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Number of items at this level: 72.

McGavin, John J. (2002) ‘That Thin Skin’: Skipper Lindsay and the Language of Record Medieval English Theatre, 24, pp. 15-31.

Bristol, M. and McKluskie, K. (eds.) (2001) Shakespeare and modern theatre: the performance of modernity, Abingdon, UK, Routledge, 208pp. (Accent of Shakespeare).

McLuskie, K. (2002) Dekker's public and private theatre collaborations Elizabethan Theatre, 15, pp. 65-89.

Everist, Mark (2005) Giacomo Meyerbeer and music drama in nineteenth-century Paris, vol. CS805, Aldershot, Ashgate, 460pp. (Variorum Collected Studies Series, CS805).

Everist, Mark (2004) Theatres of litigation: stage music at the Théâtre de la Renaissance, 1838–1840 Cambridge Opera Journal, 16, (2), pp. 133-161. (doi:10.1017/S095458670400182X).

Everist, Mark (2002) Music drama at the Paris Odéon, 1824-1828, Berkeley, US, Universiy of California Press, 348pp.

McGavin, John J. (2007) Theatricality and narrative in medieval and early modern Scotland, Aldershot, UK, Ashgate, 172pp. (Studies in Performance and Early Modern Drama).

Hammond, Mary (2004) Hall Caine and the melodrama on page, stage and screen Nineteenth Century Theatre and Film, 31, (1), pp. 39-57.

Hunt, Alice (2007) Legitimacy, ceremony and drama: Mary Tudor’s coronation and respublica In, Happé, Peter and Hüsken, Wim (eds.) Interludes and Early Modern Society: Studies in Gender, Power and Theatricality. Amsterdam, NL, Rodopi pp. 331-351. (Ludus: Medieval and Early Renaissance Theatre and Drama, 9).

Willimason, Eila and McGavin, John J. (2006) Crossing the border: the provincial records of south-east Scotland In, Douglas, Audrey and MacLean, Sally-Beth (eds.) REED in Review: Essays in Celebration of the First Twenty-Five Years. Toronto, CA, University of Toronto Press pp. 157-177. (Studies in Early English Drama).

McGavin, John J. (2007) Working towards a reformed identity in Lindsay’s Satyre of the Thrie Estaitis In, Happé, Peter and Hüsken, Wim (eds.) Interludes and Early Modern Society: Studies in Gender, Power and Theatricality. Amsterdam, Netherlands, Rodopi pp. 239-260. (Ludus: Medieval and Early Renaissance Theatre and Drama, 9).

Strietman, Elsa and Happé, Peter (eds.) (2007) Urban theatre in the low countries 1400-1625, vol. 12, Turnhout, Belgium, Brepols, 317pp. (Medieval Texts and Cultures of Northern Europe, 12).

Happé, Peter (2004) Cyclic form and the English mystery plays: a comparative study of the English biblical cycles and their continental and iconographic counterparts, vol. 7, Amsterdam, Netherlands, Rodopi, 349pp. (Ludus - Medieval and Early Renaissance Theatre and Drama, 7).

Fisher, Andrew M.S. (2003) Composition folio: musicals vols. I-IV University of Southampton, School of Humanities, Doctoral Thesis , 1788pp.

King, Ros (2008) The Winter's Tale: a guide to the text and the play in performance, Basingstoke, GB, Palgrave Macmillan, 168pp. (Shakespeare Handbooks).

King, Ros (2008) The 'disciplines of war': Elizabethan war manuals and Shakespeare’s tragicomic vision In, King, Ros and Franssen, Paul J.C.M. (eds.) Shakespeare and War. Basingstoke, UK, Palgrave Macmillan pp. 15-29.

McGavin, John J. (2009) Medieval theatricality and spectatorship Theta: Theatre Tudor, 8, pp. 183-200.

Pinnock, Andrew (2000) `From Roy Bowers': coming to Purcell the bibliographical way In, Burden, Michael (eds.) Henry Purcell's Operas: the Complete Texts. Oxford, UK, Clarendon Press

Izzo, Francesco, (1995) Exoticism, colonialism and oppression in Italian early Romantic opera [Esotismo, il colonialismo e l'oppressione in italiano all'inizio opera romantica] Kühnel, Jürgen and Müller, Ulrich (eds.) In Weine, Weine du Armes Volk: Das verführte und betrogene Volk auf der Bühne: Gesammelte Vorträge des Salzburger Symposions 1994 (Wort und Musik). Verlag Ursula Müller-Speiser., pp. 317-326.

