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Number of items at this level: 296.

Taylor, Brandon (ed.) (1970) Sculpture and Psychoanalysis, London, UK, Ashgate Press, 238pp. (Subject/Object: New Studies in Sculpture).

(1998) Zarina Bhimji, Harald Durstmüller, Bill Jacobson, Dean McNeil, Ria Pacqué, Jim Harold: The Masque

(2001) The Communications Department

(2001) Gina Pane - Works: 1964 - 1990

(2001) Roger Palmer - International Waters

(2002) Land and the samling

(2002) Once Again

(2003) The extraordinary ordinary

Bergfelder, Tim and Street, S. (eds.) (2004) The Titanic in myth and memory: representations in visual and literary culture, London, UK, I.B. Tauris, 242pp.

Hon, Gordon (ed.) (2004)

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, London, UK, Multi Exposure, 65pp.

(2004) Westonbirt International Festival of the Garden 2004

(2004) Joan Jonas - Lines in the Sand; The Shape, the Scent, the Feel of Things

(2006) Machine room: a blueprint for painting

(2006) The fridge show

(2006) Stack 2

(2006) Repairs Alterations Invisible Re-weavings

Sofaer, Joanna (ed.) (2007) Material identities, Oxford, UK, Blackwell Publishing, 184pp. (New Interventions in Art History).

(2007) North + South

(2007) Chinese Video Now

(2007) Border Country.

(2008) Stuart Brisley: Crossings

(2008) Interview on directors notes - open source software for animation

Harris, Jonathan (ed.) (2008) Identity theft: cultural colonization and contemporary art, Liverpool, GB, Liverpool University Press; Tate Liverpool, 272pp. (Tate Liverpool Critical Forum).

(2008) Polvo

Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) (2008) Studying the Event Film: The Lord of the Rings, Manchester, GB, Manchester University Press, 384pp.

(2009) Unfolding:Phenotype and Genotype

(2009) Collage, London / New York

(2009) Everything Must Go

(2009) Life's a Gas

(2009) Skinner's Room

(2009) Free association

(2009) A sort of night to the mind, a kind of night for our thoughts; illusion and materiality in contemporary painting

(2009) Corvus Corax

(2010) Ground Level: Hayward Touring Curatorial Open II

(2010) Dawnbreakers

(2010) Instructions for understanding a painting

Harris, Jonathan (ed.) (2010) Inside the death drive: excess and apocalypse in the world of the Chapman brothers, Liverpool, GB, Liverpool University Press, 272pp.

Harris, Jonathan and Williams, Richard (eds.) (2011) Regenerating culture and society: architecture, art and urban style within the global politics of city branding, Liverpool, GB, Liverpool University Press, 288pp.

Armitage, John (ed.) (2011) Virilio now: current perspectives in Virilio studies, Cambridge, GB, Polity, 232pp.

Dirix, Emmanuelle and Fiell, Charlotte (eds.) (2011) Fashion sourcebook 1920s, Fiell, 576pp.

Dirix, Emmanuelle and Fiell, Charlotte (eds.) (2012) Fashion sourcebook 1930s, London, GB, Fiell, 576pp.

D'Souza, Ed (ed.) (2012) Outside India: dialogues and documents of art and social change, London, GB, Weiden & Kennedy, 160pp.

(2012) SymLogiDIN_Voice

(2013) The ghosts of Mayfair

Makhoul, Bashir (ed.) (2013) Palestinian video art - constellation of the moving image, Jerusalem, IL, Palestinian Art Court - Al Hoash, 259pp.

Pearce, Sarah (ed.) (2013) The image and its prohibition in Jewish antiquity, Oxford, GB, Journal of Jewish Studies, 288pp. (Journal of Jewish Studies Supplement Series, 2).

Crosthwaite, Paul, Knight, Peter and Marsh, Nicky (eds.) (2014) Show me the money: the image of finance, 1700 to the present, Manchester, GB, Manchester University Press, 172pp.

Donnelly, Kevin and Wallengren, Ann-Kristin (eds.) (2015) Music and the moving image: psychology of film music, University of Illinois Press, 88pp. (Music and the Moving Image).

Armitage, John and Roberts, Joanne (eds.) (2015) Critical luxury studies: art, media, design, Edinburgh, GB, Edinburgh University Press

Aldred, Danny. (2009) Divisions of joy and comedy In, Kessels, Eric., Herms, Ralf., Graves, Paul. and Polan, Jason. (eds.) Very funny! Rosebud No. 7. UK, Verlag fu?r moderne Kunst Nu?rnberg pp. 358-369.

Appignanesi, Josh and Baum, Devorah (2006) Ex-Memoria: filming the face Third Text, 20, (1), pp. 85-97. (doi:10.1080/09528820500472530).

Armitage, John (2013) The face of the figureless: aesthetics, sacred humanism, and the accident of art In, Virilio and Visual Culture. Edinburgh, GB, Edinburgh University Press pp. 156-179. (Critical Connections).

Armitage, John (2015) The voluptuous self Brand Art Sensation Exhibition Website, pp. 1-12.

Arnold, Dana (2004) Art history: a very short introduction, Oxford, UK, Oxford University Press

Barber, C.L. (2004) The art of alliance At talk at the Hove Museum and Art Gallery. 06 May 2004.

Bartlett, Ruth (2015) Visualising dementia activism: using the arts to communicate research findings Qualitative Research, pp. 1-14. (doi:10.1177/1468794114567493).

Beale, Nicole, Beale, Gareth, Dawson, Ian and Minkin, Louisa (2013) Making digital: Visual approaches to the digital humanities At EVA 2013: Electronic Visualisation and the Arts, United Kingdom. 29 - 31 Jul 2013. , pp. 240-247.

Beltran Lahoz, Pilar (2009) The fiction of reality: confinement and displacement, an introduction to research University of Southampton, Winchester School of Art, Doctoral Thesis , 122pp.

Berge, Kjetil (2006) A Bailar

Berge, Kjetil (2009) Everyone has a story Islington Gazette

Bergfelder, Tim (2004) Popular genres and cultural legitimacy: Fassbinder's Lola and the legacy of 1950s West German cinema Screen, 45, (1), pp. 21-39.

