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Number of items at this level: 176.

Bristol, M. and McKluskie, K. (eds.) (2001) Shakespeare and modern theatre: the performance of modernity, Abingdon, UK, Routledge, 208pp. (Accent of Shakespeare).

Mazdon, L.E. (ed.) (2001) France on film: reflections on popular French cinema, London, UK, Wallflower Press, 192pp.

Donnelly, Kevin (ed.) (2001) Film music: critical approaches, Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 224pp.

Bergfelder, Tim, Carter, E. and Gokturk, D. (eds.) (2002) The German cinema book, London, GB, British Film Institute, 291pp.

Williams, Linda Ruth and Hammond, Michael (eds.) (2006) Contemporary American Cinema, London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill, 584pp.

Cook, Pam (ed.) (2007) The cinema book, 3rd edition, London, GB, British Film Institute, 610pp.

Bergfelder, Tim and Cargnelli, Christian (eds.) (2008) Destination London: German-speaking émigrés and British cinema, 1925-1950, vol. 6, Oxford, GB, Berghahn, 272pp. (Film Europa, 6).

Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) (2008) Studying the Event Film: The Lord of the Rings, Manchester, GB, Manchester University Press, 384pp.

(2009) Nine Miles Down

Cheung, Ruby and Fleming, D.H. (eds.) (2009) Cinemas, identities and beyond, Newcastle upon Tyne, GB, Cambridge Scholars Publishing, 260pp.

Bock, Hans-Michael and Bergfelder, Tim (eds.) (2009) The concise CineGraph: encyclopaedia of German cinema, New York, US, Berghahn Books, 600pp. (Film Europa, 1).

Iordanova, Dina and Cheung, Ruby (eds.) (2010) Film Festival Yearbook 2: film festivals and imagined communities, Saint Andrews, GB, St Andrews Film Studies, 286pp.

Iordanova, Dina and Cheung, Ruby (eds.) (2011) Film Festival Yearbook 3: film festivals and East Asia, Saint Andrews, GB, St Andrews Film Studies, 292pp.

(2011) Agnes & Nancy

Hammond, Michael and Williams, Michael (eds.) (2011) British Silent Cinema and the Great War, Basingstoke, GB, Palgrave Macmillan, 216pp.

Billsberry, Jon, Charlesworth, Julie and Leonard, Pauline (eds.) (2012) Moving images: effective teaching with film and television in management, Charlotte, US, Information Age Publishing, 274pp.

Donnelly, K.J. and Hayward, Philip (eds.) (2013) Music in science fiction television: tuned to the future, New York City, US, Routledge, 231pp. (Routledge Music and Screen Media Series).

Bergfelder, Tim (2002) Popular Cinema; introduction In, Bergfelder, Tim, Carter, Erica and Göktürk, Deniz (eds.) The German Cinema Book. London, British Film Institute pp. 15-17.

Bergfelder, Tim (2002) Extraterritorial fantasies: Edgar Wallace and the German crime film In, Bergfelder, Tim, Carter, Erica and Göktürk, Deniz (eds.) The German Cinema Book. London, UK, British Film Institute pp. 39-47.

Bergfelder, Tim (2002) Institutions and cultural contexts; introduction In, Bergfelder, Tim, Carter, Erica and Göktürk, Deniz (eds.) The German Cinema Book. London, UK, British Film Institute pp. 109-111.

Bergfelder, Tim (2003) Exotic thrills and bedroom manuals: West German b-film production in the 1960s In, Halle, Randall and McCarthy, Margaret (eds.) Light Motives: German Popular Cinema in Perspective. Detroit, USA, Wayne State University Press pp. 197-219. (Contemporary Approaches to Film and Television Series).

Bergfelder, Tim (2004) Negotiating exoticism. Hollywood, film europe, and the cultural reception of Anna May Wong In, Fischer, Lucy and Landy, Marci (eds.) Stars: The Film Reader. London, UK, Routledge pp. 59-75. (In focus, Routledge film readers).

Bergfelder, Tim (2005) International adventures: German popular cinema and European co-productions in the 1960s, vol. 2, Oxford, UK, Berghahn Books, 288pp. (Film Europa, 2).

Bergfelder, Tim (2005) National, transnational, or supranational cinema? Rethinking European film studies Media Culture and Society, 27, (3), pp. 315-331. (doi:10.1177/0163443705051746).

Bergfelder, Tim (2006) Book review. European cinema: face to face with Hollywood, by Thomas Elsaesser, Amsterdam University Press, 2005, 563 pp. Screen, 47, (3), pp. 373-378. (doi:10.1093/screen/hjl028).

