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Grenfell, Michael and Hardy, Cheryl (2003) Field manoeuvres: Bourdieu and the Young British Artists Space and Culture, 6, (1), pp. 19-34. (doi:10.1177/1206331202238960).

Burman, B. (2002) Fashion, sport and identity At Costume Society annual symposium on the history of sportswear. 01 Jul 2002.

Matthews David, A. (2002) Equestriennes and fast women: tailoring for the Victorian sportswoman At British Costume Society Annual Conference. 05 - 07 Jul 2002.

Daniel, M. (2003) Pictorial space, duration and visual intent Art Today, pp. 76-79.

Daniel, M. (2002) The man with the movie camera. Speed of vision, speed of truth? At 2002 International Symposium on Photography: Communication Between the Eyes. , pp. 118-136.

Matthews David, A. (2003) Decorated men: fashioning the French soldier, 1852-1914 Fashion Theory, 7, (1), pp. 3-38.

Dimitrakaki, Angela (2003) Art and politics continued: avant-garde, resistance and the multitude in Documenta 11 Historical Materialism: Research in Critical Marxist Theory, 11, (3), pp. 153-176. (doi:10.1163/156920603770678346).

Dimitrakaki, Angela (2004) Researching Culture/s and the Omitted Footnote: Questions on the Practice of Feminist Art History In, Fisher, Jean and Mosquera, Gerardo (eds.) Over Here: International Perspectives on Art and Culture. New York and Cambridge, Massachusetts, USA, The New Museum of Contemporary Art and The MIT Press pp. 88-101. (Documentary Sources in Contemporary Art).

Dronsfield, J.L. (2003) After parerga: Kant, Derrida, and the temporality of aesthetic judgement In, Rothfield, P. (eds.) Kant After Derrida. London, UK, Clinamen Press pp. 80-104.

Dronsfield, J.L. (2004) Art's theory: some remarks on the question of art as research In, Perez, Y., Rodriguez, M.A. and Saladini, E. (eds.) Spaces for Contemporary Creation. Santiago de Compostela, Spain, Asociacion de Arte y Estetica Contemporanea

Dronsfield, J.L. (2005) Danto, art's questioning, and the question of responsibility In, Sanchez, P. and Hernandez-Navarro, M. (eds.) Danto and the End of Art. Murcia, Spain, Centro de Documentacion y Estudios Avanzados de Arte Contemporaneo

Perry, L.A. (2004) Nationalizing Watts: the Hall of Fame and the National Portrait Gallery In, Trodd, C. and Brown, S. (eds.) Representations of G. F. Watts: Art Making in Victorian Culture. Aldershot, UK, Ashgate Publishing Ltd. pp. 121-131.

Richardson, A.E. (2001) Framing ones's own fortune: Hogarth's Analysis of Beauty and country dance in comic drama At On Common Ground 3: John Playford and the English dancing master 1651. , pp. 51-58.

Taylor, Brandon (2004) Art today, London, UK; New York, USA, Laurence King; Prentice Hall, 256pp.

Burman, B. (2003) Review of 'The study of dress history' Fashion Theory, 7, (2), pp. 243-245.

Dronsfield, J.L. (2003) The perfect dot In, Pennanen, T. (eds.) Samu Raatikainen: Finnish Artist of the Year. Finnish Artist of the Year Tampere, Finland, Tampere Art Museum pp. 40-43.

Huddleston, R. (2003) A letter to Huang Shu-fang In, Fangling, T. (eds.) The Traversing of Lines: Huang Shu-fang. Taiwan, Kaohsiung Museum of Fine Arts pp. 10-11.

Dronsfield, J.L. (2003) Almost the artist: Nietzsche and the claims of the impossible At Nietzsche's Aesthetics. 13 Sep 2003. (Submitted).

Dronsfield, J.L. (2003) The place of the work of art At 42nd Annual Meeting of the Society for Phenomenology and Existential Philosophy. 06 - 08 Nov 2003. (Submitted).

Dronsfield, J.L. (2003) Responsibility and the space of the art gallery At Becoming Space, Ideology, Invention and Immanence. 01 Oct 2003. (Submitted).

Dronsfield, J.L. (2005) Danto, art's questioning, and the question of responsibility At Danto and the End of Art. 01 Dec 2003.

Taylor, B. (2003) Mr Saatchi's New Empire of Gold At Art and the Market, Institute of Art History. 17 Dec 2003.

Dronsfield, J.L. (2003) The place of the work of art At Abstraction, Time and Place. 10 Jan 2003. (Submitted).

Dronsfield, J.L. (2003) The gallery space and the showing of art At seminar for Art History and Philosophy departments, De Paul University. 01 Nov 2003. (Submitted).

Padovani, C. (2003) Textile vocabularies - innovation in practice At Jerwood Applied Arts Prize Seminar. 29 Oct 2003.

