Marx and the moderns : artistic and democratic contributions to socialist humanism

Abstract

Artistic and Democratic Contributions to Socialist Humanism
The thesis presented here proposes that during the nineteenth and twentieth century, progressive developments in democratic and aesthetic practice, theory, materials and equipment, have constructively contributed to the making of socialist humanist history. It is also contended that this can even happen when the work has not been carried through with socialist and humanist intentions. Further, contrary to Gorz's thesis that we could say 'farewell to the working class', it is argued in Marx and the Moderns that social progress is intrisically connected activities of the wage labourer or working people to gether with the work of artists and craftworkers.
Chapter one indicates some of the historical sites and notable periods of history for this contention. The theme of the 'Crisis of Communism' as raised in New Times is considered and the legacies which have quickened the pace of history.
The second chapter reports on the continuing crises and contradictions of capitalism. It considers the question of whether science and art are woven into humanism and the progress of peace and justice together with the development of knowledge, enlightenment and enchantment.
Chapter three looks at and discusses maturing social and political vocations and identities. Thought is given to the question of what considerations encourage people to want to be artists and democratic activists.
Chapter four explores the challenges posed by seeking to live and create authentically with regards to different forms of art. Since the mid nineteenth century new social and economic vistas, contours, grammars, tones, shapes and colours have provided numerous exciting and thought provoking contributions opening the windows of many stifling households.
The fifth chapter provides an artistic review of five produced pieces with art and function. A painting, a sculpture, a play, a piece of music and a housing development. They are considered weaving in the themes of enchantment and practical usefulness. Recounting the 'expressionist debate' the themes of reason, art and historically developing class societies are considered.
The last chapter provides support for the thesis that democratic activities assist socialists and humanists as fellow travellers which shall bring about the rewards of more humane, just and peaceful international societies.

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