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Creative pedagogic methods for self-guided embodied thinking and learning about animal research

Creative pedagogic methods for self-guided embodied thinking and learning about animal research
Creative pedagogic methods for self-guided embodied thinking and learning about animal research
A prevailing view suggests that with greater knowledge, the public might respond differently to opinion surveys. This paper examines animal research – a domain marked by ethical complexity - to explore how curiosity and creativity can be harnessed to engage people with conflicting values and emotions. Rather than focusing solely on knowledge acquisition, the paper conceptualizes and illustrates how embodied creative methods can enable the public and industry professionals to make, to co-create their own knowledges about animal research. Three critical observations of contemporary engagement efforts are offered. Firstly, while existing approaches have made notable strides in informing and educating the public, they rely on the active participation of self-selecting learners. Secondly, engagement efforts tend to emphasise defending the principles of animal research, often overlooking the diverse everyday practices that constitutes the industry. Thirdly, a didactic, mentalist communication style prevails, reinforcing a hierarchical dynamic between expert and non-expert participants. Embodied creative methods are proposed not as tools for data collection, but as means to explore experiences and knowledge-making practices in novel ways. The paper presents three examples of such engagements authored by an artist, a pharmacologist and a veterinarian including making artwork, and two workshop activities - The Mouse Exchange and Care-full stories. These initiatives sensitively surface the complexities of the human-animal relationship at the heart of animal research. The examples show how engagements centered on creative embodied methods foster curiosity and help overcome anxieties that inhibit engagement. Reflecting on these contributions prompts a consideration about whether such activities are adequately recognised within the current Concordat on Openness in Animal Research. The paper concludes by proposing a rewording to reflect a more evolved vision of openness in animal research for the decades ahead.
2398-502X
Roe, Emma
f7579e4e-3721-4046-a2d4-d6395f61c675
Bailey, Sarah
bc2ee6ca-c218-4055-bbae-c59c02df3758
Mackenzie, Louise
031ebc19-fb94-4cdb-9827-49b0ca16665d
Tremoleda, Jordi
b7c44dc5-b027-4232-9c1b-8c1fc1999609
Roe, Emma
f7579e4e-3721-4046-a2d4-d6395f61c675
Bailey, Sarah
bc2ee6ca-c218-4055-bbae-c59c02df3758
Mackenzie, Louise
031ebc19-fb94-4cdb-9827-49b0ca16665d
Tremoleda, Jordi
b7c44dc5-b027-4232-9c1b-8c1fc1999609

Roe, Emma, Bailey, Sarah, Mackenzie, Louise and Tremoleda, Jordi (2025) Creative pedagogic methods for self-guided embodied thinking and learning about animal research. Wellcome Open Research, 10 (595). (doi:10.12688/wellcomeopenres.24930.1).

Record type: Article

Abstract

A prevailing view suggests that with greater knowledge, the public might respond differently to opinion surveys. This paper examines animal research – a domain marked by ethical complexity - to explore how curiosity and creativity can be harnessed to engage people with conflicting values and emotions. Rather than focusing solely on knowledge acquisition, the paper conceptualizes and illustrates how embodied creative methods can enable the public and industry professionals to make, to co-create their own knowledges about animal research. Three critical observations of contemporary engagement efforts are offered. Firstly, while existing approaches have made notable strides in informing and educating the public, they rely on the active participation of self-selecting learners. Secondly, engagement efforts tend to emphasise defending the principles of animal research, often overlooking the diverse everyday practices that constitutes the industry. Thirdly, a didactic, mentalist communication style prevails, reinforcing a hierarchical dynamic between expert and non-expert participants. Embodied creative methods are proposed not as tools for data collection, but as means to explore experiences and knowledge-making practices in novel ways. The paper presents three examples of such engagements authored by an artist, a pharmacologist and a veterinarian including making artwork, and two workshop activities - The Mouse Exchange and Care-full stories. These initiatives sensitively surface the complexities of the human-animal relationship at the heart of animal research. The examples show how engagements centered on creative embodied methods foster curiosity and help overcome anxieties that inhibit engagement. Reflecting on these contributions prompts a consideration about whether such activities are adequately recognised within the current Concordat on Openness in Animal Research. The paper concludes by proposing a rewording to reflect a more evolved vision of openness in animal research for the decades ahead.

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e-pub ahead of print date: 24 October 2025

Identifiers

Local EPrints ID: 506138
URI: http://eprints.soton.ac.uk/id/eprint/506138
ISSN: 2398-502X
PURE UUID: 3037324b-0d2e-4183-ad20-9ac42e8f821e
ORCID for Emma Roe: ORCID iD orcid.org/0000-0003-4674-2133

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Date deposited: 29 Oct 2025 17:35
Last modified: 30 Oct 2025 02:40

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Contributors

Author: Emma Roe ORCID iD
Author: Sarah Bailey
Author: Louise Mackenzie
Author: Jordi Tremoleda

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