Bergfelder, Tim (2006) German actors in Hollywood: the long view In, Phillips, Alastair and Vincendeau, Ginette (eds.) Journeys of Desire: European Actors in Hollywood - A Critical Companion. London, UK, British Film Institute pp. 37-43.

Bergfelder, Tim (2007) The passenger: ambivalences of national identity and masculinity in the star persona of Peter van Eyck In, Davidson, John and Hake, Sabine (eds.) Framing The Fifties: Cinema in a Divided Germany. Oxford, UK, Berghahn Books pp. 44-58. (Film Europa: German Cinema in an International Context).

Bergfelder, Tim (2007) German cinema and film noir In, Spicer, Andrew (eds.) European Film Noir. Manchester, UK, Manchester University Press pp. 138-163.

Bergfelder, Tim (2007) Run Lola Run [Lola rennt] (1998) In, Cook, Pam (eds.) The Cinema Book. 3rd edition. London, UK, British Film Institute p. 216.

Bergfelder, Tim (2008) German Cinema: introduction In, Cook, Pam (eds.) The Cinema Book. 3rd revised edition. London, UK, British Film Institute pp. 207-208.

Bergfelder, Tim (2008) Contemporary German cinema In, Cook, Pam (eds.) The Cinema Book. 3rd revised edition. London, UK, British Film Institute pp. 214-215.

Bergfelder, Tim (2008) The Cabinet of Dr Caligari In, Cook, Pam (eds.) The Cinema Book. 3rd revised edition. London, UK, British Film Institute pp210.

Bergfelder, Tim (2010) Shadowlands: the memory of the Ostgebiete in contemporary German film and television In, Cooke, Paul and Silberman, Marc (eds.) Screening War: Perspectives on German suffering. Rochester, US, Camden-House pp. 123-142. (Screen Cultures: German Film and the Visual).

Bergfelder, Tim (2010) Hinter der maske des genres – ‘Das verlorene Gesicht’ und der populärfilm der nachkriegszeit In, Wahl, Chris (eds.) Der Mann mit der Leichten Hand: Kurt Hoffmann und Seine Filme. Frankfurt am Main, DE, Belleville Verlag Michael Farin; Deutsches Filmmuseum pp. 48-59.

Bergfelder, Tim (2011) Love beyond the nation: cosmopolitanism and transnational desire in cinema In, Labanyi, Jo, Passerini, Luisa and Diehl, Karen (eds.) Europe and Love in Cinema. Bristol, GB, Intellect Books

Bergfelder, Tim (2013) Giants, sultans, and other strangers: Fritz Kortner in British cinema, 1934-37 Journal of British Cinema and Television, 10, (4), pp. 683-708. (doi:10.3366/jbctv.2013.0170).

Bergfelder, Tim and Carter, Erica (2002) Select Bibliography and Resources In, Bergfelder, Tim, Carter, Erica and Göktürk, Deniz (eds.) The German Cinema Book. London, UK, British Film Institute pp. 257-276.

Bergfelder, Tim, Harris, Sue and Street, Sarah (2007) Film architecture and the transnational imagination: set design in 1930s European cinema, Amsterdam, NL, Amsterdam University Press; University of Chicago Press, 316pp. (Film Culture in Transition).

Bergfelder, Tim and Street, Sarah (2008) Report. European Network for Cinema and Media Studies Conference, Budapest, 19-22 June 2008. Screen, 49, (4), pp. 468-470. (doi:10.1093/screen/hjn058).

Billsberry, Jon, Leonard, Pauline and Charlesworth, Julie (2012) Die another day: teaching with film and television in the management classroom In, Billsberry, J. and Leonard, P. (eds.) Moving Images: Effective Teaching with Film and Television in Management. Charlotte, US, Information Age Publishing

Bishop, Ryan (2013) American film comedy and cultural critique, Edinburgh, GB, Edinburgh University Press, 192pp.

Bradley, Peri (2011) Altered states: the transforming body in contemporary film and TV University of Southampton, School of Humanities, Doctoral Thesis , 249pp.

Brown, Daniel (2002) Norma Desmond as star-sign: being and being seen in Billy Wilder’s Sunset Boulevard Salt: An International Journal of Poetry and Poetics, 16, pp. 69-79.

Brown, Daniel (2004) Wilde and Wilder PMLA, 119, (5), pp. 1216-1230. (doi:10.1632/003081204X17806).

Byrne, Jenny (2014) The unity of fragments- the suicide of Marilyn Monroe and the execution of Marie-Antoinette BSA Auto/Biography Yearbook 2013, pp. 51-70.

