnelly, K.J. and Hayward, Philip (eds.) Music in Science Fiction Television: Tuned to the Future. New York City, US, Routledge (Routledge Music and Screen Media Series).

Irvine, Thomas (2012) Das Bürgertum schafft sich ab. Zur Gründung der Philharmonic Society in London, 1813 In, Lütteken, Laurenz (eds.) Zwischen Tempel und Verein. Musik und Bürgertum im 19. Jahrhundert. Kassel, DE, Bärenreiter

Irvine, Thomas (2012) Rousseau, Ausführung, Ausdruck, Präsenz In, Stockhorst, Stefanie and d'Aprile, Iwan (eds.) Rousseau und die Moderne: Eine kleine Enyzklopädie. Gottingen, Germany, Wallstein

Martin Pastor, Fernando (2009) Composition portfolio and music analysis University of Southampton, School of Humanities, Doctoral Thesis , 132pp.

Cannam, Chris, Sandler, Mark, Jewell, Michael O., Rhodes, Christophe and d'Inverno, Mark (2010) Linked data and you: bringing music research software into the Semantic Web [in special issue: Music Informatics and the OMRAS2 Project] Journal of New Music Research, 39, (4), pp. 313-325. (doi:10.1080/09298215.2010.522715).

Bretherton, David (2012) Book review. Byron Almén, A Theory of Musical Narrative Music Analysis, 31, (3), pp. 414-421. (doi:10.1111/musa.12006).

Polfreman, Richard (2011) Multi-modal instrument: towards a platform for comparative controller evaluation In Proceedings of the International Computer Music Conference 2011. International Computer Music Conference Proceedings. 4 pp, pp. 147-150.

Gibson, Darrell and Polfreman, Richard (2011) An architecture for creating hosting plug - ins for use in digitial audio workstations In Proceedings of the International Computer Music Conference 2011. International Computer Music Conference. 4 pp, pp. 507-510.

Sofianos, Stratis, Ariyaeeinia, Aladdin, Polfreman, Richard and Sotudeh, Reza (2012) H-Semantics: a hybrid approach to singing voice separation Journal of the Audio Engineering Society, 60, (10), pp. 831-841.

(2009) David Lumsdaine: Complete music for piano

(2011) Accordion favourites

(2010) John Cage: Etudes Boreales

(2012) Richard Beaudoin: Microtimings

Shlomowitz, Matthew (2013) [Popular Contexts; Voices and Piano]

van Besouw, R.M., Nicholls, David, Oliver, Benjamin R., Hodkinson, Sarah and Grasmeder, M.L. (2013) Aural rehabilitation through music workshops for cochlear implant users Journal of the American Academy of Audiology, 25, (4), pp. 311-323. (doi:10.3766/jaaa.25.4.3). (PMID:25126679).

(2013) Grieg Quintettsatz

(2012) Flight

Bohlman, Philip V., Petersen, Peter, Beckerman, Michael, Hirshberg, Jehoash, Davis, Ruth F., Campbell, Sean, Heile, Björn, Scheding, Florian, Paddison, Max, Hutchinson, Sydney, Samson, Jim and Levi, Erik, Scheding, Florian and Levi, Erik (eds.) (2010) Music and displacement: Diasporas, mobilities and dislocations in Europe and beyond, vol. 10, United States, US, Scarecrow, 216pp. (Europea: Ethnomusicologies and Modernities, 10).

(2013) Lullaby for Joni

Polfreman, Richard, (2013) Comparing onset detection and perceptual attack time de Souza Britto Junior, Alceu, Gouyon, Fabien and Dixon, Simon (eds.) In Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR 2013). International Society for Music Information Retrieval. 614 pp, pp. 523-528.

(2008) Catching Sunlight

(2010) Between the Lines

Ridley, Aaron (1995) Music, Value and the Passions, Ithaca, US, Cornell University Press, 199pp.

Strong, Tracy B. (2012) Music, the passions, and political freedom in Rousseau In, McDonald, Christie and Hoffmann, Stanley (eds.) Rousseau and Freedom. Cambridge, GB, Cambridge University Press

(2007) Michael Finnissy: Second String Quartet

(2011) Reliquie di Roma I: Lamentarium

(2012) Reliquie di Roma II: Caro Sposo

(2011) Beached

(2012) Viola sonatas: Idylls & Bacchanals

(2009) Wired: Works for Harpsichord and Electronics

(2008) Three Windows

Hansford, Roger (2014) Figures of the imagination: the intersection of fiction and song, 1790-1830 University of Southampton, Department of Music, Doctoral Thesis , 368pp.

Cave, Penelope (2013) Piano lessons in the English country house, 1785-1845 University of Southampton, Faculty of Humanities, Doctoral Thesis , 392pp.

Cooper, Alan (2012) Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul University of Southampton, School of Humanities, Doctoral Thesis , 308pp.

Lingard, William (2013) Sounds perfect: the evolution of recording technology and music's social future University of Southampton, Faculty of Humanities, Doctoral Thesis , 374pp.