Bould, P. A and Mitchell, B, Gillett, J (ed.), Mitchell Bould (2005) Site works, Winchester, The Winchester Gallery

Bould, Patricia and Mitchell, Belinda (2004) Site works

Bould, Patricia and Mitchell, Belinda (2004) Drawing in the built form

Bould, Patricia, Mitchell, Belinda and Harper, Colin (2005) Drawing spaces

Bould, T., Knox-Williams, C. and Oldridge, K. (2010) Drawing out (Melbourne) Concrete geometries: spatial form in social and aesthetic processes (London) At conference; gb; 2010-04-07; 2010-04-09, United Kingdom. 07 - 09 Apr 2010. 13 pp.

Bould, T., Oldridge, K and Knox-Williams, C (2009) Between place, performance and score: drawing on the archive In, Harland, E.J. (eds.) Winchester School of Art Research Anthology. Winchester, GB, The Winchester Gallery Press pp. 14-21.

Bould, Trish and Oldridge, Kathy (2008) Thinking as drawing At Memory and Touch: an exploration of textural communication, United Kingdom. 10 pp.

Brickell, Katherine and Garrett, Bradley L. (2012) Geography, film and exploration: women and amateur filmmaking in the Himalayas Transactions of the Institute of British Geographers, 38, (1), pp. 7-11. (doi:10.1111/j.1475-5661.2012.00505.x).

Brooks, M.M. (2004) English Embroideries of the Sixteenth and Seventeenth centuries in the collection of the Ashmolean Museum, Oxford, UK, Ashmolean Museum in conjunction with Jonathan Horne Publications, 96pp.

Buser, MIchael, Roe, Emma and Dinnie, Elizabeth (2014) Foodscapes: bank, bake, grow, eat, talk, share. Executive summary Foodscapes 2pp. , Cardiff, GB

Cameron, Allen and Cubitt, Sean (2009) Chapter 7. Infernal affairs and the ethics of complex narrative In, Buckland, Warren (eds.) Puzzle Films: Complex Narratives in Contemporary World Cinema. London, GB, Wiley-Blackwell pp. 151-166. (doi:10.1002/9781444305708.ch7).

Campmas, Aude (2013) Exposition et reconnaissance de la femme-fleur dans La Curée: variations sur les tableaux vivants, mise en scène de la stérilité In, Moran, Claire (eds.) The Art of Theatre. New York, US, Peter Lang pp. 165-182.

Conlin, Jonathan (2006) Vauxhall revisited: the afterlife of a London Pleasure Garden, 1770-1859 Journal of British Studies, 45, (4), pp. 718-743. (doi:10.1086/505955).

Conlin, Jonathan (2009) A civilisation for America: the art museum, public broadcasting and cultural segregation, 1968-1974 At Back to Civilisation: Kenneth Clark's television landmark at 40, United States. 17 - 18 Oct 2009.

Cook, Pam (2002) I know where I'm going!, London, UK, British Film Institute, 80pp. (BFI Film Classics).

Cook, Pam (2005) Screening the past: memory and nostalgia in cinema, Abingdon, UK, Routledge, 264pp.

Cook, Pam (2007) An American in Paris (1951) In, Merck, Mandy (eds.) America First: Naming the Nation in US Film. Abingdon, UK, Routledge pp. 105-122.

Cook, Pam (2007) Authorship and cinema In, Cook, Pam (eds.) The Cinema Book 3rd Edition. London, UK, British Film Institute pp. 385-483.

Cook, Pam (2008) Whatever happened to BFI Publishing? Cinema Journal, 47, (4), pp. 140-147.

Cook, Pam (2009) On memorialising Gainsborough Studios Journal of British Cinema and Television, 6, (2), pp. 249-255. (doi:10.3366/E1743452109000910).

Cook, Pam (2010) Transnational utopias: Baz Luhrmann and Australian cinema Transnational Cinemas, 1, (1), pp. 23-36. (doi:10.1386/trac.1.1.23/1).

Cook, Pam (2010) Sofia Coppola In, Tasker, Yvonne (eds.) Fifty Contemporary Film Directors. Abingdon, GB, Routledge pp. 126-133. (Routledge Key Guides).

Cook, Pam (2014) Dreaming past and future: nostalgia and postcolonial memory in Baz Luhrmann's 'Australia' In, Stokes, Melvyn and Saleh, Zeenat (eds.) Le Cinéma Comme Vecteur de la Mémoire dans le Cinéma Anglophone: Memory in/of English-speaking Cinema. Paris, FR, Michel Houdiard pp. 125-137.

Cook, Pam (2015) Text, paratext and subtext: reading 'Mildred Pierce' as maternal melodrama SEQUENCE: Serial Studies in Media, Film and Music, 2, (2)

Cook, Pam (2015) Picturing Natacha Rambova: design and celebrity performance in the 1920s Screening the Past, (40)

Cook, Pamela (2014) 'Sweetie' Metro Magazine, 181, Winter Issue, pp. 100-109.

Cubitt, S. (2011) The latent image The International Journal of The Image, 1, (2), pp. 27-38.

Cubitt, Sean (2008) Codecs and capability In, Lovink, Geert and Niederer, Sabine (eds.) Video Vortex Reader: Responses to YouTube. Amsterdam, NL, Institute of Network Cultures pp. 45-52. (INC Readers, 5).

Cubitt, Sean (2008) Realising Middle-earth: Production design and film technology In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press pp. 185-191.

Cubitt, Sean (2008) Observations on the history and uses of animation occasioned by the exhibition Eyes Lies and Illusions selected from works in the Werner Nekes collection Animation: An interdisciplinary journal, 3, (1), pp. 49-65. (doi:10.1177/1746847708088735).

Cubitt, Sean (2008) For a history of black Scan: Journal of Media Arts Culture, 5, (1)

Cubitt, Sean (2009) The supernatural in neo-Baroque Hollywood In, Buckland, Warren (eds.) Film Theory & Contemporary Hollywood Movies. Abingdon, GB, Routledge pp. 47-65. (American Film Institute Film Readers).

Cubitt, Sean (2010) The sound of sunlight Screen, 51, (2), Summer Issue, pp. 118-128. (doi:10.1093/screen/hjq005).

Cubitt, Sean (2010) Making space Senses of Cinema, 57

Cubitt, Sean (2011) Current screens In, Grau, Oliver and Veigl, Thomas (eds.) Imagery in the 21st Century. USA, MIT Press pp. 21-35.