Cameron, Allen and Cubitt, Sean (2009) Chapter 7. Infernal affairs and the ethics of complex narrative In, Buckland, Warren (eds.) Puzzle Films: Complex Narratives in Contemporary World Cinema. London, GB, Wiley-Blackwell pp. 151-166. (doi:10.1002/9781444305708.ch7).

Caoduro, Elena (2014) Interconnected memories: left-wing terrorism in postmillennial German and Italian Cinema (2000-2010) University of Southampton, Faculty of Humanities, Doctoral Thesis , 271pp.

Carroll, Elizabeth (2014) The representation of space in musical numbers University of Southampton, Faculty of Humanities, Doctoral Thesis , 285pp.

Carter, Erica and Bergfelder, Tim (2002) Cultural Politics; introduction In, Bergfelder, Tim, Carter, Erica and Göktürk, Deniz (eds.) The German Cinema Book. London, UK, British Film Institute pp. 161-164.

Cheung, Ruby (2009) Corporatising a film festival: Hong Kong In, Iordanova, Dina and Rhyne, Ragan (eds.) Film Festival Yearbook 1: The Festival Circuit. Saint Andrews, GB, St Andrews Film Studies with College Gate Press pp. 99-115.

Cheung, Ruby (2009) Always on the move: identity in Wong Kar-wai’s Days of Being Wild In, Cheung, Ruby and Fleming, D.H. (eds.) Cinemas, Identities and Beyond. Newcastle upon Tyne, GB, Cambridge Scholars Publishing pp. 227-240.

Cheung, Ruby (2010) Funding models of themed film festivals In, Iordanova, Dina and Cheung, Ruby (eds.) Film Festival Yearbook 2: Film Festivals and Imagined Communities. Saint Andrews, GB, St Andrews Film Studies pp. 74-103.

Cheung, Ruby (2011) East Asian film festivals: film markets In, Iordanova, Dina and Cheung, Ruby (eds.) Film Festival Yearbook 3: Film Festivals and East Asia. St Andrews, GB, St Andrews Film Studies pp. 40-61.

Cheung, Ruby (2011) Running out of time: from Red Cliff through new media platforms then back to the old days In, Yeh, Emilie Yueh-yu (eds.) Rethinking Chinese Film Industry: New Methods, New Histories. Beijing, CN, Peking University Press pp. 336-352.

Cheung, Ruby (2011) ‘We believe in “film as art”’: an interview with Li Cheuk-to, Artistic Director of the Hong Kong International Film Festival (HKIFF) In, Iordanova, Dina and Cheung, Ruby (eds.) Film Festival Yearbook 3: Film Festivals and East Asia. St Andrews, GB, St Andrews Film Studies pp. 196-207.

Cheung, Ruby (2011) Red Cliff: the Chinese-language epic and diasporic Chinese spectators In, Burgoyne, Robert (eds.) The Epic Film in World Culture. New York, US, Routledge pp. 176-204. (AFI Film Readers).

Cheung, Ruby (2013) Film and migration, East Asia In, Ness, Immanuel and Bellwood, Peter (eds.) The Encyclopedia of Global Human Migration. Chichester, GB, Wiley-Blackwell (doi:10.1002/9781444351071).

Cheung, Ruby (2015) New Hong Kong Cinema: transitions to becoming Chinese in 21st-century East Asia, New York City, US, Berghahn Books, 288pp.

Cheung, Ruby (2016) Ever-changing readjustments: the political economy of the Hong Kong International Film Festival (HKIFF) [in special issue: Film Festival Origins and Trajectories edited by Jeffrey Ruoff and Lydia Papadimitriou] New Review of Film and Television Studies, 14, (1), pp. 59-75. (doi:10.1080/17400309.2015.1107268).

Cheung, Ruby (2016) A Chinese diasporic festival film in the making?: the interesting case of Ann Hui’s A Simple Life In, Chan, Felicia and Willis, Andy (eds.) Chinese Cinemas: International Perspectives. New York, US, Routledge pp. 167-180.

Cheung, Ruby (2017) East Asia’s film business In, Marchetti, Gina, Tan, See Kam and Magnan-Park, Aaron (eds.) Palgrave Asian Cinema Handbook. New York City, US, Palgrave Macmillan

Cheung, Ruby and Fleming, D.H. (2009) Introduction: cinemas and identities In, Cheung, Ruby and Fleming, D.H. (eds.) Cinemas, Identities and Beyond. Newcastle upon Tyne, GB, Cambridge Scholars Publishing pp. 1-14.