Unsworth, J. (2003) Practice based PhDs, their developement and evolution At Winchester School of Art PhD symposium. 14 Mar 2003. (Submitted).

Ferry, D. (2003) Escape to the hills At public lecture given at the Burren College of Art. 26 Mar 2003.

Ferry, D. (2003) Montage projects At Public lecture given at State University of New York. 06 Nov 2003.

Ferry, D. (2003) A field left of suburbia... carry on camping At Public lecture given at Southampton College, Long Island University. 20 Nov 2005.

Taylor, B. (2003) Lenin at Smolnyi At public lecture given at Christies Education. 19 Nov 2003.

Amado, I. (2004) Site specificity today At KHIB. 19 Feb 2004. (Submitted).

Richardson, A.E. (2004) Reynolds' others: artistic personae and masculine identities in eighteenth century Britain At Masculinity, Patriachy and Power conference. 05 - 07 Jan 2004.

Richardson, A.E. (2004) The variety aesthetic: the country dance in restoration and eighteenth century comedy At British Society for Eighteenth Century Studies 33rd Annual Conference. 03 - 05 Jan 2004.

Dronsfield, J.L. (2004) Keynote paper At Culture stuff: giving art practice a name in the twentieth century. 24 Mar 2004. (Submitted).

Ferry, D. (2004) The magic wardrobe... a tale from the riverbank At seminar paper given at The Burren College of Art. 11 Feb 2004.

Harland, E.J. (2004) No particular place to go At ATP Gallery public talk. 01 Mar 2004.

Dronsfield, J.L. (2004) Art and it's theory: some remarks on the question of art research At Spaces of Contemporary Creation. 03 Apr 2004.

Harland, E.J. (2004) Between figure and ground At Unframed. 07 May 2004.

Lennard, F.J. (2004) Inherent vice: artists' moral rights versus conservation ethics in the UK At Recent Preoccupations with Textiles, Leather and Legislation, Hellenic International Council of Museums Committee and International Council of Museums-CC Textiles, Leather and Legislation working groups. 20 - 24 Apr 2004.

Dronsfield, J.L. (2004) Art, history and time At Forum for European Philosophy. 29 Apr 2004. (Submitted).

Dronsfield, J.L. (2004) As if! The Finnish Art Review, 2, (1)

Miller, L.E. (2005) Dress to impress: Prince Charles plays Madrid, 1623 At Textile Cultures: Spain and England since 1500. Centre for the History of Textiles and Dress and the Textile Conservation Centre. 22 - 23 Jul 2004. 23 pp, pp. 27-49.

Taylor, B. (2004) Eroticism, poetism, communism: the case of Karel Teige At Czech Surrealism: Centre for the Study of Surrealism and its Legacies. 28 - 29 Sep 2004.

Milne, J. (2003) Introductory chapter In, Jordi Fulla (exhibition catalogue). Exhibition: Jordi Fulla Barcelona, Spain, Galeria Trama

Perry, L.A. (2002) Review of Wallinger, M. 'British Pavilion: The 49th Venice Biennale' Visual Culture in Britain, 3, (1), pp. 117-121.

Dimitrakaki, A. (2004) Femininity and utopia in women's film and video: towards a critical investigation In, von Falkenhausen, Susanne, Förschler, Silke, Reichle, Ingeborg and Uppenkamp, Bettina (eds.) Medien der kunst: geschlecht, metapher, code. Marberg, Germany, Jonas Verlag pp. 87-97.

Garside, Paul, Lahlil, Sophia and Wyeth, Paul (2005) Characterization of historic silk by polarized attenuated total reflectance Fourier transform infrared spectroscopy for informed conservation Applied Spectroscopy, 59, (10), pp. 1242-1247. (doi:10.1366/000370205774430855).

Simons, Helen and Hicks, Judy (2006) Opening Doors: using the creative arts in learning and teaching Arts and Humanities in Higher Education, 5, (1), pp. 77-90. (doi:10.1177/1474022206059998).

Dulieu-Barton, J.M., Dokos, L., Eastop, D., Lennard, F., Chambers, A.R. and Sahin, M. (2005) Deformation and strain measurement techniques for the inspection of damage in works of art Reviews in Conservation, 6, pp. 63-73.

Karatas-Ozkan, M., Nicolopoulou, K. and Kerrigan, F. (1970) The role of the arts in the social enterprise: one style social marketing for all? At British Academy of Management (BAM) 2006. 12 - 14 Sep 2006.

Hayward, Maria (2007) Dress at the Court of King Henry VIII, Leeds, UK, Maney, 488pp.

Hayward, M.A. (2005) Gift giving at the court of Henry VIII: the 1539 New Year's gift roll in context The Antiquaries Journal, 85, pp. 125-175.

Gill, K., Gill, K. and Eastop, D.D. (eds.) (2001) Upholstery conservation: principles and practice, Oxford, UK, Butterworth-Heinemann, 209pp. (Butterworth-Heinemann Series in Conservation and Museology).