Fauser, Annegret and Everist, Mark (eds.) (2009) Music, theater and cultural transfer: Paris 1830-1914, Chicago, US, Chicago University Press, 456pp.

Everist, Mark (2005) "Tutti i francesi erano diventati matti". Bellini and the Duet for Two Basses In, Everist, Mark (eds.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate pp. 281-307. (Variorum Collected Studies Series, CS805).

Everist, Mark (2005) Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance In, Everist, Mark (eds.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate pp. 309-341. (Variorum Collected Studies Series, CS805).

Fenech, Anne (2010) Inspiring transformations through participation in drama for individuals with neuropalliative conditions Journal of Applied Arts and Health, 1, (1), pp. 63-80. (doi:10.1386/jaah.1.1.63/1).

McGavin, John J. (2012) Nice Wanton, c.1550 In, Betteridge, Thomas and Walker, Greg (eds.) The Oxford Handbook of Tudor Drama. Oxford University Press pp. 246-261.

Donnelly, K.J. (2000) Entertainment and dystopia: the punk anti-musical In, Stilwell, Robynn J. and Marshall, Bill (eds.) Musicals - Hollywood and Beyond. Portland, US, Intellect pp. 171-179.

Jordan, James (2010) What we have gained is infinitely more than that small loss: Rudolph Cartier and The Dybbuk Jewish Culture and History, 11, (1-2)

King, R. and Franssen, P. (2008) War and Shakespearean dramaturgy In, King, Ros and Franssen, Paul J.C.M. (eds.) Shakespeare and War. Basingstoke, GB, Palgrave Macmillan pp. 1-11.

De Lucca, Valeria (2011) Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles Renaissance Studies, 25, (3), pp. 374-392. (doi:10.1111/j.1477-4658.2010.00676.x).

De Lucca, Valeria (2012) Patronage In, Greenwald, Helen (eds.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press

De Lucca, Valeria (2011) The power of the prima donna: Giulia Masotti’s repertory of choice Journal of Seventeenth-Century Music, 17, (1)

De Lucca, Valeria (2013) Dressed to impress: the costumes for Antonio Cesti’s Orontea in Rome (1661) Early Music, 41, (3), pp. 461-475. (doi:10.1093/em/cat077).

De Lucca, Valeria (2011) L’Alcasta and the emergence of collective patronage in mid-seventeenth-century Rome The Journal of Musicology, 28, (2), Spring Issue, pp. 195-230. (doi:10.1525/jm.2011.28.2.195).

May, William (2010) The siren Alps: text-setting and gender Contemporary Music Review, 29, (2), pp. 201-213. (doi:10.1080/07494467.2010.534930).

Hammond, E.M. (2011) The multimedia afterlives of Victorian novels: The Readers Library photoplay editions in the 1920s Nineteenth Century Theatre and Film, 37, (2), pp. 28-44.

Hammond, Michael (2011) Leonardo DiCaprio and Sean Penn: Acting authentic In, Pomerance, Murray (eds.) Shining in Shadows: Movie Stars of the 2000s. Biggleswade, GB, Rutgers University Press (Star Decades Series: American Culture/American Cinema).

King, Ros (2012) Arden of Faversham: the moral of history and the thrill of performance In, Betteridge, Tom and Walker, Greg (eds.) Oxford Handbook of Tudor Drama. Oxford, GB, Oxford University Press pp. 635-652. (Oxford Handbooks of Literature).

Pinnock, Andrew (2011) Theatre culture In, Herissone, Rebecca (eds.) The Ashgate Research Companion to Henry Purcell. London, GB, Ashgate

Hunt, Alice (2012) Dumb politics in Gorboduc In, Betteridge, Thomas and Walker, Greg (eds.) The Oxford Handbook of Tudor Drama. Oxford, GB, Oxford University Press pp. 547-565. (Oxford Handbooks of Literature).