Cobb, Shelley (2010) Was she or wasn’t she? Virginity and identity in the critical reception of Elizabeth (1998) In, McDonald, Tamar Jeffers (eds.) Virgin Territory: Representing Sexual Inexperience in Film. Detroit, USA, Wayne State University Press

Cobb, Shelley (2010) Jane Campion’s women’s films: art cinema and the postfeminist rape narrative In, Russell, Dominique (eds.) Rape in Art Cinema. New York, USA, Continuum

Cobb, Shelley (2012) Film authorship and adaptation In, Cartmell, Deborah (eds.) A Companion to Literature, Film and Adaptation. Chichester, GB, Wiley pp. 105-121.

Colpus, Eve (2013) Unmarried: illegitimacy and the unmarried mother in post-First World War British film In, Nicholas, Siân and O'Malley, Tom (eds.) Moral Panics, Social Fears, and the Media: Historical Perspectives. Abingdon, GB, Routledge pp. 129-146. (Routledge Research in Cultural and Media Studies).

Cook, Pam (2001) The trouble with sex: Diana Dors and the blonde bombshell phenomenon In, Babington, Bruce (eds.) British Stars and Stardom: From Alma Taylor to Sean Connery. Manchester, Manchester University Press pp. 167-178.

Cook, Pam (2002) I know where I'm going!, London, UK, British Film Institute, 80pp. (BFI Film Classics).

Cook, Pam (2005) Screening the past: memory and nostalgia in cinema, Abingdon, UK, Routledge, 264pp.

Cook, Pam (2006) Portrait of a lady: Sofia Coppola Sight and Sound, 16, (11), pp. 36-40.

Cook, Pam (2007) An American in Paris (1951) In, Merck, Mandy (eds.) America First: Naming the Nation in US Film. Abingdon, UK, Routledge pp. 105-122.

Cook, Pam (2007) Authorship and cinema In, Cook, Pam (eds.) The Cinema Book 3rd Edition. London, UK, British Film Institute pp. 385-483.

Cook, Pam (2009) On memorialising Gainsborough Studios Journal of British Cinema and Television, 6, (2), pp. 249-255. (doi:10.3366/E1743452109000910).

Cook, Pam (2010) Transnational utopias: Baz Luhrmann and Australian cinema Transnational Cinemas, 1, (1), pp. 23-36. (doi:10.1386/trac.1.1.23/1).

Cook, Pam (2010) Baz Luhrmann, London, GB, BFI Publishing/Palgrave Macmillan, 208pp. (World Directors).

Cook, Pam (2010) Sofia Coppola In, Tasker, Yvonne (eds.) Fifty Contemporary Film Directors. Abingdon, GB, Routledge pp. 126-133. (Routledge Key Guides).

Cook, Pam (2010) Another story: myth and history in 'Bonnie and Clyde' (1967) In, Film Moments: Criticism, History, Theory. London, GB, Palgrave Macmillan pp. 102-105.

Cook, Pam (2014) Dancing with pixels: digital artefacts, memory and the beauty of loss The Cine-Files: a Scholarly Journal of Cinema Studies, 7

Cubitt, Sean (2008) Realising Middle-earth: Production design and film technology In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press pp. 185-191.

Cubitt, Sean (2008) Observations on the history and uses of animation occasioned by the exhibition Eyes Lies and Illusions selected from works in the Werner Nekes collection Animation: An interdisciplinary journal, 3, (1), pp. 49-65. (doi:10.1177/1746847708088735).

Cubitt, Sean (2008) For a history of black Scan: Journal of Media Arts Culture, 5, (1)

Cubitt, Sean, (2009) Transience: Indigenous, settler and migrant media Anderson, Jaynie (ed.) In Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art. Megunyah Press. 1108 pp, pp. 989-983.

Cubitt, Sean (2009) The supernatural in neo-Baroque Hollywood In, Buckland, Warren (eds.) Film Theory & Contemporary Hollywood Movies. Abingdon, GB, Routledge pp. 47-65. (American Film Institute Film Readers).

Cubitt, Sean (2009) Database economy and transnational cinema Studies In Australasian Cinema, 3, (2), pp. 155-166. (doi:10.1386/sac.3.2.155/1).

Cubitt, Sean (2010) The ordering of worlds: two recent video works by Stella Brennan Reading Room, 4, pp. 144-155.

Cubitt, Sean (2010) The sound of sunlight Screen, 51, (2), Summer Issue, pp. 118-128. (doi:10.1093/screen/hjq005).

Cubitt, Sean (2011) Coherent light from projectors to fibre optics At Screen Studies Conference: Repositioning Screen Histories, United Kingdom. 01 - 03 Jul 2011. 8 pp.