Cubitt, Sean and Harris, Jonathan (2011) Audiovisionaries of the Network Planet In, Globalization and Contemporary Art. Chichester, GB, Blackwell pp. 225-236.

Cubitt, Sean and King, Barry (2008) Dossier: corporations, lawyers, small domestic economies, technology, and pro?ts In, Margolis, Harrier, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press

Cubitt, Sean, Palmer, Daniel and Walkling, Les (2012) Reflections on medium specificity occasioned by the symposium 'Digital Light: Technique, Technology, Creation', Melbourne, 2011 Moving Image Review & Art Journal (MIRAJ), 1, (1), pp. 37-49. (doi:10.1386/miraj.1.1.37_1).

Cubitt, Sean and Partridge, Stephen (2012) Rewind: British artists' video of the 1970s and 1980s, John Libbey, 234pp.

D'Souza, Robert (2007) Resist India.

D'Souza, Robert (2012) I'm OK You're OK, Winchester, UK, Winchester Gallery

Daniel, M., The Video Art Foundation (2003) The man with the movie camera In, 25 hrs. Spain, The Video Art Foundation pp. 36-51.

Daniel, M. (2003) Emptiness, technology and the aesthetics of contemporary art Artist, pp. 232-235.

Dasgupta, R.K (2012) Digital media and the internet for HIV prevention, capacity building and advocacy among gay, other men who have sex with men (MSM), and transgender (TG): Perspectives from Kolkata, India Digital Culture and Education, 4, (1), pp. 88-109.

Davis, August (2012) Martha Rosler's fighting legions: semiotics of the kitchen (1975/2003) - performance and the (video) document In, Harris, Jonathan (eds.) Dead History, Live Art? Spectacle, Subjectivity and Subversion in Visual Culture since the 1960s. Chicago Ridge, US, University of Chicago Press pp. 209-239. (Tate Liverpool Critical Forum).

Dawson, Ian, Humphrey, David, Worth, Alexi and Klaus, Chris (2009) Tilt trucks and free fliers In, Blind Handshake. New York, US, Periscope Publishing

Deebi, Aissa (2004) Queens International 2004.

Dimitrakaki, A. (2004) Gothic Public Art and the Failures of Democracy: Reflections on 'House', Interpretation and the 'Political Unconscious' In, Townsend, C. (eds.) The Art of Rachel Whiteread. London, UK, Thames and Hudson pp. 107-127.

Dimitrakaki, Angela and Tsiantis, M.S. (2002) Terminators, monkeys and mass culture: The carnival of time in science fiction films Time & Society, 11, (2/3), pp. 209-231.

Dirix, Emmanuelle (2008) Fashioning the tube: posters and the new consumers At The Art of Poster - a Century of Design, United Kingdom. 25 Nov 2008. 1 pp.

Dirix, Emmanuelle (2010) “We would like to offer our sincere apologies” Or the commodification of Non-Western religious iconography by Western fashion designers In, Devout/Divine - Fashion vs. Religion. Hasselt, BE,

Dirix, Emmanuelle (2011) From “Gallant little Belgium” to “Elegant little Belgium”- the creation and marketing of fashions from that flat country At Trans/National Clothing: Production & Consumption, United Kingdom. 01 - 04 Sep 2011. 6 pp.

Dirix, Emmanuelle, Bownes, David, Green, Oliver, Black, Jonathan, Powers, Alan and Lewis, Bex (2008) Fashioning the tube In, London Transport Posters: a Century of Art and Design. Surrey, County of, GB, Lund Humphries pp. 130-145.

Dirix, Emmanuelle and Kerr, Joe (2010) Home comforts: the style of the new suburban interiors and the changing role of the housewife in the 1920s and 1930s At Lecture Series to Accompany LTM Suburbia Exhibition, United Kingdom.

Dirix, Emmanuelle and Pieters, Bruno (2011) The rule of fashion- the stories of the little black dress In, Futiel Textiel. Antwerp, BE, Houtekiet

Dirix, Emmanuelle and Taylor, Lou (2010) Once upon a dress... The story of the little black dress At Masters of Black in Fashion and Constume: Symposium, Belgium. 12 May 2010.

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. New York City, US, Routledge pp. 142-155.

Donnelly, K.J. (2001) Pop music in British cinema, London, GB, British Film Institute, 274pp.

Donnelly, K.J. (2005) 'Troubles tourism': the terrorism theme park on and off screen In, Crouch, David, Jackson, Rhona and Thompson, Felix (eds.) The Media and the Tourist Imagination: Coverging Cultures. London, UK; New York, US, Routledge pp. 92-104. (Contemporary Geographies of Leisure, Tourism and Mobility).

Donnelly, K.J. (2006) Angel of the air: Popol Vuh’s music for Werner Herzog’s films In, Mera, Miguel and Burnand, David (eds.) European Film Music. Aldershot, GB, Ashgate pp. 116-130.

Donnelly, K.J. (2011) Extending Visual Aesthetics: Audio Beyond Visuals In, Gorbman, Claudia, Richardson, John and Vernallis, Carol (eds.) The Oxford Handbook of New Audiovisual Aesthetics. New York, USA, Oxford University Press

Donnelly, Kevin (2014) Irish sea power: a new version of Man of Aran (1934/2009) In, Rogers, Holly (eds.) Music and Sound in Documentary Film. New York, US, Routledge pp. 137-150.

Donnelly, Kevin, Wallengren, Ann-Kristin and Donnelly, Kevin(eds.) (2015) Accessing the mind's eye and ear: what might lab experiments tell us about film music Music and the Moving Image, 8, (2), pp. 25-34. (doi:10.5406/musimoviimag.8.2.0025).

Donnelly, Kevin (2015) Studio sound Velvet Light Trap, (76), pp. 55-57.

Donnelly, Kevin and Wallengren, Ann-Kristin (2015) Introductory notes by the guest editors Music and the Moving Image, 8, (2), pp. 3-4. (doi:10.5406/musimoviimag.8.2.0003).

Dronsfield, J.L. (2002) Abstraction given time In, Helen Robertson (catalogue). Helen Robertson (solo exhibition) Dudelange, Luxembourg, Galerie Nei Liicht pp. 2-5.

