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‘Immigrant gifts’: Alphonso Trumpbour Clearwater, colonial silver and the limits of ‘Americanization’, 1906-1933

‘Immigrant gifts’: Alphonso Trumpbour Clearwater, colonial silver and the limits of ‘Americanization’, 1906-1933
‘Immigrant gifts’: Alphonso Trumpbour Clearwater, colonial silver and the limits of ‘Americanization’, 1906-1933

The Clearwater Bequest of 1933 is a landmark in the development of the Metropolitan Museum of Art's holdings of American silver, and in the American Colonial Revival more broadly. Alphonso Trumpbour Clearwater (1848-1933) was a judge, antiquary and pillar of society in Kingston, New York. Drawing on the Clearwater papers at the Winterthur Museum in Delaware, as well as his correspondence with curators at the Metropolitan Museum of Art and other museums, this essay considers the origin in late nineteenth-century fairs of Clearwater's collecting of late seventeenth- and eighteenth-century silver; his evolving taste and relations with dealers, curators and rival collectors in the decades before and after the opening of the Metropolitan's American Wing (1924); and the interaction of his views on what kind of silver 'belonged' in his collection with his views on what kind of people did and did not 'belong' in the United States.

0954-6650
85-102
Conlin, Jonathan
3ab58a7d-d74b-48d9-99db-1ba2f3aada40
Conlin, Jonathan
3ab58a7d-d74b-48d9-99db-1ba2f3aada40

Conlin, Jonathan (2025) ‘Immigrant gifts’: Alphonso Trumpbour Clearwater, colonial silver and the limits of ‘Americanization’, 1906-1933. Journal of the History of Collections, 37 (1), 85-102. (doi:10.1093/jhc/fhae041).

Record type: Article

Abstract

The Clearwater Bequest of 1933 is a landmark in the development of the Metropolitan Museum of Art's holdings of American silver, and in the American Colonial Revival more broadly. Alphonso Trumpbour Clearwater (1848-1933) was a judge, antiquary and pillar of society in Kingston, New York. Drawing on the Clearwater papers at the Winterthur Museum in Delaware, as well as his correspondence with curators at the Metropolitan Museum of Art and other museums, this essay considers the origin in late nineteenth-century fairs of Clearwater's collecting of late seventeenth- and eighteenth-century silver; his evolving taste and relations with dealers, curators and rival collectors in the decades before and after the opening of the Metropolitan's American Wing (1924); and the interaction of his views on what kind of silver 'belonged' in his collection with his views on what kind of people did and did not 'belong' in the United States.

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Accepted/In Press date: 1 January 2025
e-pub ahead of print date: 14 February 2025
Published date: 1 March 2025

Identifiers

Local EPrints ID: 499374
URI: http://eprints.soton.ac.uk/id/eprint/499374
ISSN: 0954-6650
PURE UUID: beccc659-a96a-424b-87b3-6651bab8515f
ORCID for Jonathan Conlin: ORCID iD orcid.org/0000-0003-0394-4931

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Date deposited: 18 Mar 2025 17:38
Last modified: 22 Aug 2025 01:56

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