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Palaeolithic ceramic technology: the artistic origins and impacts of a technological innovation.

Palaeolithic ceramic technology: the artistic origins and impacts of a technological innovation.
Palaeolithic ceramic technology: the artistic origins and impacts of a technological innovation.
This paper analyses the assemblages of Upper Palaeolithic ceramic figurines and figurine fragments from Czech Republic (“Pavlovian”) and Croatia, which are some of the first iterations of this material and technological innovation in Europe. Using chaîne opératoire methodology, this paper compares both the technologies and gestures involved in the manufacture of these artefacts as well as the impact of these new materials on art and society in each context. These analyses reveal how the introduction of this innovative material and the associated technologies used to make ceramic art proved to be an important catalyst for more experimentation and play in the production of art, which led to innovations in artistic expression. Furthermore, this research highlights the need to study Palaeolithic ceramic artefacts using quantitative and nuanced analytical methodologies that move beyond the traditional focus on the most iconographically-striking Palaeolithic art.
1040-6182
3-11
Farbstein, Rebecca
54cac522-b7f7-4f5f-9ac1-7d6db126e8e2
Davies, William
5042ec27-3fcd-4ddb-bc0c-8c5578a0e50b
Farbstein, Rebecca
54cac522-b7f7-4f5f-9ac1-7d6db126e8e2
Davies, William
5042ec27-3fcd-4ddb-bc0c-8c5578a0e50b

Farbstein, Rebecca and Davies, William (2017) Palaeolithic ceramic technology: the artistic origins and impacts of a technological innovation. Quaternary International, 441 (Part B), 3-11. (doi:10.1016/j.quaint.2016.11.012).

Record type: Article

Abstract

This paper analyses the assemblages of Upper Palaeolithic ceramic figurines and figurine fragments from Czech Republic (“Pavlovian”) and Croatia, which are some of the first iterations of this material and technological innovation in Europe. Using chaîne opératoire methodology, this paper compares both the technologies and gestures involved in the manufacture of these artefacts as well as the impact of these new materials on art and society in each context. These analyses reveal how the introduction of this innovative material and the associated technologies used to make ceramic art proved to be an important catalyst for more experimentation and play in the production of art, which led to innovations in artistic expression. Furthermore, this research highlights the need to study Palaeolithic ceramic artefacts using quantitative and nuanced analytical methodologies that move beyond the traditional focus on the most iconographically-striking Palaeolithic art.

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Accepted/In Press date: 13 November 2016
e-pub ahead of print date: 1 March 2017
Published date: 20 June 2017
Organisations: Archaeology

Identifiers

Local EPrints ID: 408733
URI: http://eprints.soton.ac.uk/id/eprint/408733
ISSN: 1040-6182
PURE UUID: 1a8f9293-857b-49aa-adc0-224c698af4ec
ORCID for William Davies: ORCID iD orcid.org/0000-0003-1830-5403

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Date deposited: 27 May 2017 04:02
Last modified: 16 Mar 2024 05:18

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Contributors

Author: Rebecca Farbstein
Author: William Davies ORCID iD

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