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Hammond, Michael and Mazdon, Lucy (eds.) (2005) The contemporary television series, Edinburgh, UK, Edinburgh University Press, 272pp.
Mazdon, L.E. (2001) Contemporary French television, the nation and the family: continuity and change Television and New Media, 2, (4), pp. 335-349.
Williams, Linda Ruth (2002) Sex and censoriousness: pornography and censorship in Britain In, Briggs, Adam and Cobley, Paul (eds.) The Media: An Introduction. Harlow, Pearson Longman pp. 477-495.
Williams, Linda Ruth (2005) Twin Peaks: David Lynch and the serial-thriller soap In, Hammond, Michael and Mazdon, Lucy (eds.) The Contemporary Television Series. Edinburgh, Edinburgh University Press pp. 37-56.
Newton, Kenneth (1990) Making the news: the mass media in Britain Social Studies Review, 6, (1), pp. 12-15.
Newton, Kenneth (1996) The mass media and modern government Wissenschaftszentrum Berlin für Sozialforschung, pp. 96-301.
Mazdon, Lucy (2001) Le talkshow en France: ciel mon mardi et ses spectateurs In, Gardies, René and Taranger, Marie-Claude (eds.) Télévision: Questions de formes. Paris, France, L’Harmattan pp. 159-173. (Champs visuels).
Armstrong-Coster, Angela (2001) In morte media jubilate : an empirical study of cancer-related documentary film Mortality, 6, (3), pp. 287-306. (doi:10.1080/13576270120082943).
Kelly, Michael (1998) Ici-Paris In, Hughes, Alex and Reader, Keith (eds.) Encyclopedia of Contemporary French Culture. London, UK; New York, US, Routledge p. 290. (Encyclopedias of Contemporary Culture).
Monckton-Smith, Jane (2007) Book review. Natural Born Celebrities: Serial Killers in American Culture by David Schmid. Chicago: University of Chicago Press 2005. pp. 284, £14.99 Media Culture and Society, 29, (2), pp. 354-355. (doi:10.1177/0163443707074271).
Hammond, Mary (2004) Hall Caine and the melodrama on page, stage and screen Nineteenth Century Theatre and Film, 31, (1), pp. 39-57.
Badenoch, Alexander Ward (2003) Echoes of days: reconstructing national identity and everday life in the radio programmes of occupied Western Germany 1945-1949 University of Southampton, School of Humanities, Doctoral Thesis , 292pp.
Webber, Craig (2012) Cops, robbers and masked vigilantes: teaching through representations of crime In, Billsberry, Jon and Leonard, Pauline (eds.) Moving Images: Effective Teaching with Film and Television in Management. Charleston, US, Information Age Publishing
Campbell, Julie (2009) ‘A voice comes to one in the dark. Imagine’: radio, the listener and the dark comedy of all that fall In, Barfield, Stephen, Feldman, Matthew and Tew, Philip (eds.) Beckett and Death. London, UK, Continuum pp. 147-168. (Continuum Literary Studies, 2002).
Beswick, Jaine E. (2010) Linguistic ideologies in institutional settings: the pronunciation of Galician in radio broadcasts In, Nuria, Lorenzo-Dus (eds.) Spanish at Work: Analysing Institutional Discourse Across the Spanish-Speaking World. Basingstoke, GB, Palgrave Macmillan pp. 35-49.
Kwiek, Maksymilian (2010) Competition among mass media University of Southampton 39pp. , Southampton, GB (Discussion Papers in Economics and Econometrics, 1013).
Cubitt, Sean, Papastergiadis, Nikos and McQuire, Scott (2008) Transient media Public, (37), pp. 76-85.
Jordan, James (2010) Assimilated, integrated, other: an introduction to Jews and British television, 1946-1955 Jewish Culture and History, 12, (1 & 2), pp. 251-266.
Jordan, James (2011) The BBC's Written Archives, Rudolph Cartier and Left Staff File L1/2177 Journal of British Cinema and Television, 8, pp. 234-251. (doi:10.3366/jbctv.2011.0030).
Jordan, James (2011) The Prisoner (1952) and the perpetrator in early post-war British television Holocaust Studies, 17, (2-3), Autumn Issue, pp. 207-229.
(2012) How the Universe Works 2
(2012) See Britain Through my Eyes
Li, Yunjia, Rizzo, Giuseppe, Troncy, Raphael, Wald, Mike and Wills, Gary (2012) Creating enriched YouTube media fragments With NERD using timed-text At 11th International Semantic Web Conference (ISWC2012), United States. 11 - 15 Nov 2012. 4 pp.
(2011) An opera for all – Awesome X
Aldridge, Mark Peter Alfred (2008) British television, 1925 – 1936: attitudes and expectations University of Southampton, School of Humanities, Doctoral Thesis , 254pp.
Conlin, Jonathan (2015) 'An irresponsible flow of images’: Berger, Clark and the art of television, 1958-1988 In, Hertel, Ralf (eds.) Telling Stories: About John Berger. Amsterdam, NL, Rodopi
Jordan, James (2013) ‘And the trouble is where to begin to spring surprises on you. Perhaps a place you might least like to remember.’ This is Your Life and the BBC’s images of the Holocaust in the twenty years before Holocaust In, Sharples, Caroline and Jensen, Olaf (eds.) Britain and the Holocaust: Remembering and Representing War and Genocide. Basingstoke, GB, Palgrave
Colpus, Eve (2013) Review. Domesticating the airwaves: broadcasting, domesticity and femininity Contemporary British History, 27, (2), pp. 238-240. (doi:10.1080/13619462.2013.791482).
Rauxloh, Regina E. (2005) Goodies and baddies: the presentation of German police and criminals in east and west television drama German Law Journal, 6, pp. 981-1000.
Placey, Evan (2013) Mother of Him. The Wire - BBC Radio 3 Broadcast, Sat 7 Dec 2013, 21:45
Cavalli, A., Costanzo, L.A., Lange, L., Lubaite, S. and Marston, T. (2010) The UK broadcasting & cable TV industry and the future of ITV In, Costanzo, L.A. (eds.) Cases in Strategic Management. New York, US, McGraw-Hill
Guthrie, Kate (2013) Book review. Murray Foreman, One Night On TV is Worth Weeks at the Paramount: Popular Music on Early Television Music, Sound, and the Moving Image, 7, (1), pp. 89-93. (doi:10.3828/msmi.2013.4).