Dronsfield, J.L. (2004) An ethical turn in contemporary art? The Finnish Art Review, 1, (1), pp. 108-109.

Dronsfield, J.L. (2004) The anticipation of responsibility in the work of Bill Viola In, Townsend, C. (eds.) The Art of Bill Viola. London, UK, Thames and Hudson pp. 72-87.

Dunn, David (2008) Disarmament and peace movements in British and US feature films of the inter-war period In, Johnson, Edward and Hamilton, Keith (eds.) Arms and Disarmament in Diplomacy. London, UK, Vallentine Mitchell pp. 129-150.

Faiers, Jonathan (2011) Looking sharp: dress, cinema and the construction of the criminal body - from Pinkie Brown to Mr Orange At 3rd International Crime, Media and Popular Culture Conference, United States. 26 - 27 Sep 2011.

Fauzi, Mohammad Faizal Ahmad and Lewis, Paul H. (2009) Query by low-quality image Image and Vision Computing, 27, (6), pp. 713-724. (doi:10.1016/j.imavis.2008.07.007).

Ferry, D. (2004) Colourful England in colour At Seminar talk given at Stellenbosch University. 15 Mar 2004.

Ferry, David (2002) The window seat series

Ferry, David (2006) Aspects of our national heritage

Foster, Stephen (1994) Foreword In, Wilson, Andrew (eds.) Kate Blacker. Southampton, GB, John Hansard Gallery p. 3.

Foster, Stephen (1994) Introduction In, de Ville, Nicholas and Foster, Stephen (eds.) The Artist and the Academy: Issues in Fine Art Education & the Wider Cultural Context. Southampton, GB, John Hansard Gallery pp. 9-21.

Foster, Stephen (1996) The presence of absence, Moby Dick In, Foster, Stephen, Selvaggio, Rita, Tazzi, Pier Luigi and Wilson, Andrew (eds.) Moby Dick. Southampton, GB, John Hansard Gallery pp. 12-13.

Foster, Stephen (1996) Introduction In, Foster, Stephen and Tawadros, Gilane (eds.) Hamad Butt: Familiars. London, GB, Institute of International Visual Arts pp. 10-11.

Foster, Stephen (1996) Elsewhere..., Foreword In, Faure-Walker, Caryn and Foster, Stephen (eds.) Elsewhere... Southampton, GB, John Hansard Gallery p. 3.

Foster, Stephen (1997) Haim Steinbach, Haim Steinbach's taxonomies In, Steinbach, Haim (eds.) Haim Steinbach. Wien, AT, Museum Moderner Kunst, Stiftung Ludwig, Vienna p. 18.

Foster, Stephen (1999) Lie of the Land: Earth Body and Material, Foreword In, Carter, Paul, Scarry, Elaine and Payne, Antonia (eds.) Lie of the Land: Earth Body and Material. Southampton, GB, John Hansard Gallery pp. 3-4.

Foster, Stephen (2000) David Ward: Slow Time, Preface In, Cotter, Suzanne, Foster, Stephen and Harrison, Michael (eds.) David Ward: Slow Time. Southampton, GB, John Hansard Gallery p. 3.

Foster, Stephen (2001) International Waters, Foreword In, Palmer, Roger (eds.) International Waters. Southampton, GB, John Hansard Gallery p. 7.

Foster, Stephen (2004) Joan Jonas, Introduction In, Foster, Stephen, Robert, Ayres and Jonas, Joan (eds.) Joan Jonas. Southampton, GB, John Hansard Gallery pp. 6-8.

Foster, Stephen (2006) Slow Life, Introduction In, Takehisa, Yuu and Carter, Ros (eds.) Slow Life. Southampton, GB, John Hansard Gallery pp. 5-6.

Foster, Stephen (2006) John Latham: Time-base and the Universe, Foreword In, Thorp, David, Latham, Noa and Foster, Stephen (eds.) John Latham: Time-base and the Universe. Southampton, GB, John Hansard Gallery pp. 5-6.

Foster, Stephen (2007) Chinese Video Now, Foreword In, Thorp, David, Foster, Stephen and Ning, Sun (eds.) Chinese Video Now. Southampton, GB, John Hansard Gallery p. 3.

Foster, Stephen (2008) Live Art on Camera: Performance and Photography, Foreword In, Maude-Roxby, Alice, O'Dell, Kathy and Clausen, Barbara (eds.) Live Art on Camera: Performance and Photography. Southampton, GB, John Hansard Gallery pp. 5-6.

Foster, Stephen (2008) Panacea: The Art of Wellbeing Volume 1, Foreword In, Pinsky, M., Walker, Z. and Bromwich, N. (eds.) Panacea: The Art of Wellbeing Volume 1. Southampton, GB, John Hansard Gallery pp. 8-9.

Foster, Stephen (2008) itourist? Journeys Through the Holocaust, Foreword In, Antick, Paul, Slyce, John and Foster, Stephen (eds.) itourist? Journeys Through the Holocaust. Southampton, GB, John Hansard Gallery pp. 3-4.

Foster, Stephen (2008) Stuart Brisley: Crossings, Introduction: the proximity of catastrophe In, Wilson, Andrew, Harm, Anders and Foster, Stephen (eds.) Stuart Brisley: Crossings. Southampton, GB, John Hansard Gallery pp. 7-11.

Foster, Stephen (2010) Caroline Bergvall: Middling English, Foreword In, Caroline Bergvall: Middling English. Southampton, GB, John Hansard Gallery p. 6.

Foster, Stephen (2010) Introduction In, O'Reilly, Sally (eds.) Dark Places. Southampton, GB, John Hansard Gallery p. 3.

Foster, Stephen (2010) Introduction In, Bolivar, Juan and Foster, Stephen (eds.) Dawnbreakers. Southampton, GB, John Hansard Gallery pp. 6-7.

Foster, Stephen (2012) The bit parts and the major players in the entourage of Jochem Hendricks In, Jochem Hendricks. Berlin, DE, Distanz Verlag pp. 185-187.

Foster, Stephen (2012) Jochem Hendricks, Foreword In, Jochem Hendricks. Berlin, DE, Distanz Verlag pp. 12-13.

Foster, Stephen (2012) Rona Lee: That Oceanic Feeling, Foreword In, Rona Lee: That Oceanic Feeling. Southampton, GB, John Hansard Gallery p. 6.