Brooks, M.M. and Weston, C., (2006) 'Who knows the Fate of his Bones'? Rethinking the body on display: object, art or human remains? Knell, Simon, J., Macleod, Suzanne and Watson, Sheila (eds.) In Museum Revolutions: How Museums Change and are Changed. Routledge. 385 pp, pp. 343-354.

Lee, R, Harland, E.J, Bruton, J and Pratt, K, (2004) Threads Betterton, Rosemary (ed.) In Unframed: Practices & Politics of Women's Contemporary Painting. I.B.Tauris. 228 pp, pp. 115-138.

Lee, R, Harland, E.J, Bruton, J and Pratt, K, (2004) Threads (Unframed Book/Exhibition/Conference) Betterton, Rosemary (ed.) In Unframed:Practices & Politics of Women's Contemporary Painting. I.B.Tauris. 228 pp, pp. 115-138.

Dimitrakaki, Angela (2005) 'Five o' clock on the sun': three questions on Feminism and the moving image in the visual arts of non-Western Europe Third Text, 19, (3), pp. 269-282. (doi:10.1080/09528820500049460).

Pinnock, Andrew (2006) Public value or intrinsic value? The arts-economic consequences of Mr Keynes Public Money and Management, 26, (3), pp. 173-180. (doi:10.1111/j.1467-9302.2006.00519.x).

Hemmings, Jessica (2006) New geometry: Galya Rosenfeld Future Materials, 1, (3)

Hemmings, Jessica (2005) Defining a movement: fiberart and art textiles Fiberarts Magazine, 32, (2)

Hemmings, Jessica (2005) Playtime: Maria Blaisse Selvedge

Hemmings, Jessica (2005) Extreme textiles at the Cooper-Hewitt, New York (exhibition review) Selvedge

Hemmings, Jessica (2006) Second skin: textiles grown to fit Crafts, (199)

Hemmings, Jessica (2002) Reinventing textiles: gender and identity: book review Surface Design Journal, 26, (4)

Hon, Gordon (2005) Dreaming in the ruins In, Tiapkin, A (eds.) International Transactions in the Humanities. Riga, Latvia, SIA Jumi pp. 409-422.

Padovani, Clio (2006) Stack One At Touch, Textiles, Technology: Collaboration Across Europe. 14 Sep 2007. 100 pp.

Zhang, Xiaomei and Wyeth, Paul (2007) Moisture sorption as a potential condition marker for historic silks: noninvasive determination by near-infrared spectroscopy Applied Spectroscopy, 61, (2), pp. 218-222. (doi:10.1366/000370207779947611).

Schofield, John (2007) Intimate Engagements: Art, Heritage and Experience at the 'Place-Ballet' International Journal of the Arts in Society, 1, (5), pp. 105-114.

Eastop, Dinah (2007) The cultural dynamics of conservation principles in reported practice In, Richmond, Alison and Bracker, Alison (eds.) Principles of Conservation. Oxford, UK, Elsevier (Conservation and Museology).

Garside, Paul and Wyeth, Paul (2007) Use of polarized spectroscopy as a tool for examining the microstructure of cellulosic textile fibres Applied Spectroscopy, 61, (5), pp. 523-529. (doi:10.1366/000370207780807821).

Padovani, Clio (2006) New Works 2006 At 14th ETN Conference. [One day symposium, 14 Sep 2007: Touch, Textiles, Technology: Collaboration across Europe]. 13 - 16 Sep 2007.

Donnelly, Kevin (2005) The spectre of sound: music in film and television, London, UK; Los Angeles, USA, British Film Institute; University of California Press, 192pp.

Pinnock, Andrew (2007) The Gramppian Hills: an empirical test for rent-seeking behaviour in the arts Cultural Trends, 16, (3), pp. 277-294. (doi:10.1080/09548960701479508).

Burman, Barbara and Turbin, Carole (eds.) (2003) Material strategies: dress and gender in historical perspective, Oxford, UK, Blackwell, 280pp. (Gender and History Special Issues).

Neill, Alex (2007) Schopenhauer and the foundations of aesthetic experience In, Shusterman, Richard and Tomlin, Adele (eds.) Aesthetic Experience. London, UK, Routledge pp. 178-193. (Routledge Studies in Contemporary Philosophy).

Sherwell, Tina (2001) Palestinian art: imaging the motherland In, Lloyd, Fran (eds.) Displacement & Difference Contemporary Arab Visual Culture in the Diaspora. London, UK, Saffron Books pp. 63-73.

Molitor, Claudia (2003) Portfolio of compositions and commentary University of Southampton, School of Humanities, Doctoral Thesis , 286pp.

Clarke, Gill (2008) The Women's Land Army: a portrait, Bristol, UK, Sansom, 216pp.