Jordan, James (2011) The Prisoner (1952) and the perpetrator in early post-war British television Holocaust Studies, 17, (2-3), Autumn Issue, pp. 207-229.

Sloan, Barry (1993) Sectarianism and the Protestant mind: some approaches to a recurrent theme in Irish drama Etudes Irlandaises, Nouvelle Serie, 18, (2), pp. 33-43.

Campmas, Aude (2013) Exposition et reconnaissance de la femme-fleur dans La Curée: variations sur les tableaux vivants, mise en scène de la stérilité In, Moran, Claire (eds.) The Art of Theatre. New York, US, Peter Lang pp. 165-182.

Chesney, Luis and Dinneen, Mark (2012) Introduction [in special issue: Augusto Boal Revisitado] Revista de Teatro

Chesney, Luis and Dinneen, Mark (2012) Conclusions [in special issue: Augusto Boal Revisitado] Revista de Teatro

Dinneen, Mark (2013) Teatro Legislativo: estimulando a cidadania ativa [in special issue: Augusto Boal Revisitado] Revista de Teatro, 26, (Spring), pp. 141-161.

Chesney, Luis and Dinneen, Mark (eds.) (2013) Augusto Boal revisitado, Madrid, ES, Sociedade Brasileira de Autores Teatrais (Teatro. Revista de Estudios Culturales).

Placey, Evan (2012) How was it for you?

Placey, Evan (2012) Scarberia

Placey, Evan (2011) Mother of Him

Placey, Evan (2010) Mother of Him

Placey, Evan (2011) Holloway Jones

Placey, Evan (2011) Suicide(s) in Vegas

Placey, Evan (2010) Banana Boys

Emson, Kenneth, Placey, Evan and Dos Santos, Marcelo (2010) True love waits

Placey, Evan (2012) Running scared

Placey, Evan (2012) Love, friendship & protest

Placey, Evan (2011) Live feed

Placey, Evan (2011) Supergrass

Placey, Evan (2011) Grains of a Brighton summer

Placey, Evan (2009) Twelve

Placey, Evan (2010) Struck by love/train

Placey, Evan (2007) RainbowBright23

Placey, Evan (2013) Girls Like That, London, GB, Nick Hern Books, 80pp.

Rauxloh, Regina E. (2005) Goodies and baddies: the presentation of German police and criminals in east and west television drama German Law Journal, 6, pp. 981-1000.

Placey, Evan (2014) Pronoun, London, GB, Nick Hearn, 96pp.

van Pelt, Nadia (2013) Play-making on the edge of reality: managing spectator risk in early English drama University of Southampton, Faculty of Humanities, Doctoral Thesis , 289pp.

Placanica, Francesca (2013) Saverio Mercadante and France (1823-1836) University of Southampton, Faculty of Humanities, Doctoral Thesis , 331pp.

Campmas, Aude (2014) De la scène à la crypte : la famille et la guerre civile chez Wajdi Mouawad [in special issue: War, Memory, Amnesia: Postwar Lebanon] Contemporary French and Francophone Studies, 18, (5), pp. 479-486. (doi:10.1080/17409292.2014.976370).

Everist, Mark (2014) The music of power: Parisian opera and the politics of genre, 1806–1864 Journal of the American Musicological Society, 67, (3), pp. 685-734. (doi:10.1525/jams.2014.67.3.685).

Brown, Daniel (2004) Wilde and Wilder PMLA, 119, (5), pp. 1216-1230. (doi:10.1632/003081204X17806).

Luong, Van Nhan (2014) Translation in Vietnam: a case study of Shakespeare’s Romeo and Juliet University of Southampton, Faculty of Humanities, Doctoral Thesis , 292pp.

McGavin, John J. (2015) Plays on the Move In, Dutton, Elisabeth and McBain, James (eds.) Drama and Pedagogy in Medieval and Early Modern England. Narr Francke Attempto Verlag GmbH + Co. KG pp. 111-129.

King, Ros (2015) Disgust and delight: Apollo Shroving, The Roaring Girl and community theatre In, Sell, Roger D., Johnson, Anthony W. and Wilcox, Helen (eds.) Community–Making in Early Stuart Theatres: Stage and Audience. London, GB, Routledge

This list was generated on Wed Apr 26 07:43:05 2017 BST.