Foster, Stephen, Blistene, Bernard and Collier, Caroline (2002) Art is what makes life more interesting than art In, Blessing, Jennifer, Tronche, Anne and Gaillard, Inge Linde (eds.) Gina Pane. Southampton, GB, John Hansard Gallery and Arnolfini pp. 13-21.

Foster, Stephen and Bode, Steven (2011) Anarcadia: Ruth Maclennan, Foreword In, Anarcadia: Ruth Maclennan. Film and Video Umbrella / John Hansard Gallery p. 5.

Foster, Stephen and Carter, Ros (2004) New British Painting, Foreword In, New British Painting. Southampton, GB, John Hansard Gallery p. 3.

Foster, Stephen and Collier, Caroline (2002) Gina Pane, Foreword In, Blessing, Jennifer, Tronche, Anne and Gaillard, Inge Linde (eds.) Gina Pane. Southampton, GB, John Hansard Gallery and Arnolfini pp. 7-8.

Garrett, B.L. (2011) Videographic geographies: Using digital video for geographic research Progress in Human Geography, 35, (4), pp. 521-541. (doi:10.1177/0309132510388337).

Garrett, Bradley (2014) Art and activism in urban exploration At University of Swansea, United Kingdom. 03 Jun 2014.

Garside, Paul and Wyeth, Paul (2003) Identification of cellulosic fibres by FTIR spectroscopy: Thread and single fibre analysis by attenuated total reflectance Studies in Conservation, 48, (4), pp. 269-275.

Garside, Paul and Wyeth, Paul (2006) Identification of cellulosic fibres by FTIR spectroscopy: differentiation of flax and hemp by polarized ATR FTIR Studies in Conservation, 51, (3), pp. 205-211.

Gill, K. (2006) Tapestry as upholstery: the challanges of conserving tapestry-covered seat furniture In, Lennard, F. and Hayward, M. (eds.) Tapestry conservation: principles and practice. Oxford, UK, Elsevier pp. 113-122. (Butterworth-Heinemann Series in Conservation and Museology).

Gillett, J.R. and Sweetman, Paul, Gillett, J.R. (ed.) (2009) Just Anybody. Renja Leino, Winchester, GB, Fotonet / The Winchester Gallery, 40pp.

Gillett, John (2002) Loss of gravity

Gillett, John (2004) John Bull War and Peace

Goldsmith, S. (2003) Construction - deconstruction: finding a way through making At Textile Vocabularies - innovation in practice. 29 Oct 2003.

Grenfell, Michael and Hardy, Cheryl (2007) Art Rules: Pierre Bourdieu and the Visual Arts, London, UK, Berg, 256pp.

Hammond, Mary (2004) Monsters and metaphors: Buffy the Vampire Slayer and TV audiences In, Gwenllian-Jones, Sara and Pearson, Roberta E. (eds.) Cult Television. Minnesota, USA, University of Minnesota Press pp. 147-164.

Hammond, Michael (2006) The road movie In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK, Open University Press/McGraw Hill pp. 14-20.

Hammond, Michael (2006) Alan Arkin In, Williams, Linda Ruth (eds.) Contemporary American Cinema. London, GB, Open University/McGraw Hill pp. 125-127.

Hammond, Michael (2006) Richard Pryor live in concert In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill pp. 186-198.

Hammond, Michael (2006) Tim Burton In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill pp. 242-243.

Hammond, Michael (2006) Do the right thing In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw Hill pp. 249-256.

Hammond, Michael (2006) Back to the Future In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill pp. 272-279.

Hammond, Michael (2006) Titanic In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporay American Cinema. London, GB, Open University Press/McGraw-Hill

Hammond, Michael (2006) The Agent In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill pp. 353-354.

Hammond, Michael (2006) Tom Hanks In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill

Hammond, Michael (2006) New black cinema In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill pp. 389-390.

Hammond, Michael (2006) John Singleton In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill pp. 394-397.

Hammond, Michael (2006) Unforgiven In, Williams, Linda Ruth (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill pp. 415-420.

Hammond, Michael (2010) ‘So essentially human’: the appeal of Charles Chaplin's shoulder arms in Britain, 1918 Early Popular Visual Culture, 8, (3), pp. 297-313. (doi:10.1080/17460654.2010.498168).

Hammond, Mike (2003) Laughter during wartime: the comedy and the language of trauma in British cinema regulation 1917 Screen, 44, (2), pp. 222-228.

Harland, E.J. (2011) Likeness and presence; a precise complication In, A Sort of Night to the MInd; a Kind of Night for our Thoughts. London, GB, Arch 402 Gallery pp. 10-14.

Harland, Elizabeth (2006) Zone 15

Hayward, M.A. (2011) Quelle influence de la mode francaise a la cour d'Angleterre au XVI siecle? Revue de l’Art, 174, (4), pp. 51-56.

Hoare, Philip (2013) Philip Hoare muses on John Waters In, Irvin, Kate, Brewer, Laurie Anne, Breward, Christopher, Miller, Monica L. and Browne, Thom (eds.) Artist/Rebel/Dandy: Men of Fashion. London, GB, Yale University Press pp. 141-142. (Museum of Art, Rhode Island School of Design).

Hoare, Philip, Marsh, Geoffrey, Frayling, Christopher and Kermode, Mark (2013) David Bowie then...David Bowie now. [Philip Hoare with Christopher Frayling and Mark Kermode] In, Marsh, Geoffrey and Broackes, Victoria (eds.) David Bowie Is. London, GB, V&A Publishing pp. 283-300.

Hon, Gordon (2007) Ruins.

Hon, Gordon (2013) Blessed oblivion In, Makhoul, Bashir (eds.) Palestinian Video Art: Constellation of the Moving Image. Jerusalem, IL, Palestinian Art Court - Al Hoash

Hopkins, John (2010) Fashion Drawing, Lausanne, Switzerland, AVA Academia, 184pp. (Basics Fashion Design).

Hopkins, John (2011) Fashion Design Reader, Worthing, GB, AVA publishing, 203pp. (Required Reading Range).

Jones, Yvonne (2010) Peeling the Body. How can art practice utilize the experience of medical events to consider the implications for the living human being of notions of the posthuman? How can this process affect an understanding of the positions of the subject / medical object within the western medical tradition and, in so doing, suggest a more empowered subject? University of Southampton, Winchester School of Art, Doctoral Thesis , 126pp.