(2008) Towards a new conceptual framework for business investments in the arts: some examples from Italy Journal of Arts Management, Law and Society

(2000) Encore Hollywood: Remaking French Cinema, British Film Institute, 169pp.

(2009) The measure of all things: on the use of time as a value indicator in arts impact assessment Cultural Trends, 18, (1), pp. 47-74. (doi:10.1080/09548960802651229).

(2008) Methodological issues when using the draw and write technique with children aged 6-12 years Qualitative Health Research, 18, (7), pp. 1001-1011. (doi:10.1177/1049732308318230).

(2009) 'War' and 'Space' In, Expression: The Olympia Poetry Anthology 2009. Olympia pp. 81-83.

(2008) Customer experience-based brand strategy at the Lenovo group - exploring the potential for Lenovo in the UK PC market In, Design Management: Exploring Fieldwork and Applications. Routledge pp. 168-195.

(2006) Development of a customer experience-based brand strategy for the Lenovo Group to explore the UK market Proceedings: D2B - the 1st International Design Management symposium, Shanghai 2006, pp. 384-397.

(2006) Conceptual model of a web-based design performance measurement and management system Proceedings - Performance Measurement and Management: Public and Private, pp. 833-840.

(2009) A fragment of time in the pure state; mapping painting's temporality through the digital image, VDM Verlag Dr. Muller, 116pp.

(2009) Civilisation, Palgrave Macmillan, 154pp. (BFI TV Classics).

(2007) Exploitation cinema In, The Cinema Book. 3rd Edition. British Film Institute pp. 298-301.

(2007) Experimental music television In, Experimental British Television. Manchester University Press

(2007) Between prosaic functionalism and sublime experimentation: Doctor Who and musical sound design In, Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester University Press pp. 190-203.

(2006) Musical Middle Earth In, The Lord of the Rings: Popular Culture in Global Context. Wallflower pp. 301-316.

(2010) The little black dress- the status of black in 1920s fashion In, Black: Masters of Black in Fashion and Costume. Lannoo pp. 163-179.

(2010) Taut - that certain tension between fashion and art At Trajector Art Fair Brussels 2010

(2010) All in black but not a funeral in sight: the black suit and the 19th century man In, Black: Masters of Black in Fashion and Costume. Lannoo pp. 113-119.

(2008) Isolated incidents

(2009) Are you in favour of the future? In, Winchester School of Art Research Anthology. The Winchester Gallery Press pp. 74-77.

(2010) Occupation and place In, Occupation: Negotiations with Constructed Space. University of Brighton

(2008) Not from everywhere

(2009) Last call

(2009) Visual Culture and Bioscience: Issues in Cultural Theory, Center for Art, Design and Visual Culture, UMBC

(2010) Art + Science Now, Thames & Hudson, 208pp.

(2011) Cultural Globalisation and Music: African Artists in Transnational Networks, Palgrave Macmillan, 272pp.

(2008) Gary Breeze Jerwood Contemporary Makers Catalogue

(2004) Dyson. Chamber works. Dutton CDLX 7137 2004

(2006) Madre (White Time)

(2006) Stack 2 (Rippling Time)

(2007) Textile Transporter.

(2001) ESO… 3er Festival Internacional de Arte Sonoro

(2006) Stack 2

(2006) Repairs Alterations Invisible Re-weavings

(2008) Inspiring Collectors and Collections: the Knitting Collections at Winchester School of Art At In the Loop

(2009) At BABE with the knitting and sewing school In, Artist's Book Yearbook 2010-2011: the Journey of a Book is the Beginning of a Cover. Impact Press pp. 93-98.

(2007) Inspiring textile collections: textiles and text combined in Wichester School of Art Library and in the Special Collections, Hartley Library, University of Southampton Libraries In Textiles and Text: Re-establishing the Links Between Archival and Object-based Research (Postprints). Archetype Publications. 267 pp, pp. 182-185.

(2010) 'In the Loop 2' on Woman's Hour (24/08/10) BBC Radio 4

(2008) 'In the Loop' on Radio Solent (07/08) Radio Solent

(2010) Developing student criticality in higher education: undergraduate learning in the arts and social sciences, Continuum, 256pp. (Continuum Studies in Educational Research Series).

(2011) Law and Art: Ethics, Aesthetics, Justice, Routledge, 292pp.

(2011) Agonic is not yet Demonic: at the be-ginning there will have be-come a de-cision In, Law and Art: Justice, Ethics and Aesthetics. Routledge-Cavendish pp. 114-132.

(2011) Introduction In, Law and Art: Ethics, Aesthetics, Justice. Routledge-Cavendish pp. 1-29.

(2011) Menswear, AVA books (Basics Fashion Design, 7).

(2008) Virtual dialectics and technological aesthetics Cultural Politics: an International Journal, 4, (2), pp. 133-154. (doi:10.2752/175174308X310802).

(2008) Transient media Public, (37), pp. 76-85.

