Virtual exhibition as a portal to authentic art experiences: exploring the immersive reproduction of exhibition in practice
Virtual exhibition as a portal to authentic art experiences: exploring the immersive reproduction of exhibition in practice
Exhibitions are traditionally constrained by fixed times and locations, limiting access for a wider audience. Immersive reproduction, leveraging 3D reconstruction and virtual reality technologies, offers a way to transcend these temporal and spatial limitations. While previous research has largely focused on integrating mixed-reality elements within physical museum spaces, treating VR as a supplementary tool, our research positions VR as the primary “portal” to authentic artistic experiences. This demo showcases the complete process of immersive reproduction for Following the Fish, an exhibition featured at the 18th Venice International Architecture Biennale in 2023, offering valuable insights and references for future digital archiving and immersive reproduction of exhibitions.
Virtual Reality, Immersive Reproduction, digital archive, High-Precision 3D Reconstruction, Virtual Exhibitions, Virtual Tour
Yin, Yuanyuan
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Pan, Lian
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Wei, Xiao
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Tang, Ruohan
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O'Connor, Chrisopher
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Yin, Yuanyuan
cdb7e6d5-a9d9-4ecc-bbaa-a10ea4350f39
Pan, Lian
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Wei, Xiao
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Tang, Ruohan
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O'Connor, Chrisopher
3489f998-ca11-455b-a3ef-219f62a74e67
Yin, Yuanyuan, Pan, Lian, Wei, Xiao, Tang, Ruohan and O'Connor, Chrisopher
(2025)
Virtual exhibition as a portal to authentic art experiences: exploring the immersive reproduction of exhibition in practice.
The 32nd IEEE Conference on Virtual Reality and 3D User Interfaces, , Saint-Malo, France.
08 - 12 Mar 2025.
2 pp
.
(In Press)
Record type:
Conference or Workshop Item
(Paper)
Abstract
Exhibitions are traditionally constrained by fixed times and locations, limiting access for a wider audience. Immersive reproduction, leveraging 3D reconstruction and virtual reality technologies, offers a way to transcend these temporal and spatial limitations. While previous research has largely focused on integrating mixed-reality elements within physical museum spaces, treating VR as a supplementary tool, our research positions VR as the primary “portal” to authentic artistic experiences. This demo showcases the complete process of immersive reproduction for Following the Fish, an exhibition featured at the 18th Venice International Architecture Biennale in 2023, offering valuable insights and references for future digital archiving and immersive reproduction of exhibitions.
Text
vr25c-sub1105-cam-i5
- Accepted Manuscript
More information
Accepted/In Press date: 2025
Venue - Dates:
The 32nd IEEE Conference on Virtual Reality and 3D User Interfaces, , Saint-Malo, France, 2025-03-08 - 2025-03-12
Keywords:
Virtual Reality, Immersive Reproduction, digital archive, High-Precision 3D Reconstruction, Virtual Exhibitions, Virtual Tour
Identifiers
Local EPrints ID: 498814
URI: http://eprints.soton.ac.uk/id/eprint/498814
PURE UUID: 2e9fa35a-cc2c-4003-af91-3ab9987b81b1
Catalogue record
Date deposited: 03 Mar 2025 17:31
Last modified: 22 Aug 2025 02:38
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Contributors
Author:
Lian Pan
Author:
Xiao Wei
Author:
Ruohan Tang
Author:
Chrisopher O'Connor
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