Rana, Leena (2012) Music and elite identity in the English country house, c.1790-1840 University of Southampton, Faculty of Humanities, Doctoral Thesis , 465pp.

Grant, Leo (2011) The application of electronic collage techniques to the composition of acoustic instrumental music University of Southampton, Faculty of Humanities, Doctoral Thesis , 203pp.

Rose, Mark (2010) Striking a discordant note: protest song and working-class political culture in Germany, 1844-1933 University of Southampton, School of Humanities, Doctoral Thesis , 275pp.

Groves, Stephen (2011) The sound of the English picturesque in the late Eighteenth Century: native vocal music and Haydn’s The Seasons University of Southampton, Faculty of Humanities, Doctoral Thesis , 252pp.

Hadisi, Mohammad Hossein Karim (2012) Portfolio of compositions and commentary University of Southampton, School of Humanities, Doctoral Thesis , 263pp.

Khalaf, Abdullah (2014) "In his master's steps he trod" Alan Rawsthorne and Frederic Chopin: the piano ballades University of Southampton, Faculty of Humanities, Doctoral Thesis , 230pp.

De Leon, Franz (2014) Content based retrieval and classification of music using polyphonic timbre similarity University of Southampton, Physical Sciences and Engineering, Doctoral Thesis , 247pp.

Bent, Ian, Bretherton, David and Drabkin, William (eds.) (2014) Heinrich Schenker: selected correspondence, Martlesham, GB, Boydell & Brewer, 584pp.

Hracs, B.J. (2012) A creative industry in transition: the rise of digitally driven independent music production Growth and Change, 43, (3), pp. 442-461. (doi:10.1111/j.1468-2257.2012.00593.x).

Hracs, B.J. (2009) Building Ontario’s music economies , Toronto, CA Martin Prosperity Institute 23pp.

Hracs, Brian (2010) Working in the creative economy: the spatial dynamics of employment risk for musicians in Toronto University of Toronto, Department of Geography, Doctoral Thesis .

Menzies, D. (2010) The CyberWhistle and O-Bow: minimalist controllers inspired by traditional instruments eContact, 12, (3)

Menzies, Dylan (2007) Holophonic synthesis of musical sources At International Symposium on Musical Acoustics (ISMA 2007), Spain. 09 - 12 Sep 2007. 8 pp.

Menzies-Gow, Dylan (1995) An investigation into the design of musical performance instruments University of York, Department of Electronics, Masters Thesis , 88pp.

Menzies, Dylan (1999) New performance instruments for electroacoustic music University of York, Department of Electronics, Doctoral Thesis , 335pp.

Brown, S., Aplin, K.L., Jenkins, K., Mander, S., Walsh, C. and Williams, P. (2014) Is there a rhythm of the rain? An analysis of weather in popular music Weather, 70, (7), pp. 198-204. (doi:10.1002/wea.2464).

Everist, Mark (2014) The music of power: Parisian opera and the politics of genre, 1806–1864 Journal of the American Musicological Society, 67, (3), pp. 685-734. (doi:10.1525/jams.2014.67.3.685).

Guthrie, Kate (2014) Propaganda music in second world war Britain: John Ireland's Epic March Journal of the Royal Musical Association, 139, (1), pp. 137-175. (doi:10.1080/02690403.2014.886430).

Guthrie, Kate (2014) Democratizing art: music and education in postwar Britain The Musical Quarterly (doi:10.1093/musqtl/gdv001).

Guthrie, Kate (2015) Awakening 'Sleeping Beauty': the creation of a national ballet in Britain Music & Letters, 96, (3), pp. 418-448. (doi:10.1093/ml/gcv067).

Holloway, George (2011) Portfolio of compositions with commentary University of Southampton, Faculty of Humanities, Doctoral Thesis , 392pp.

Pymm, John Michael (2013) Narrative trails in the speech-based music of Steve Reich University of Southampton, School of Humanities, Doctoral Thesis , 371pp.

Stras, Laurie (2015) Introduction: Encoding the musical erotic In, Blackburn, Bonnie J. and Stras, Laurie (eds.) Eroticism in Early Modern Music. Farnham, GB, Ashgate pp. 1-17.

Stras, Laurie (2015) “Non è sì denso velo”: Hidden and forbidden practice in Wert’s Ottavo libro de madrigali a cinque voci, 1586 In, Blackburn, Bonnie and Stras, Laurie (eds.) Eroticism in Early Modern Music. Farnham, GB, Ashgate pp. 143-173.

Malcomson, Hettie (2014) Aficionados, academics, and Danzón expertise: exploring hierarchies in popular music knowledge production Ethnomusicology, 58, (2), Spring Issue, pp. 222-253.

Izzo, Francesco (2014) Galley years: Giuseppe Verdi and operatic censorship In, Hall, Patricia (eds.) Oxford Handbook on Music Censorship. Oxford University Press

Izzo, Francesco (2014) Da Napoli con amore: musica, dramma e comicità in Betly Quaderni della Fondazione Donizetti, 41

De Lucca, Valeria (2012) Review of Alberto Colzani, Andrea Luppi, Maurizio Padoan eds., Barocco Padano 6. Atti del XIV Convegno Internazionale sulla musica italiana nei secoli XVII-XVIII (Como: A.M.I.S., 2010) Music & Letters, 93, pp. 228-230. (doi:10.1093/ml/gcs012).