(2008) Indigenous, settler and migrant media Third Text, 22, (6), pp. 733-742. (doi:10.1080/09528820802652516).

(2009) Line and colour in 'The Band Concert' Animation: An interdisciplinary journal, 4, (1), pp. 11-30. (doi:10.1177/1746847708099739).

(2009) Social formations of global media art Third Text, 23, (3), pp. 217-228. (doi:10.1080/09528820902954853).

(2009) A critique of play Refractory: A Journal of Entertainment Media, 16

(2009) Thinking filming thinking filming Journal of Aesthetics and Culture, 1, (1) (doi:10.3402/jac.v1i0.2122).

(2010) The limits of human progress: a critical study Cultural Politics: an International Journal, 6, (2), pp. 229-236. (doi:10.2752/175174310X12672016548405).

(2010) Postnormal network futures: a rejoinder to Ziauddin Sardar Futures, 42, (6), pp. 617-624. (doi:10.1016/j.futures.2010.04.021).

(2010) The ordering of worlds: two recent video works by Stella Brennan Reading Room, 4, pp. 144-155.

(2010) Flusser and the CCD Flusser Studies, 10

(2011) Does cloud computing have a silver lining? Media Culture and Society, 33, (1), pp. 149-158. (doi:10.1177/0163443710382974).

(2008) Dossier: materials for a study of the Lord of the Rings trilogy and its audiences In, Studying the Event Film: The Lord of the Rings. Manchester University Press pp. 27-31.

(2008) Dossier: economics In, Studying the Event Film: The Lord of the Rings. Manchester University Press pp. 77-83.

(2008) Dossier: acting, on-set practices, software, and synthespians In, Studying the Event Film: The Lord of the Rings. Manchester University Press pp. 111-125.

(2008) Dossier: production and post-production In, Studying the Event Film: The Lord of the Rings. Manchester University Press pp. 135-167.

(2008) Dossier: adapting a script In, Studying the Event Film: The Lord of the Rings,. Manchester University Press pp. 195-204.

(2008) Dossier: critics and reviews In, Studying the Event Film: The Lord of the Rings,. Manchester University Press pp. 261-279.

(2009) Liverpool glocal In, Art in a City Revisited. Liverpool University Press pp. 107-121.

(2009) Transience: Indigenous, settler and migrant media In Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art. Megunyah Press. 1108 pp, pp. 989-983.

(2009) LED technology and the shaping of culture In, Urban Screens Reader. Institute of Network Cultures pp. 97-108. (Institute of Network Cultures Readers).

(2010) Internet aesthetics In, International Handbook of Internet Research. Spriger Verlag pp. 159-170.

(2010) Visual communication in traditional and digital contexts In, Handbook of Communication Ethics. Routledge pp. 241-257. (International Communications Association Handbooks).

(2010) Fabrication In, Emerging Digital Spaces in Contemporary Society. Palgrave pp. 207-219.

(2011) Globalization and contemporary art, Wiley-Blackwell, 552pp.

(2013) The Utopian globalists: artists of worldwide revolution, 1919-2009, Wiley-Blackwell, 360pp.

(2010) Academic difficulties with “convergence”: globalization and contemporary art In, Art and Globalization. Pennsylvania State University Press pp. 152-157. (The Stone Art Theory Institutes, 1).

(2005) Imazighen! Beauty and artisanship in Berber life Ornament, 28, (3), pp. 52-55.

(2006) The taste for Moroccan arts in Paris, 1917-2006 At Middle East Studies Association Annual Conference

(2011) One voice to many voices: displaying polyvocality in an art gallery In, Curators and Communities: New Approaches to Collaboration in the Museum. Blackwell

(2010) To label the label? 'Learning disability' and exhibiting 'critical proximity' In, Re-Presenting Disability: Activism and Agency in the Museum. Routlege pp. 115-129.

(2011) The place of art in the public art gallery: a visual sense of place In, Making Sense of Place. Boydell and Brewer

(2011) Musical performance, natural law and interpretation In, Art and Law: Ethics, Justics and Aesthetics. Routledge-Cavandish pp. 231-244.

(2009) Aesthetics and ephemerality: Observing and preserving the luxury brand California Management Review, 52, (1), pp. 45-66.

(2011) Knitting an image of fashion At Taut-Trajector 'Knitting Together an Image of Fashion'

(2013) Brilliant performances Royal Institute of Philosophy Supplement, 71, pp. 209-227. (doi:10.1017/S1358246112000239).

(2010) Twists, knots and holes, collecting, the gaze and knitting the impossible In, In the Loop: Knitting Now. Blackdog

(2010) Jacob Schlaephor, a case study in laser innovation and the unexpected Craft Research Journal, 1, (1)

(2011) Edukation File (["eprint_fieldopt_ispublished_inpres" not defined]).