Kass, Jason, Harland, E.J. and Donnelly, Nick (2015) Warholian repetition and the viewer’s affective response to artworks from his Death and Disaster Series Leonardo, pp. 1-12.

Kelly, Michael (1983) Gorky, Aragon and socialist realism The Crane Bag, 7, (1), pp. 108-111.

Kelly, Michael (1983) Realism, surrealism and socialist realism Bradford Occasional Papers, 4, pp. 118-128.

Kelly, Michael (1984) Picasso and the Spanish Civil War Romance Studies, 3, pp. 60-73.

Kelly, Michael (1988) Aragon and the spirit of the popular front Quinquereme - new studies in modern languages, 11, (1), pp. 3-13.

Kelly, Michael, (1999) Aragon et l'humanisme dans les années quarante MacAnulty, Andrew (ed.) In Aragon, Elsa Triolet et les cultures étrangères. Presses Unversitaires de Franche Comté. 11 pp, pp. 87-98.

Kemp, Anna (2012) Selling yourself: the commercialization of feeling in the work of Sophie Calle Nottingham French Studies

Kent, Alexander J. (2005) Aesthetics: a lost cause in cartographic theory? The Cartographic Journal, 42, (2), pp. 182-188. (doi:10.1179/000870405X61487).

Knox-Williams, Charlotte (2012) Slip, split, snag: diagramming the time image between Deleuzean theory and fine art practice University of Southampton, Winchester School of Art, Doctoral Thesis , 86pp.

Lavery, Jane Elizabeth (2015) The Art of Ana Clavel: Ghosts, Urinals, Dolls, Shadows and Outlaw Desires, Oxford, GB, Legenda (Studies in Hispanic and Lusophone Cultures, 6).

Le Foll, Claire (2002) L’école artistique de Vitebsk (1897-1923). Eveil et rayonnement autour de Pen, Chagall et Malevitch, France, Republic of, FR, L'Harmattan, 280pp.

Le Foll, Claire (2012) A la recherche de l’introuvable film juif-biélorusse ? Politique des nationalités et cinéma en BSSR dans les années 1920 et 1930 In, Pozner, Valerie (eds.) Kinojudaica. Les représentations des Juifs dans le cinema de Russie et d'Union sovietique des années 1910 aux années 1980. Paris, FR, Nouveau Monde éditions pp. 79-109.

Lennard, F.J. and Dew, C. (2003) Case study: 'Preview: Hoarfrost Edition' by Robert Rauschenberg At Before Art Falls Apart: Achieving Consensus on Care, Protection and Value (seminar). 28 Oct 2003.

Lennard, Frances (2005) The impact of artists' moral rights legislation on conservation practice in the UK and beyond At 14th Triennal Meeting of the International Council for Museums Conservation Committee. 12 - 16 Sep 2005. 6 pp, pp. 285-290.

Makhoul, Bashir (2013) Introduction In, M., Bashir (eds.) Palestinian Video Art: Constellation of the Moving Image. Jerusalem, IL, Palestinian Art Court - Al Hoash

Makhoul, Bashir and Hon, Gordon (2008) Found in conflict - Bashir Makhoul in conversation with Gordon Hon In, Harris, Jonathan (eds.) Identity Theft: Cultural Colonisation and Contemporary Art. Liverpool, GB, Liverpool University Press (Tate Liverpool Critical Forum, 10).

Makhoul, Bashir, Omer, Mordechai, Nubani, Ibrahim and Livny, Efrat (2004) Outside the camp In, Katan, Esther (eds.) Ibrahim Nubani In-between. Israel, Tel Aviv Museum of Art pp. 27-34.

Manghani, Sunil (2008) Image critique and the fall of the Berlin Wall, Chicago, US, Intellect Books with University of Chicago Press, 230pp.

Manghani, Sunil (2010) Japan: lost in translation, or nothing to see but everything In, Elkins, James (eds.) Visual Cultures. Chicago, US, Intellect with University of Chicago Press pp. 27-42.

Manghani, Sunil (2013) Image Studies: Theory and Practice, London, GB, Routledge, 274pp.

Manghani, Sunil and McDonald, Keith (2013) Desperately seeking Kylie! Critical reflections on William Baker’s White Diamond In, Halligan, Benjamin, Edgar, Robert and Fairclough-Isaacs, Kirsty (eds.) The Music Documentary: Acid Rock to Electropop. Abingdon, GB, Routledge pp. 219-234.

Marsh, Nicky, Crosthwaite, Paul and Knight, Peter (2012) Imagining the market: a visual history Public Culture, 24, (3), pp. 601-622. (doi:10.1215/08992363-1630690).

May, W. (2010) Stevie Smith and Authorship Oxford University Press 250pp. , Oxford, UK (Oxford English Monographs).

McAleer, John (2008) ‘The slavery question in Eastern Africa’: representations of Indian Ocean slavery and its suppression in nineteenth?century Britain from the collection of the National Maritime Museum Journal for Maritime Research, 10, (1), pp. 23-49. (doi:10.1080/21533369.2008.9668363).

Moser, Stephanie (1998) Ancestral Images. The iconography of human antiquity, Ithaca, US, Cornell University Press, 224pp.

Moser, Stephanie (2014) Making expert knowledge through the image: antiquarian images and early modern scientific illustration Isis, 105, (1), pp. 58-99.

Nashashibi, L.R. (2003) Humaniora.

Nashashibi, L.R. (2004) Over in.

Nashashibi, L.R., Haq, Nav (ed.) (2007) Proximity machine, London, UK, Book Works, 116pp.

Newington, Linda (2011) A visual journey through the Artists' Books In, Newington, Linda, White, Maria, Su, Cui, Sowden, Tom and Pichler, Michalis (eds.) Print matters. Southampton, GB, University of Southampton

Nicholls, Matthew (2011) Interactions between contemporary American independent cinema and popular music culture University of Southampton, Faculty of Humanities, Doctoral Thesis , 224pp.

Nitzan-Green, Yonat (2010) Saying It Through The Maternal Body: understanding maternal subjectivity through art practice University of Southampton, Winchester School of Art, Doctoral Thesis , 215pp.