Cubitt, Sean and King, Barry (2008) Dossier: corporations, lawyers, small domestic economies, technology, and pro?ts In, Margolis, Harrier, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press

Cubitt, Sean and King, Barry (2008) Dossier: critics and reviews In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press pp. 261-279.

Cubitt, Sean, Papastergiadis, Nikos and McQuire, Scott (2008) Transient media Public, (37), pp. 76-85.

Dimitrakaki, Angela (2005) 'Five o' clock on the sun': three questions on Feminism and the moving image in the visual arts of non-Western Europe Third Text, 19, (3), pp. 269-282. (doi:10.1080/09528820500049460).

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. New York City, US, Routledge pp. 142-155.

Donnelly, K.J. (2004) Riverdancing as the ship goes down In, Bergfelder, Tim and Street, Sarah (eds.) The Titanic in Myth and Memory: Representations in Visual and Literary Culture. London, GB, I.B.Tauris pp. 205-214.

Donnelly, K.J. (2007) British film music and film musicals, Basingstoke, UK, Palgrave, 232pp.

Donnelly, K.J. (2008) I know where I’m going!: hearing Germanic music in the Scottish Isles In, Bergfelder, Tim and Cargnelli, Christian (eds.) Destination London: German-Speaking Émigrés and British Cinema, 1925-1950. Oxford, GB, Berghahn Books pp. 220-229. (Film Europa, 6).

Donnelly, K.J. (2010) On the occult nature of sound-image synchronization [in special issue: 'Sound on Screen’] Cinephile, 6, (1), Spring Issue, pp. 39-43.

Donnelly, K.J. (2011) Europe cannibalizes the Western: ravenous In, Kalinak, Kathryn (eds.) Music in the Western: Notes from the frontier. London, UK, Routledge pp. 148-164. (Routledge Music and Screen Media Series).

Donnelly, K.J. (2012) Television's Musical Imagination: Space 1999 In, Donnelly, K.J. and Hayward, Philip (eds.) Music in Science Fiction Television. New York City, US, Routledge (Routledge Music and Screen Media Series).

Donnelly, K.J. (2014) Occult aesthetics: synchronization in sound film, Oxford, UK, Oxford University Press, 272pp.

Donnelly, K.J. and Hayward, Philip (2012) Preface In, Donnelly, K.J. and Hayward, Philip (eds.) Music in Science Fiction Television: Tuned to the Future. New York City, US, Routledge (Routledge Music and Screen Media Series).

Donnelly, Kevin (2001) The Hidden Heritage of Film Music: History and Scholarship In, Donnelly, Kevin (eds.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum pp. 1-15.

Donnelly, Kevin (2001) Performance and the Composite Film Score In, Donnelly, Kevin (eds.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum pp. 152-166.

Donnelly, Kevin (2005) The spectre of sound: music in film and television, London, UK; Los Angeles, USA, British Film Institute; University of California Press, 192pp.

Faiers, Jonathan (2013) Dressing dangerously: dysfunctional fashion in film, New Haven, US, Yale University Press, 320pp.

Fisher, Andrew (2011) Attack the Block

Franks, Daniel (2015) Jazz in Hollywood (1950s – 1970s) University of Southampton, Faculty of Humanities, Doctoral Thesis , 333pp.

Garrett, Bradley (2010) Video as method in geography symposium (chair) At Royal Holloway, University of London Landscape Surgery, United Kingdom. 09 Dec 2010.

Garrett, Bradley (2011) Moving geographies: film and video as research method with Katherine Brickell and Jessica Jacobs At Royal Geographical Society- Institute of British Geographers Annual Meeting, United Kingdom. 31 Aug - 02 Sep 2011.

Garrett, Bradley (2012) Videographic geographies: using digital video for human geography research In, Hughes, Jason (eds.) Sage Visual Methods, Volume 4: Elicitation and Collaboration. Los Angeles, US, SAGE

Guthrie, Kate (2014) Book review. Katherine Spring, Saying it With Songs: Popular Music & The Coming of Sound to Hollywood Cinema Music, Sound, and the Moving Image, 8, (2), Autumn Issue, pp. 237-240. (doi:10.3828/msmi.2014.13).

Hammond, M. (2002) Some smothering dreams: the combat film in contemporary Hollywood In, Neale, Steve (eds.) Genre and Contemporary Hollywood. London, UK, British Film Institute pp. 62-76.

Hammond, M. and Williams, M. (2011) Goodbye to all that or business as usual? History and memory of the great war in British cinema In, Hammond, Michael and Williams, Michael (eds.) British Silent Cinema and the Great War. Basingstoke, GB, Palgrave Macmillan pp. 1-34.