(2010) Sacred couture: ecclesiastical dress, balenciaga and the pursuit of perfection In, Devout/Divine: Fashion Vs. Religion. Devout/Divine - Fashion vs. Religion ModeMuseum pp. 32-49.

(2011) The past that will always be In, Alter Nature: The Future That Never Was. ModeMuseum Hasselt pp. 28-34.

(2011) Book buying in the 21st century At Evenings at the Reading Rooms

(2010) Minimal excess: or how the church of couture lost its faith At Symposium Devout/Divine: Fashion Versus Religion

(2013) Barcelona Masala: Narratives and Interactions in Cultural Space, Actar, 208pp.

(2011) On a stormy afternoon [in special issue: The Islam Issue] 8 Magazine, 29, pp. 113-115.

(2014) Collecting and connoisseurship in England, 1840-1900: the case of J. C. Robinson In, Reflections Across the Pond: British Models of Art Collecting and the American Response. Ashgate pp. 133-146. (The Histories of Material Culture and Collecting, 1700–1950).

(2011) Vector politics and the aesthetics of disappearance In, Virilio Now. Polity pp. 68-91.

(2011) Coherent light from projectors to fibre optics At Screen Studies Conference: Repositioning Screen Histories 8 pp.

(2010) Title sequence: the self-interpreting artwork University of Southampton, Winchester School of Art, Doctoral Thesis .

(2011) Freedom from oneself: Artistry and the postcolonial woman artist in Nina Bouraoui's La Voyeuse Interdite French Forum

(2011) Law and art: justice, ethics, aesthetics, Routledge-Cavendish, 320pp.

(2011) Foreword In, Charlotte Posenenske (1930-1985) : the Same but Different [Dasselbe Anders]. John Hansard Gallery pp. 4-5.

(2012) The Future of Art In, The Future We Deserve. Pedia Press p. 176.

(2002) Critical Interventions III - Unprincipled Passions: emotion and modernity (conference and exhibition)

(2001) Andrew Cross and Dan Holdsworth

(2011) Operative media archaeology: Wolfgang Ernst’s materialist media diagrammatics Theory, Culture & Society, 28, (5), pp. 52-74. (doi:10.1177/0263276411411496).

(2012) What is Media Archaeology?, Polity Press, 200pp.

Newington, Linda (2011) Balancing act: the inextricably bound book works of Salt + Shaw In, Bodman, Sarah (eds.) The Artist's Book Yearbook 2012/2013. Bristol, GB, Impact Press pp. 57-59.

Neill, Alex and Ridley, Aaron (2012) Relational theories of art: the history of an error The British Journal of Aesthetics, 52, (2), pp. 141-151. (doi:10.1093/aesthj/ays004).

Keay, Simon and Moser, S. (eds.) (2004) Greek art in view. Papers in honour of Brian A. Sparkes, Oxford, GB, Oxbow books

Bishop, Ryan and Phillips, John (2010) Modernist avant-garde aesthetics and contemporary military technology: technicities of perception, Edinburgh, GB, Edinburgh University Press, 248pp.

Van De Peer, Stefanie and Bisschoff, Lizelle (2012) Art and trauma in Africa: representations of reconciliation in music, visual art, literature and film, London, GB, I.B. Tauris, 264pp.

Faiers, Jonathan (2014) White lies and the tailoring of evil In, Turney, Joanne (eds.) Fashion Crimes: Dressing for Deviance. London, GB, I.B. Tauris

Faiers, Jonathan (2011) Dress and...conjunctions and the need for addtions At Developments in Dress History, United Kingdom. 08 - 10 Dec 2011.

Faiers, Jonathan (2011) The mark of the beast: branding the cinematic body At Fashion Colloquia 1, United Kingdom. 21 - 22 Sep 2011.

Wildevuur, Sabine and Carnie, Andrew (2009) The parallel structure of science and art In, Invisible Vision: Could Science Learn from the Arts. Uitgever, The Netherlands, Bohn Stafleu Van Loghum

Faiers, Jonathan (2013) Luxury: the consideration of excess LUXURY: History, Culture, Consumption

Faiers, Jonathan (2012) Knitting and catastrophe At In the Loop 3: the Voices of Knitting, United Kingdom. 05 - 07 Sep 2012.

Yin, Yuanyuan, Qin, Shengfeng and Holland, Ray (2011) A role-based design performance measurement matrix for improving design performance At 1st Cambridge Academic Design Management Conference, United Kingdom. 07 - 08 Sep 2011. 14 pp.

Davis, August (2009) Review. Art & Today by Eleanor Heartney The Art Book, 16, (4), pp. 45-46.

Davis, August Jordan (2007) Review. Max Ernst: life and work, an autobiographical collage by Werner Spies, editor The Art Book, 14, (2), pp. 38-39. (doi:10.1111/j.1467-8357.2007.00801.x).