O'Brien, Daniel (2012) Heroic masculinities: evolution and hybridisation in the peplum genre University of Southampton, Faculty of Humanities, Doctoral Thesis , 307pp.

Padovani, C. (2004) Transitions: conversations in contemporary craft At launch of 'Collect' at the Victoria and Albert Museum. 21 Feb 2004.

Padovani, Clio (2006) Madre (White Time)

Padovani, Clio (2006) Stack 2 (Rippling Time)

Padovani, Clio (2006) Stack One At Touch, Textiles, Technology: Collaboration Across Europe. 14 Sep 2007. 100 pp.

Parikka, Jussi (2011) Media ecologies and imaginary media: transversal expansions, contractions, and foldings Fibreculture, 17, pp. 34-50.

Peacock, J. (2005) Painting and visuality in Van Dyck's Self-Portrait with a Sunflower In, Eck, Caroline Van and Winters, Edward (eds.) Dealing with the Visual: Art History, Aesthetics and Visual Culture. Aldershot, UK, Ashgate pp. 109-126. (Histories of Vision).

Pearce, Sarah (2013) Introduction In, Pearce, Sarah (eds.) The Image and its Prohibition in Jewish Antiquity. Oxford, GB, Journal of Jewish Studies pp. 1-9. (Journal of Jewish Studies Supplement Series, 2).

Pearce, Sarah (2013) Philo of Alexandria on the Second Commandment In, Pearce, Sarah (eds.) The Image and its Prohibition in Jewish Antiquity. Oxford, GB, Journal of Jewish Studies pp. 49-76. (Journal of Jewish Studies Supplement Series, 2).

Perry, L.A. (2002) Making a modern museum: experience, interpretation, and the National Portrait Gallery in the new millennium Visual Culture in Britain, 3, (2), pp. 1-16.

Poulton, A.M. (2006) Innovative developments using traditional yarns and surface variations emphasised through movement and light

Poulton, A.M. (2006) Commercial warp: double and single cloth structure creating distortions in patterning

Poulton, A.M. (2006) Exploration of the use of traditional yarns to achieve 3 dimensional effect and transparent areas

Procter, Adam (2008) Opensource Content At Filmelab, United Kingdom.

Richardson, A.E. (2003) Triumphs of temper and beauty: portraits of Emma Hamilton At Women's Writing in Britain, 1660 - 1830. 15 - 17 Jul 2003.

Ridley, Aaron (2007) Routledge Philosophy Guidebook to Nietzsche on Art, London, UK, Routledge, 208pp. (Routledge Philosophy Guidebooks).

Rogerson, Cordelia and Garside, Paul (2006) Instrumental analysis of metal threads as an aid for interpretation and preservation of a fifteenth-century tapestry altar frontal and super frontal In, Lennard, Frances and Hayward, Maria (eds.) Tapestry conservation: Principles and practice. Oxford, UK, Butterworth-Heinemann pp. 48-56.

Rogerson, Cordelia E. and Lennard, Frances J., (2005) Billowing silk and bendable binders: is flexibility the key to understanding banner behaviour? Janaway, Rob and Wyeth, Paul (eds.) In Scientific Analysis of Ancient and Historic Textiles - Informing Preservation, Display and Interpretation. Archetype Publications Ltd. 266 pp, pp. 12-18.

Sandberg, Claudia (2013) Peliculas Escondidas/Hidden Treasures

Schultz, Corey K.N. (2012) (RE)Memory: sites and process in Jia Zhangke’s films At European Network for Cinema and Media Studies, Portugal. 23 Jun 2012.

Schultz, Corey K.N. (2013) The intellectual in the films of Jia Zhangke At Chinese Film Forum UK Conference, United Kingdom. 29 - 30 Jan 2013.

Schultz, Corey K.N. (2013) Mediated memory: prosthetic memory in 24 City At BRESTOLON Network: Research Institute for Media, Communications, Culture and Society, Sweden. 23 May 2013.

Schultz, Corey K.N. (2013) Mediating trauma: the Nanjing massacre and its filmic and emotional dissemination At Chinese Cinemas In and Outside China, Chinese Film Forum UK Conference, United Kingdom. 11 - 13 Oct 2013.

Schultz, Corey K.N. (2014) Moving portraits: portraits in performance in 24 City Screen, 55, (2), Summer Issue, pp. 276-287. (doi:10.1093/screen/hju008).

Schultz, Corey K.N. (2014) Ruin in the films of Jia Zhangke Visual Communication, 15, (4), pp. 439-460. (doi:10.1177/1470357216633921).

Schultz, Corey K.N. (2015) The Simian gaze: examining the human and non-human gazes in visitors At Screening Animals and the Inhuman: 25th Annual Screen Studies Conference, United Kingdom. 26 - 28 Jun 2015.

Sherwell, T. (2002) Bodies in representation: contemporary Arab women’s art In, Lloyd, Fran (eds.) Contemporary Arab Women’s Art: Dialogues of the Present. London, UK, I.B. Tauris pp. 58-70.

Sherwell, Tina (2002) Embroidering the Motherland In, Jefferies, Janis (eds.) Reinventing Textiles: Gender & Identity. Brighton, UK, Telos Art Publishing pp. 117-129.

Sherwell, Tina (2004) Imaging the homeland: gender and the Palestinian national discourse In, Boer, Inge (eds.) After "Orientalism": Critical Entanglements, Productive Looks. Amsterdam, The Netherlands; New York, USA, Rodopi pp. 123-145. (Thamyris/Intersecting, 10).

Sherwell, Tina (2006)

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Third Text, 20, (3-4), pp. 429-443. (doi:10.1080/09528820600853969).

Sherwell, Tina, Bresheeth, Haim and Hammimi, Haifa(eds.) (2006) Topographies of identity; soliliques of place Third Text, 20, (3/4), pp. 429-443. (doi:10.1080/09528820600853969).

Silomäki, Jari, Medley, Susie (ed.) (2005) My Weather Diary My Unopened Letters, Winchester, UK, The Winchester Gallery, 84pp.

Simons, Helen and McCormack, Brendan (2007) Integrating arts-based inquiry in evaluation methodology: opportunities and challenges Qualitative Inquiry, 13, (2), pp. 292-311. (doi:10.1177/1077800406295622).