Hammond, Mary (2011) The multimedia afterlives of Victorian novels: The Readers Library photoplay editions in the 1920s Nineteenth Century Theatre and Film, 37, (2), pp. 28-44.

Hammond, Michael (2002) Letters to America: a case study in the exhibition and reception of American films in Britain, 1914-18 In, Higson, Andrew (eds.) Young and Innocent? The Cinema in Britain, 1896-1930. Exeter, GB, University of Exeter Press pp. 128-143.

Hammond, Michael (2004) Saving Private Ryan's 'special affect' In, Tasker, Yvonne (eds.) The Action and Adventure Cinema. London, Routledge pp. 153-166.

Hammond, Michael (2006) The big show: British cinema culture in the Great War (1914-1918), Exeter, University of Exeter Press, 315pp. (Exeter Studies in Film History).

Hammond, Michael (2011) Leonardo DiCaprio and Sean Penn: Acting authentic In, Pomerance, Murray (eds.) Shining in Shadows: Movie Stars of the 2000s. Biggleswade, GB, Rutgers University Press (Star Decades Series: American Culture/American Cinema).

Hammond, Michael (2013) War relic and forgotten man: Richard Barthelmess as celluloid veteran in Hollywood 1922-1933 Journal of War and Culture Studies, 6, (4), pp. 282-301.

Higson, Andrew, Williams, Michael and Blanco, Jo-Anne (2002) Bibliography: British cinema before 1930 In, Higson, Andrew (eds.) Young and Innocent? Cinema and Britain 1896-1930. Exeter, UK, University of Exeter Press pp. 371-404.

Iordanova, Dina and Cheung, Ruby (2010) Introduction In, Iordanova, Dina and Cheung, Ruby (eds.) Film Festival Yearbook 2: Film Festivals and Imagined Communities. St Andrews, GB, St Andrews Film Studies pp. 1-10.

Jordan, James (2003) Bearing witness to the Holocaust in the courtroom of American fictive film University of Southampton, School of Humanities, Doctoral Thesis , 211pp.

Jordan, James (2013) From Nuremberg to Hollywood: the Holocaust in the courtroom of American fictive film, Middlesex, GB, Vallentine Mitchell, 220pp.

Kearley, Victoria (2014) The representation of Hispanic masculinity in US cinema 1998-2008: genre, stardom and machismo University of Southampton, Faculty of Humanities, Doctoral Thesis , 211pp.

Kendall, Kathleen (2002) Who are you afraid of? Young women as consumers and producers of horror films [In special issue: Women's Horror] Femspec, 4, (1), pp. 82-88.

Lavery, Jane Elizabeth (2010) The superescritora Ángeles Mastretta: the strategies of a best-seller writer in projecting and maintaining (literary) superstardom Journal of Iberian and Latin American Research, 16, (2), pp. 117-131. (doi:10.1080/13260219.2010.527286).

Leonard, Pauline (2012) Using feature films as critical documentary in management education In, Billsberry, Jon, Charlesworth, Julie and Leonard, Pauline (eds.) Moving Images: Effective Teaching with Film and Television in Management. Charlotte, US, Information Age Publishing

Mazdon, Lucy (2001) Space, place and community in chacun cherche son chat In, Mazdon, Lucy (eds.) France on Film: Reflections on Popular French Cinema. London, UK, Wallflower Press pp. 95-105.

Mazdon, Lucy, Mazdon, Lucy(ed.) (2004) Introduction. (In special issue on film remakes) Journal of Romance Studies, 4, (1), pp. 1-11. (doi:10.3167/147335304782369221).

Mazdon, Lucy (2006) The Cannes Film Festival as transnational space [in special issue: Transnational Cinema edited by Leonard Koos] Post Script, 25, (2), pp. 19-30.

Mazdon, Lucy (2010) Vulgar, nasty and French: selling French films to British audiences Journal of British Cinema and Television, 7, (3), pp. 421-437. (doi:10.3366/jbctv.2010.0105).

Mazdon, Lucy (2013) Festival de Cannes: archive or archivist? In, Marlow-Mann, Alex (eds.) Archival Film Festivals. Saint Andrews, GB, St Andrews Film Studies pp. 117-128. (Film Festival Yearbook, 5).

Mazdon, Lucy and Poirier, Manuel (2012) Love and belonging in Western In, Labanyi, Jo, Passerini, Luisa and Diehl, Karen (eds.) Europe and Love in Cinema. Bristol, GB, Intellect pp. 225-238.