Mirka, Danuta (2015) The mystery of the cadential six-four In, Neuwirth, Markus and Berge, Pieter (eds.) What is a Cadence? Theoretical and Analytical Pespectives on Cadences in the Classical Repertoire. Leuven, BE, Leuven University Press pp. 157-184.

van Besouw, R.M., Oliver, B.R., Grasmeder, M.L., Hodkinson, S. and Solheim, H. (2015) Evaluation of an interactive music awareness program for cochlear implant recipients Music Perception, 33, (4), pp. 493-508. (doi:10.1525/MP.2016.33.4.493).

Macfarlane, Helen (2015) ‘Il faut savoir l’Italien pour déchiffrer une romance française’: Italian Presence in the French Romance 1800 – 1850 University of Southampton, Faculty of Humanities, Doctoral Thesis , 567pp.

Hewlett, Kirstie (2014) Heinrich Schenker and the radio University of Southampton, Faculty of Humanities, Doctoral Thesis , 270pp.

Faulds, Katrina (2015) “Invitation pour la danse”: Social dance, dance music and feminine identity in the English country house c.1770-1860 University of Southampton, Fauculty of Humanities, Doctoral Thesis , 389pp.

Burgstaller, Georg (2015) Kritikerdämmerung: Heinrich Schenker and music journalism University of Southampton, Faculty of Humanities, Doctoral Thesis , 290pp.

van Besouw, R.M., Oliver, B.R., Hodkinson, S., Polfreman, R. and Grasmeder, M.L. (2015) Participatory design of a music aural rehabilitation programme [in special issue: Music Perception and Cochlear Implants] Cochlear Implants International, 16, (S3), S39-S50. (doi:10.1179/1467010015Z.000000000264).

Franks, Daniel (2015) Jazz in Hollywood (1950s – 1970s) University of Southampton, Faculty of Humanities, Doctoral Thesis , 333pp.

Maschke, Eva (2015) Notre Dame manuscripts and their history: case-studies on reception and reuse University of Southampton, Faculty of Humanities, Doctoral Thesis , 413pp.

Lerner, Neil, Donnelly, Kevin and Gibbons, William (eds.) (2013) Music in video games: studying play, New York, USA, Routledge, 246pp.

Donnelly, Kevin (2013) Lawn of the dead: the indifference of musical destiny in Plants vs Zombies In, Donnelly, Kevin, Gibbons, Willam and Lerner, Neil (eds.) Music in Video Games: Studying Play. New York, US, Routledge pp. 151-165.

Donnelly, Kevin (2014) Irish sea power: a new version of Man of Aran (1934/2009) In, Rogers, Holly (eds.) Music and Sound in Documentary Film. New York, US, Routledge pp. 137-150.

Donnelly, Kevin (2014) Jack Nitzsche (Performance) In, Goodall, Mark (eds.) Gathering of the Tribe: Music and Heavy Consciousness Creation. New York, US, Headpress pp. 267-272.

Donnelly, Kevin (2013) Visualizing live albums: progressive rock and the British concert film in the 1970s In, Edgar, Robert, Fairclough-Isaacs, Kirsty and Halligan, Ben (eds.) The Music Documentary: From Acid Rock to Electropop. New York, US, Routledge pp. 171-181.

Cook, Malcolm (2011) Visual music in film, 1921-1924: Richter, Eggeling, Ruttman In, de Mille, Charlotte (eds.) Music and Modernism, c. 1849-1950. Newcastle upon Tyne, GB, Cambridge Scholars Publishing pp. 206-228.

Stras, Laurie (2015) Women and music in sixteenth-century Ferrara, Cambridge, GB, Cambridge University Press

Donnelly, Kevin, Wallengren, Ann-Kristin and Donnelly, Kevin(eds.) (2015) Accessing the mind's eye and ear: what might lab experiments tell us about film music Music and the Moving Image, 8, (2), pp. 25-34. (doi:10.5406/musimoviimag.8.2.0025).

Donnelly, Kevin and Wallengren, Ann-Kristin (eds.) (2015) Music and the moving image: psychology of film music, University of Illinois Press, 88pp. (Music and the Moving Image).

Guthrie, Kate (2014) Book review. Katherine Spring, Saying it With Songs: Popular Music & The Coming of Sound to Hollywood Cinema Music, Sound, and the Moving Image, 8, (2), Autumn Issue, pp. 237-240. (doi:10.3828/msmi.2014.13).

Guthrie, Kate (2013) Book review. Murray Foreman, One Night On TV is Worth Weeks at the Paramount: Popular Music on Early Television Music, Sound, and the Moving Image, 7, (1), pp. 89-93. (doi:10.3828/msmi.2013.4).

This list was generated on Tue Apr 25 15:31:17 2017 BST.