A framework for the real-time analysis of musical events
A framework for the real-time analysis of musical events
In this thesis I propose a framework for the real-time creation of a harmonic structural model of music. Unlike most uses of computing in musicology which are based on batch processing, the framework uses publish/subscribe messaging techniques found in business systems to create an interconnected set of collaborating applications within a network that process streamed events of the kind generated during a musical performance. These applications demonstrate the transformation of data in the form of MIDI commands into information and knowledge in the form of the music’s harmonic structure represented as a model using semantic web techniques.
With such a framework, collaborative performances over the network become possible with a shared representation of the music being performed accessible to all performers both human and potentially software agents. The framework demonstratesnovel real-time implementations of pitch spelling, chord and key extraction algorithms interacting with semantic web and database technologies in a collaborative manner. It draws on relevant research in information science, musical cognition, semantic web and business messaging technologies to implement a framework and set of software components for the real-time analysis of musical events, the output of which is adescription of the music’s harmonic structure. Finally, it proposes a pattern based approach to querying the generated model which suggests a visual query and navigation paradigm.
Ibbotson, John Bryan
72a92933-0dd5-4db6-aa43-e123997c0da7
April 2009
Ibbotson, John Bryan
72a92933-0dd5-4db6-aa43-e123997c0da7
De Roure, David
02879140-3508-4db9-a7f4-d114421375da
Ibbotson, John Bryan
(2009)
A framework for the real-time analysis of musical events.
University of Southampton, School of Electronics and Computer Science, Doctoral Thesis, 145pp.
Record type:
Thesis
(Doctoral)
Abstract
In this thesis I propose a framework for the real-time creation of a harmonic structural model of music. Unlike most uses of computing in musicology which are based on batch processing, the framework uses publish/subscribe messaging techniques found in business systems to create an interconnected set of collaborating applications within a network that process streamed events of the kind generated during a musical performance. These applications demonstrate the transformation of data in the form of MIDI commands into information and knowledge in the form of the music’s harmonic structure represented as a model using semantic web techniques.
With such a framework, collaborative performances over the network become possible with a shared representation of the music being performed accessible to all performers both human and potentially software agents. The framework demonstratesnovel real-time implementations of pitch spelling, chord and key extraction algorithms interacting with semantic web and database technologies in a collaborative manner. It draws on relevant research in information science, musical cognition, semantic web and business messaging technologies to implement a framework and set of software components for the real-time analysis of musical events, the output of which is adescription of the music’s harmonic structure. Finally, it proposes a pattern based approach to querying the generated model which suggests a visual query and navigation paradigm.
Text
Ibbotson_thesis_final_20-04-2009.pdf
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More information
Published date: April 2009
Organisations:
University of Southampton
Identifiers
Local EPrints ID: 66195
URI: http://eprints.soton.ac.uk/id/eprint/66195
PURE UUID: 4b9b8a05-e7c2-4378-9ce0-7cf8d7cfc73d
Catalogue record
Date deposited: 12 May 2009
Last modified: 13 Mar 2024 18:11
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Contributors
Author:
John Bryan Ibbotson
Thesis advisor:
David De Roure
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