McCall, Ian (2006) French literature and film in the USSR and Mao's China: intertexts in Makine's Au temps du fleuve Amour and Dai Sijie's Balzac et la Petite Tailleuse chinoise Romance Studies, 24, (2), pp. 159-170. (doi:10.1179/174581506x120118).

McLaughlin, Eugene (2005) From reel to ideal: the Blue Lamp and the popular cultural construction of the English ‘bobby’ Crime Media Culture, 1, (1), pp. 11-30. (doi:10.1177/1741659005050241).

Michael, Williams (2011) 'Fire, Blood and Steel': memory and spectacle in "The Guns of Loos" (Sinclair Hill, 1928) In, Hammond, Michael and Williams, Michael (eds.) British Silent Cinema and the Great War. Basingstoke, GB, Palgrave Macmillan pp. 118-133.

Penfold, Christopher (2013) Elizaveta Svilova and Soviet documentary film University of Southampton, Faculty of Humanities, Doctoral Thesis , 349pp.

Randell, Karen Mary (2003) Hollywood and war: trauma in film after the First World War and the Vietnam War University of Southampton, School of Humanities, Doctoral Thesis , 207pp.

Reiter, Andrea, (1998) Ruth Beckermann und die jüdische Nachkriegsgeneration in Österreich [Ruth Beckermann and the Jewish postwar generation in Austria] Fiddler, Allyson (ed.) In ‘Other’ Austrians: Post-1945 Austrian Women´s Writing: Proceedings of the Conference held at the University of Nottingham from 18-20 April 1996. Peter Lang. 247 pp, pp. 153-165.

Sandberg, Claudia (2009) Far from home? Functions of escapism and portrayal of the tropics in 'La Habanera' (1937) Studies in European Cinema, 6, (1), pp. 63-76. (doi:10.1386/seci.6.1.63/1).

Sandberg, Claudia (2011) The films of Peter Lilienthal. Homeless by choice University of Southampton, Faculty of Humanities, Doctoral Thesis , 233pp.

Sandberg, Claudia (2012) Zwischen Revolutionsromantik und mangelnder Leidenschaft für den Sozialismus. Die Rezeption von Peter Lilienthals film Es herrscht Ruhe im Land (1975) in Ost- und Westdeutschland In Grenzen und Grenzüberschreitungen. Transnationale Filmbeziehungen der DEFA vor und nach dem Mauerbau. VS Verlag. 19 pp, pp. 183-202.

Sandberg, Claudia (2013) Peter Lilienthal’s DAVID (1978). Heimatlosigkeit als Überlebensstrategie Filmblatt, 18, (51), pp. 37-46.

Sandberg, Claudia (2013) Literaturverfilmungen In, Langford, Michelle (eds.) Directory of World Cinema: Germany 2. Bristol, GB, Intellect pp. 121-126. (Directory of World Cinema Series).

Scheding, Florian (2008) An animated quest for freedom: Mátyás Seiber’s score for The Magic Canvas In, Bergfelder, Tim and Cargnelli, Christian (eds.) Destination London: German-Speaking Émigrés and British Cinema, 1925–1950. Oxford, GB, Berghahn (Film Europa, 6).

Schultz, Corey K.N. (2014) Moving figures: class feelings in the films of Jia Zhangke Goldsmiths, University of London, Media and Communications, Doctoral Thesis , 312pp.

Schultz, Corey K.N. (2015) Worker, peasant, soldier... middle class? Class figures in Jia Zhangke's 24 City Asian Cinema, 26, (1), pp. 43-59. (doi:10.1386/ac.26.1.43_1).

Shafiq, Zubair (2015) Beyond ‘Masala’: horror and science fiction in contemporary Bollywood University of Southampton, Faculty of Humanities, Doctoral Thesis , 284pp.

Smith, Adrian (2003) Humphrey Jennings’ Heart of Britain (1941): a reassessment Historical Journal of Film, Radio and Television, 23, (2), pp. 133-151. (doi:10.1080/0143968032000091077).

Smith, Adrian (2006) Mountbatten goes to the movies: the cinema as a vehicle for promoting the heroic myth Historical Journal of Film, Radio and Television, 26, (3), pp. 395-416. (doi:10.1080/01439680600799421).

Smith, Adrian (2010) The dawn of the jet age in austerity Britain: David Lean's The Sound Barrier (1952) Historical Journal of Film, Radio and Television, 30, (4), pp. 487-514. (doi:10.1080/01439685.2010.523990).

Stigsdotter, Ingrid and Bergfelder, Tim (2007) Studying cross-cultural marketing and reception: Ingmar Bergman's Persona (1966) In, Chapman, James, Glancy, Mark and Harper, Sue (eds.) The New Film History: Sources, Methods, Approaches. Basingstoke, UK, Palgrave Macmillan pp. 215-228.