Sofaer, Joanna (2007) Materiality and identity In, Sofaer, Joanna (eds.) Material Identities. Oxford, UK, Blackwell (New Interventions in Art History).

Sofaer, Joanna (2012) Touching the body: the living and the dead in osteoarchaeology and the performance art of Marina Abramovic Norwegian Archaeological Review, 45, (2), pp. 135-150. (doi:10.1080/00293652.2012.703686).

Stewart, Nicholas and Aldred, Danny (2012) Which is The: 49 Views, Southampton, GB, John Hansard Gallery, 100pp.

Sweetman, Paul (2009) Just anybody? Images, ethics and recognition In, Gillett, John (eds.) Just Anybody. Renja Leino. Winchester, GB, Fotonet / The Winchester Gallery pp. 7-9.

Taylor, B. (2002) Art of Today, Seoul, Korea, Yekyong Publishing Co., 213pp.

Taylor, B. (2002) Beauty from Violence In, Patrizio, A. (eds.) 292 Essays in Visual Culture. Edinburgh, UK, Edinburgh College of Art pp. 28-44.

Taylor, B. (2002) Richard Davies: new work In, Richard Davies: New Work (exhibition catalogue). Richard Davies: New Work (solo exhibition) Warsaw, Poland, Academy of Fine Arts

Taylor, B. (2004) Contemporary art, New York, USA, Prentice Hall Inc., 256pp.

Taylor, Brandon (2002) Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War In, Corbett, David Peters, Holt, Ysanne and Russell, Fiona (eds.) The Geographies of Englishness: Landscape and the National Past 1880-1940. London, UK, Yale University Press pp. 169-198. (Studies in British Art, 10).

Taylor, Brandon (2002) Quel fatigue ... quelle barbarie!: The Visitor's Torment In, Legacies of the Great Exhibition of 1851. Bayreuth, Germany, Prinz-Albert Gesellschaft, University of Bayreuth pp. 13-30.

Taylor, Brandon (2004) Art today, London, UK; New York, USA, Laurence King; Prentice Hall, 256pp.

Taylor, Brandon (2004) Collage: The Making of Modern Art, London, UK, Thames and Hudson Ltd, 224pp.

Taylor, Brandon and Fowler, Alan (2005) Elements of Abstraction: Space, Line and Interval in Modern British Art, Southampton, UK, Southampton City Art Gallery, 88pp.

Van De Peer, Stefanie (2011) Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries Journal of African Cinemas, 3, (1), pp. 109-124. (doi:10.1386/jac.3.1.109_1).

Van De Peer, Stefanie (2011) Selma Baccar's Fatma 75: at the crossroads between Third Cinema and New Arab Cinema French Forum

Van De Peer, Stefanie (2012) The physicalities of African documentaries: the case of Ateyyat El Abnoudy from Egypt Critical Interventions, 18, pp. 139-157.

Van De Peer, Stefanie (2012) The moderation of creative dissidence in Syria: Reem Ali’s documentary Zabad Journal for Cultural Research, 16, (2&3), pp. 297-317. (doi:10.1080/14797585.2012.647709).

Van Rijn, Walter (2015) Rethinking the status of the art object through distribution University of Southampton, Winchester School of Art, Doctoral Thesis , 182pp.

Von Brasch, Marius (2012) ‘Distance, however near it may be’: revisiting ‘aura’ on the axis between painting and digital technology within a Deleuzian framework of ‘becoming’ University of Southampton, Winchester School of Art, Doctoral Thesis , 283pp.

Walters, Victoria (2013) Opening up the field: Joseph Beuys’ anthropological art In, Johler, R., Marchetti, C., Tschofen, B. and Weith, C. (eds.) Kultur_Kultur: Denken, Forschen, Darstellen. Berlin, DE, Waxman Verlag pp. 311-317.

West, Jonathan (2012) size matters 2013

Wheatley, Catherine (2009) Michael Haneke's cinema: the ethic of the image, Oxford, UK, Berghahn Books, 232pp. (Film Europa, 7).

Whittaker, Paul and Padovani, Clio (2002) Other Europes, Europes others.

Williams, Michael (2000) A sequestered “Poodle-faker”: Droll, Camp and Ivor Novello In, Burton, Alan and Porter, Laraine (eds.) Pimple, Pranks and Pratfalls: British Film Comedy Before 1930. Trowbridge, GB, Flicks Books pp. 101-106.

Williams, Michael, (2003) “Cocktails,” “Post-War Hysteria,” and “Decadence”: Noël Coward and British Silent Cinema Burton, Alan and Porter, Laraine (eds.) In Scene Stealing: Investigating British Silent Cinema and its Sources. Flicks Books., pp. 102-109.

Williams, Michael (2012) Film stardom, myth and classicism: The Rise of Hollywood's Gods, Basingstoke, GB, Palgrave Macmillan, 264pp.

Williams, Michael (2015) 'Gilbo-Garbage' or 'The Champion Lovemakers of Two Nations': uncoupling Greta Garbo and John Gilbert In, Cobb, Shelley and Ewen, Neil (eds.) First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics. New York City, US, Bloomsbury Academic pp. 13-29.

Williams, Michael and Napper, Lawrence (2001) The curious appeal of Ivor Novello In, Babington, Bruce (eds.) British Stars and Stardom: from Alma Taylor to Sean Connery. Manchester, GB, University of Manchester Press pp. 42-55.

Xu, S.X. (2013) Hong Kong cinema since 1997: the response of filmmakers following the political handover from Britain to the People’s Republic of China University of Southampton, Faculty of Humanities, Doctoral Thesis , 252pp.

van Rijn, Walter (2011) Symbiote 5 @ the Rag Factory London: a gallery guide and exhibition catalogue

van Rijn, Walter (2011) Symbiote 5 @ the Rag Factory Gallery London: a gallery guide in 8 postcards

van Rijn, Walter (2012) TITLE(date)006-009, Raleigh, US, VVVR, 222pp.

van Rijn, Walter (2012) TITLE(date)001-005, Raleigh, US, VVVR, 108pp.

van de Peer, Stefanie (2011) An encounter with the doyenne of Tunisian film, Selma Baccar The Journal of North African Studies, 16, (3), pp. 471-482. (doi:10.1080/13629387.2010.527122).

This list was generated on Thu Mar 23 17:33:39 2017 GMT.