Davis, August and Harris, Jonathan (eds.) (2012) Bashir Makhoul, Alhoash, Jerusalem, Palestinian Art Court

Davis, August and Harris, Jonathan (2012) Re: Turn In, Bashir Makhoul. Alhoash, Jerusalem, Palestinian Art Court pp. 14-38.

Davis, August (2005) Introductory address At Intentionality and Distance: The Problem of the Artist's Voice, United Kingdom.

Davis, August (2012) Star Wars, return of the '60s (or why Martha Rosler brought the war back home yet again) At Association of Art Historians Annual Conference, United Kingdom. 29 - 31 Mar 2012.

Davis, August (2011) Martha Rosler's Reboot At Art / Institutions / As Research, United Kingdom.

Davis, August (2008) The visible suppressed: Martha Rosler and Max Ernst At University of Liverpool 6th Annual Art History PhD Conference, United Kingdom.

Davis, August (2007) The visible suppressed: Max Ernst and Martha Rosler At AHRC Surrealism Centre's 5th Annual PhD Symposium on Surrealism and its Legacies, United Kingdom.

Davis, August (2007) Spectres and Spectacle: the Visual Culture of Martha Rosler At Association of Art Historians Annual Conference, 2007, Belfast; Session convened by Jonathan Harris: "Globalisation and Art since 1945: Disciplinary Renewal or Transformation?", United Kingdom.

Davis, August (2007) Martha Rosler as bibliophile At University of Liverpool, 5th Annual Art History PhD Conference, United Kingdom.

Davis, August (2006) Martha Rosler as anti-war artist: "If Not Now, When?" At 4th Annual Art History PhD Conference, United Kingdom.

Davis, August (2005) A woman's work is never done: maintenance labour, maintenance art - Wilding, Ukeles and Rosler At Conception:Reception. Association of Art Historians Annual Conference, United Kingdom.

Davis, August (2004) The visual culture of Martha Rosler At Edge of Reason (Research Forum) at TATE Liverpool, United Kingdom.

Davis, August (2004) In the place of the public - observations on Martha Rosler's spectacular critique At Association of Art Historians Annual Conference, United Kingdom. 01 - 03 Apr 2004.

Davis, August (2003) The question of the mass: Martha Rosler At University of Liverpool Annual Art History PhD Conference, United Kingdom.

Makhoul, Bashir and Hon, Gordon (2013) The origins of Palestinian art, Liverpool, GB, University of Liverpool Press, 269pp. (Value: Art: Politics, 9).

Cook, Pam (2012) Labours of love: in praise of fan websites Frames, 1, (1)

Cook, Pam (2012) Nicole Kidman, Basingstoke, GB, Palgrave Macmillan, 150pp. (Film Stars).

Cook, Pam (2012) An American in Paris: Sofia Coppola and the new auteurism At European Popular Culture Association Conference (EUPOP 2012), United Kingdom. 9 pp, pp. 1-9.

Williams, Michael (2013) Stars as sculpture in the 1920s fan-magazine interview In, Harrow, Susan (eds.) The Art of the Text: Visuality in Nineteenth and Twentieth-Century Literary and Other Media. Cardiff, GB, University of Wales Press pp. 131-147.

Pereda, Javier, (2011) Lucha Libre: visualising behind the mask Dunn, Stuart, Bowen, Jonathan P. and Ng, Kia C. (eds.) In EVA London 2011: Electronic Visualisation and the Arts. BCS., p. 6.

Foster, Stephen (2008) Foreword In, Desiring Necessities. Southampton, GB, John Hansard Gallery p. 2.

(2013) Armada

Foster, Stephen (1993) In search of cultural difference In, Catalonia Incognita: Contemporary Painting and Sculpture From Girona. John Hansard Gallery pp. 15-17.

Harris, Jonathan and Koeck, Richard (eds.) (2013) Picasso and the politics of visual representation: war and peace in the era of the Cold War and since, Liverpool, GB, Liverpool University Press, 224pp. (Tate Liverpool Critical Forum, 13).

D'Souza, R.E. (2013) The Indian biennale effect: the Kochi/Murziris Biennale 2012 Cultural Politics: an International Journal, 9, (3), pp. 296-312. (doi:10.1215/17432197-2346991).

Yang, Kai, Torah, Russel, Beeby, Steve and Tudor, John (2013) Flexible and washable conductive textile achieved by screen printing for smart fabric applications At 13th AUTEX World Textile Conference 2013, Germany. 22 - 24 May 2013. 1 pp.