Van De Peer, Stefanie (2012) The Labyrinth of Halfaouine: storytelling and the 1001 Nights In, Khatib, Lina (eds.) Storytelling in World Cinema, Volume 1: Forms. New York, US, Columbia University Press

Vardell, Dan (2010) Unmaking the remake: Lacanian psychoanalysis, Deleuzian logic, and the problem of repetition in Hollywood cinema University of Southampton, School of Humanities, Doctoral Thesis , 219pp.

Williams, Linda Ruth (2004) Ready for action: G.I.Jane, Demi Moore’s body and the female combat movie In, Tasker, Yvonne (eds.) The Action and Adventure Cinema. London, Routledge pp. 169-185.

Williams, Linda Ruth (2005) The Erotic Thriller in Contemporary Cinema, Edinburgh, Scotland, Edinburgh University Press, 480pp.

Williams, Linda Ruth (2005) Twin Peaks: David Lynch and the serial-thriller soap In, Hammond, Michael and Mazdon, Lucy (eds.) The Contemporary Television Series. Edinburgh, Edinburgh University Press pp. 37-56.

Williams, Linda Ruth (2006) Taxi Driver In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill pp. 157-160.

Williams, Linda Ruth (2006) Sigourney Weaver In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill pp. 308-310.

Williams, Linda Ruth (2006) Toy Story In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill pp. 369-372.

Williams, Linda Ruth (2006) Jodie Foster In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill pp. 412-413.

Williams, Linda Ruth (2006) The Graduate In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill pp. 101-103.

Williams, Linda Ruth (2006) Warren Beatty In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill pp. 97-99.

Williams, Linda Ruth (2006) Jane Fonda In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill pp. 161-163.

Williams, Linda Ruth (2006) Neo-Noir and Erotic Thrillers In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill pp. 358-362.

Williams, Linda Ruth (2006) Auterism and Auteurs In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill pp. 139-144.

Williams, Linda Ruth (2011) Walking the line with the fille fatale In, Pomerance, Murray and Palmer, R. Barton (eds.) A Little Solitaire: John Frankenheimer and American Film. Chapel Hill, US, Rutgers University Press

Williams, Linda Ruth (2012) Arnold Schwarzenegger: corporeal charisma In, Everett, Anna (eds.) Pretty People: Movie Stars of the 1990s. Chapel Hill, US, Rutgers University Press (Star Decades: American Culture/American Cinema).

Williams, M.T. (2003) Ivor Novello: screen idol, London, UK, British Film Institute, 193pp.

Williams, M.T. (2004) Plein soleil and The Talented Mr Ripley: sun, stars and Highsmith's queer periphery Journal of Romance Studies, 4, (1), pp. 47-62. (doi:10.3167/147335304782369285).

Williams, Michael (2002) War-torn Dionysus: the silent passion of Ivor Novello In, Higson, Andrew (eds.) Young and Innocent? Cinema and Britain 1896-1930. Exeter, University of Exeter Press pp. 256-270. (Exeter Studies in Film History).

Williams, Michael (2006) ‘Come and have a bathe!’: landscaping the queer utopia In, Griffiths, Robin (eds.) British Queer Cinema. Abingdon, London: UK , New York: USA, Routledge pp. 105-119. (British Popular Cinema).

Williams, Michael (2008) Anton Walbrook: the continental consort In, Bergfelder, Tim and Cargnelli, Christian (eds.) Destination London: German Speaking Émigrés and British Cinema, 1925-1950. Oxford, GB, Berghahn pp. 155-171. (Film Europa, 6).

Williams, Michael (2009) The idol body: stars, statuary and the classical epic Film & History, 39, (2), pp. 39-48. (doi:10.1353/flm.0.0120).

Williams, Michael (2012) Book review. Flickers of Desire: Movie Stars of the 1910s and Twilight of the Idols: Hollywood and the Human Sciences in 1920s America Screen, 53, (4), pp. 486-490. (doi:10.1093/screen/hjs046).

Williams, Michael (2013) Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular In, Michelakis, Pantelis and Wyke, Maria (eds.) The Ancient World in Silent Cinema. Cambridge, GB, University of Cambridge Press pp. 125-144.

Williams, Michael (2015) James Whale In, Tasker, Yvonne and Leonard, Suzanne (eds.) Fifty Hollywood Directors. London, GB, Routledge pp. 280-289. (Routledge Key Guides).

This list was generated on Sat Jun 17 01:52:47 2017 BST.