(1993) The seventh wave: Ona B., Nicole Eisenman, Karen Finley, Ava Gerber, Dorthee Golz, Ilsa Haider, Birgit Jürgenssen, Lorna Simpson

(1991) The centre of the world: Sylvie Bélanger, Ben Hillwood-Harris, Sharon Kivland, Michael Punt, Penny Yasour

(1989) Supplements: contemporary Polish drawing

(1989) Sculpturen republik

(1988) Excavations: Sue Arrowsmith, Amanda Faulkner, Kate Whiteford

(1988) A disquieting suggestion: Peter Joseph, Edwina Leapman, Richard Forbes, Brian Lawtey, John Meadows

(2006) John Latham: Time Base and the Universe

(2005) Flow Motion: Astro Black Morphologies

(2005) Gerald Giamportone: sculptural work 1997 - 2004

(2004) An English Journey: Andrew Cross

(2003) Sunil Gupta. Pictures from here

(2003) Breda Beban: I can't make you love me

(2002) Michael Snow: almost cover to cover

(2001) Gina Pane

(2001) Carey Young: business as usual

(2000) Richard Ross: gathering light

(1999) Art in ruins: appearances are against us

(1998) Gerard Hemsworth: strictly suburban

Walters, Lee (2013) Repeatable artworks as created types The British Journal of Aesthetics, 53, (4), pp. 461-477. (doi:10.1093/aesthj/ayt026).

Williams, Michael (2014) Movie gods and idols Journal of the British Universities Film and Video Council, (94), pp. 8-10.

Williams, Michael (2013) Review: 'The Sounds of the Silents in Britain', edited by Julie Brown and Annette Davison Viewfinder: Moving Image and Sound, Knowledge and Access, (93), p. 21.

Sustersic, Paolo (2013) Domestic spaces in the information era: architectural design, images and life in a technological age University of Southampton, Winchester School of Art, Doctoral Thesis , 300pp.

Farbstein, Rebecca (2013) Making art, making society: the social significance of smallscale innovations and experimentation in Palaeolithic portable art [in special issue: Art Makes Society] World Art, 3, (1), pp. 23-39. (doi:10.1080/21500894.2013.773935).

Abreu, Maria and Grinevich, Vadim (2014) Academic entrepreneurship in the creative arts Environment and Planning C: Government and Policy, 32, (3), pp. 451-470. (doi:10.1068/c11144r).

Armitage, John and Roberts, Joanne (2014) Luxury new media: euphoria in unhappiness Luxury: History, Culture, Consumption, 1, (1), pp. 113-132. (doi:10.2752/205118174X14066464962553).

Lerm Hayes, Christa-Maria and Walters, Victoria (2011) Beuysian legacies in Ireland and beyond: art, culture and politics, Zurich, CH, Lit, 248pp. (European Studies in Culture and Policy).

Hracs, Brian J. (2012) Cultural intermediaries in the digital age: the case of independent musicians and managers in Toronto [in special issue: Intermediaries and the Creative Economy] Regional Studies, 49, (3), pp. 461-475. (doi:10.1080/00343404.2012.750425).

Hracs, B.J. and Leslie, D. (2013) Aesthetic labour in creative industries: the case of independent musicians in Toronto Area, 46, pp. 66-73. (doi:10.1111/area.12062).

Guthrie, Kate (2015) Awakening 'Sleeping Beauty': the creation of a national ballet in Britain Music & Letters, 96, (3), pp. 418-448. (doi:10.1093/ml/gcv067).

Schultz, Corey K.N. (2015) The sensation of the look: the condemnatory gazes in 'Laurence Anyways' At From Sensation to Synesthesia: The aesthetic experience and synestesia in film and new media, Italy. 26 - 27 Feb 2015.

Waight, Emma (2011) Carbon footprinting in the fashion industry: continental clothing’s approach TEXT, (38)

Armitage, John (2015) Virilio for architects, New York, USA, Routledge, 144pp. (Thinkers for Architects).

Ashton, Dan (2014) The expertise of illness: celebrity constructions and public understandings In, Van Brussel, Leen and Carpentier, Nico (eds.) The Social Construction of Death: Interdisciplinary Perspectives. Basingstoke, GB, Palgrave Macmillan pp. 114-134.

Ashton, Daniel (2012) Archives and prefigurative practices: digital games walkthrough archives as record and resource In, Bose, N. and Greiveson, L. (eds.) Using Moving Image Archives. Nottingham, GB, University of Nottingham pp. 101-104.

Ashton, Daniel (2013) Hid(ing) media professionals: constructing and contesting the 1st AD View: Journal of European Television History and Culture, 2, (4)

Caro, A. and Dawson, I. (2016) Interview with Ian Dawson In, Dunseath, J. and Wiltshire, M. (eds.) Artist Boss. Bath, GB, Wunderkammer Press pp. 89-100.

(2016) Artist Boss

Minkin, Louisa and Dawson, Ian (2014) Object lessons: copying and reconstruction as a teaching strategy Art, Design and Communication in Higher Education, 13, (1), pp. 19-29. (doi:10.1386/adch.13.1.19_1).

(2015) Taplow House

(2015) Elbow & C&C Residency

(2014) Miru Miru Mega Yokunaru

This list was generated on Mon Apr 17 19:43:36 2017 BST.